Sherlock Holmes: soluzione settepercento

The Seven per cent solution was one of my favorite Childhood films. Nicol Williamson was to me Sherlock Holmes. He looked like Holmes and he sounded to me the way Holmes ought to sound. After Watching Basil Rathbone portray Holmes(Rathbone will always be Holmes) I saw several other Holmes but none did justice to the role like Williamson. The story is simple. Sherlock Holmes is addicted to cocaine a seven percent solution 7% Cocaine and 91% saline solution. This addiction renders Holmes mad and paranoid with certain secrets from his past coming to haunt him. Watson decides to take him to Vienna to find the one man who could Cure Holmes. Enter DR. Sigmund Freud wonderfully played by Alan Arkin HE MAKES THE MOVIE!! Holmes is sent to Vienna by remarkable Ruse concocted by Watson and Holmes older smarter brother Mycroft. Holmes meets Freud and is forced to confront his addiction and is forced to cure it. While in the middle of his cure Freud has a patient in his care disappear. Enter Holmes to find her and save her from a Criminal conspiracy the climax of the film is thrilling and exciting and it makes you wonder why Hollywood with it's new generation of filmmakers and writers and actors why can't they do this kind of film today? The Truth is they can't. This movie belongs to a era we will never see again a era in which Adventure didn't mean gore or action did not mean necessarily Blood and Guts and Shootings every five minutes. Nick Meyers Screenplay from his fantastic novel Is in my view perhaps the Greatest Sherlock Holmes ever told a masterpiece from beginning to end. And worthy of the title CLASSIC.

I remember seeing trailers for this film at the time it was released. I was interested in seeing it, having read the Meyer novel, but never did until May of 2006 when it showed up on cable. I guess what happened is that it came and went so fast back in 1976 that I never got around to it. And viewing it now, I can understand why it didn't last. Nicol Williamson, as good an actor as he is, just doesn't feel right as Holmes. Was Robert Duvall forced on the producers because he was a hot property? Otherwise, why cast an American for a quintessentially English role (Watson) with a phony plummy-British accent? Olivier and Arkin do nicely, although Larry is under-used (as is the lovely Samantha Eggar). The problem is with the script and pacing. It's not serious enough to be a thriller, and not funny enough to be a comedy. At almost 2 hours it's far too long for the content. The chase scene, "cold turkey" sequence, and other sections could easily have been trimmed. The weird "horse attack" sequence is meaningless, and provides the biggest laugh of all: the appearance of horse trainers running around in some of the long shots. This film would be OK for a long rainy evening, but you'll be tempted to use your fast-forward button!

From the opening to the closing credits, filled with illustrations that originally accompanied Doyle's stories in the Strand, the details of the movie are painstakingly accurate when compared to those in the canon. This is one non-canonical Holmes story that exists in the same world as Sir Arthur Conan Doyle's Sherlock Holmes.

The movie takes the liberty of assuming that all of Dr. Watson's accounts of Sherlock Holmes are true, except for one. That would be "The Final Problem", in which the great detective supposedly dies at the hands of his arch-enemy Professor Moriarty. The movie suggests that this story is merely a cover up for a period in time in which Holmes was getting help with his cocaine addiction from none other than famous psychiatrist Sigmund Freud.

The settings and characters ring true to both Doyle's mysteries and the Sydney Paget illustrations that accompanied them. Sherlock Holmes' deerstalker and cloak, though never mentioned by Doyle, look more like Paget's illustrations than ever before, more rugged than in most film interpretations. American actor Robet Duvall, despite sometimes struggling with the British accent, portrays Watson as an intellectually and physically fit comrade for Holmes, not a bumbler. Laurence Olivier's Prof. Moriarty matches the vision of Doyle and Paget rather than the cliché mustache twirler of other movies. Only now, Moriarty isn't really a criminal mastermind. He's Holmes' childhood math tutor.

Alan Arkin depicts Freud as a man of intelligence, insight, and above all, honor.

The inclusion of lesser known characters like Mycroft Holmes and Toby is a plus. There are also references, both direct and sly, to canonical Holmes stories.

While Nicol Williamson's performance as Sherlock Holmes lacks the vigor and spark of Basil Rathbone or Christopher Plummer, Williamson succeeds in showing Holmes as a troubled individual rather than a god. The movie mixes drama, subtle humor, mystery, and even action, finally showing Holmes as the capable fighter he was in the canon. The end of the film strays from the books in order to explore the uncharted territory of Holmes' childhood, providing a deeply moving climax.

This may come truer to Sir Arthur's original vision than any other pastiche written for film so far, largely thanks to the efforts of writer/director Nicholas Meyer. It's obvious in every scene that Meyer has a great love for the writings of Arthur Conan Doyle.

This odd idea teams Nicol Williamson and Robert Duvall as Holmes and Watson and uses the idea that Holmes is neurotic and drug-addicted because of what happened to him as a child. Enter Dr Freud (Alan Arkin), plus a woman in distress (Vanessa Redgrave).

Duvall attempts a British accent but fails miserably (probably why he has hardly anything to say within this movie). Williamson and Arkin are great and there is a lot of pleasure to be had from their interpretations of these great characters. Laurence Olivier, however, as Moriarty is dreadful and clearly just turning in a performance by numbers for the cheque.

One last item of interest for musical fans is that this film has the first appearance of Stephen Sondheim's song 'I Never Do Anything Twice', later used in the revue Side by Side. Here it is incidental to the plot, but memorable.

Dr. Watson (Robert Duvall) prepares a scheme to Sherlock (Nicol Williamson) meets Sigmund Freud (Alan Arkin) in Vienna to cure his drugs addiction . Besides , the trio will resolve an abducting of a famous actress damsel (Vanessa Redgrave) , rescuing her from villains still being beset by his dastardly and devilish rival . Holmes excursion brings the famed Victorian sleuth towards Austria , as Holmes along Freud will solve unanswered mysteries and Sherlock undergoes some risked experiences to resolve the cases using even his habitual disguise .

It is a nice Holmes film with gripping London and Vienna setting . A genuine ripping yarn and very intriguing . The movie blends suspense , thriller , detective action , cloak and dagger , mystery and being enough interesting . Packs an exciting amount of surprises with great lots of entertainment . This is a classy and effective romp with a strongly casting . Nicol Williamson as whimsical detective is top-notch , he's in cracking form . He makes an unique perspective on his life , revealing a complex personality . He's finely matched in battle of wits with Freud . The stars have a splendid fight aboard a train towards the end ; plus , Holmes tries to battle his arch-enemy Moriarty but with an amazing final surprise . Although Basil Rathbone will be forever identified as Holmes ; however , here Nicol Williamson is also played as an intelligent , cunning , broody and impetuous pipesmoking sleuth but addicted to cocaine , his interpretation is likeness to Christopher Plummer (Murder by decree) or Peter Cushing and Jeremy Brett in television . While Dr. Watson isn't a bumbling and botcher pal generally represented by Nigel Bruce , but a clever and astute partner magnificently incarnated by Robert Duvall .

Screenwriter Nicholas Meyer provides the original plot , creating the basis for this particularly storyline . After this film , source novelist-screenwriter Meyer realized a similar operation , uniting H.G.Wells with Jack the Ripper in the movie ¨Time after the time¨ , as he became a film director himself , in his another picture connected with Victorian England. Excellent sets by production designer Ken Adam in his fourth of seven collaborations to director Herbert Ross . The film boasts a beautiful cinematography by Oswald Morris and a haunting score by John Addison . The motion picture sparkles with polish and wit and the ending results to be as exciting as moving and being well directed by Herbert Ross .