Not Now, Comrade

Or at least to begin with,as Striptease Artiste Barbara(Delectable Carol Hawkins)wearing the aforementioned strategically placed tassels and little else,successfully disrupts a photo-shoot of a Moscow Ballet Company,in order to facilitate the escape of her defecting Ballet star boyfriend Rudi(Amusing Lewis Fiander) to her waiting car.Unfortunately,he climbs into the boot of the wrong vehicle! This belongs to Naval Commander Rimmington(Leslie Phillips),who drives off home,and the frantic "Adventure" begins! The Film is full of Broad British humour,typical of the Seventies:Farce,Innuendo and even Slapstick:Politically Incorrect and Funny for sure. Much of the Innuendo is centred on Barbara and her obvious charms! All of the cast of British Comedy Stalwarts,several appearing in very popular t.v.Sitcoms of the time,rise appropriately to the occasion. Ian Lavender,as Civil Servant Gerry Buss(Also Boyfriend of the Commander's Daughter Nancy),has as much screen time as anyone,including pretending to be both the Commander and Rudi when called upon! Michele Dotrice(Nancy) and Carol Hawkins are fun in their respective roles,as is Roy Kinnear as the increasingly paranoic Gardener,Hoskins. Co-Director Ray Cooney is also amusing as the initially staid Mr. Laver,the MI 6 man,who' loosens up' as his drink ratio increases. Windsor Davies is the local Constable doing his best to sort out the escalating confusion,determined to get his man,even if it's the wrong one!June Whitfield and Don Estelle(Who also sings the Title song) appear later in the proceedings to add to the hilarity in important,if limiting roles. Add the two pursuing Russian KGB men into the mix also! If you enjoy this very British Entertainment of the period then this movie is for you!

This has got to be one of the lowest budget films ever produced in Britain , and considering it`s a British film that is indeed saying a lot . In fact it`s somewhat insulting to consider NOT NOW COMRADE a " film " since as one contributer mentioned it`s a stage play . It`s like someone has gone into the local theartre with a film camera and started filming . The interiors resemble those you`d see in a theartre and you can clearly hear the CLUMP CLUMP CLUMP as the actors run around the wooden floors like you would in an auditorium . I guess some people might be pretentious pseudo-intellectuals and say the film has a self referential marxist theme because of the title and therefore that`s why there`s been no money spent but I`d say correctly that even in 1976 it would have been an outdated British B movie with limited appeal hence no one would want to invest money into it

OK, it's not nearly as funny as NOT NOW DARLING but if you enjoy a good old fashioned farce, you'll enjoy this. It's not Carry On type humour and it's definitely not one of those appalling sex comedies, it's the sort of thing you'd watch at a theatre and laugh so hard it hurts.

Like a lot of comedy plays however which work brilliantly on the stage, it loses the intimacy when put on film. Sharing the same space, being in the same room as actors makes live comedy personal and special which can't quite be captured on celluloid. Nevertheless this almost works. Despite its slow start, it builds up to the most wonderfully silly crescendo when nobody is quite sure who they're having to pretend to be, why they're there and why a policeman is chasing them.

Sophisticated subtle and thought provoking this is not. Three dimensional believable characters acted with emotion and pathos, this does not provide. None of that matters because it's just fun in the tradition of Will Hay or The Aldwych Farces of the 1930s up to the more recent ONE MAN, TWO GUVNORS. For a mid-seventies film, it's also refreshingly good clean fun - as I said, this is not one of those tawdry, smutty sex comedies popular back then. The roots of this style of comedy goes all the way back to the old music halls - the roots of this particular film was a stage play in the mid sixties.

Don't expect a traditional film with proper movie acting and traditional movie sets, except a filmed live comedy show. Expect a crazy hour and a half of traditional seaside postcard innuendo, the obligatory man losing his trousers (although not in front of the usual embarrassed vicar), exasperated people running in and out of rooms, mistaken identity and of course Leslie Phillips.

Disappointing after the first NOT NOW picture but still an absolute delight.

Not now, Comrade (1976, Leslie Philips, Ian Lavender etc) We've just attempted to enjoy this on Talking Pictures TV, but it was an impossible task. Sadly, this is what the British film industry was reduced to in the mid-70's, although it gave a good number of fading stars and soap personalities something to do. We enjoy a good Ray Cooney farce, but this isn't one of them. It's one of those 'sex comedies' that became popular at the time and no-one comes out of this one well, although Carol Hawkins does have some fine attributes and was good to look at. It's stage roots are very obvious, with people who must not meet coming and going from various doors and asking awkward questions. The scene following the Russian ballet dancer's release from the car boot is excruciating, you just want it to be over as soon as possible. The Triumph Stag was probably the best thing in the entire film and accounts for one of my 3 points. Carol Hawkins gets the other two. Ahem.

Critics may lambaste this low budget flick - but i love it! - and this film still remains one of my all time favourite classic comedies (alongside 'Planes, Trains & Automobiles'.)Aimed primarily at a British audience - it may err on the side of British humour which other nationalities may find hard to understand the humour. I have to say that i laughed from start to finish with the script! What more can i say?..... Give it a watch - you will either love it or hate it! - but you certainly can't forget it! Lesley Phillips certainly fulfils his role as the Eccentric British funny-man. The film is not made out to be a classic but i feel that if you are after the humour and not flashy sets and Hollywood A-list actors, then its worth a watch! The film is certainly for an era gone by, but writing on behalf of the Eighties something generation - it is surprisingly hilarious!