Mikey e Nicky

Titolo originale: Mikey and Nicky

1976
R
1h 46min

VALUTAZIONE IMDb

7,3/10

8584

LA TUA VALUTAZIONE

Peter Falk and John Cassavetes in Mikey e Nicky (1976)

Riproduci trailer1:39

1 video

90 foto

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Nicky è in fuga dalla mafia, quindi va dal suo vecchio amico Mikey per un aiuto.Nicky è in fuga dalla mafia, quindi va dal suo vecchio amico Mikey per un aiuto.Nicky è in fuga dalla mafia, quindi va dal suo vecchio amico Mikey per un aiuto.

Vedi le informazioni sulla produzione su IMDbPro

VALUTAZIONE IMDb

7,3/10

8584

LA TUA VALUTAZIONE

Vedi le informazioni sulla produzione su IMDbPro

Video1

Trailer 1:39

Official Trailer

Foto90

+ 84

Recensioni degli utenti74

7,38.5K

Recensioni in evidenza

5jellopuke

Not the lost classic some say

Mikey and Nicky, two small time mob guys wander around town while a hitman chases Nicky (sort of). They bicker and yabber endlessly the whole time.

I'd wanted to see this for a long time. It's called some kind of misunderstood classic, lost work of genius, etc. I'm sad to say it's not. There's not really enough here for the running time and what is here is barely interesting. Lots of talking and improvising (despite what May says, I don't buy that this wasn't, in parts, largely improvised. There are too many nonsensical bits to be anything other than spur of the moment choices). Also, it's shockingly poorly edited, with loads of continuity errors, off camera dialogue to on camera closed mouths, poorly framed shots, out of focus inserts, freeze frames on details they forgot to cover, and even reused reactions. It's obvious that there was way too much film shot, no focus, and bad construction.

This is not some fabled hidden gem, but it's not a total waste. There are a couple of okay scenes and the bookend shots work nicely. Solid Meh.

dutra-2

Unsung Classic

Elaine May gives us a real portrait of friendship that hacks like Tarantino and LaBute could only dream of making. She doesn't get hung up on the hipness or the coolness of her characters. Mikey and Nicky are people she forces us to care about. They are reflections of ourselves, even if we have never been wanted by the mob. Elaine May gives us reasons to relate to and to sympathize with Mikey and Nicky, but she also shows us reasons to feel out and out disgust for them. Our decisions and emotions are not simple and our view of this characters cannot be one-sided. No one wears white. No one wears black. There is no right, no wrong. It's not about witty dialogue and unique and jaded perspectives on life. This film is life and it's not pretty and easy to swallow, but it is honest.

8Felonious-Punk

This movie makes me want to fight for its respect!

People give respect to give respect to Scorsese's "Casino", to "Taxi Driver", to "Mean Streets", they give respect to "The Godfather" and a whole slew of gritty organized crime movies. But I've never heard a single mention of this movie. Thankfully, people have been coming slowly around to Cassavetes-directed movies, but seldom, if ever, have I heard anyone compliment this movie for which Cassavetes is only credited for his acting. The silence regarding this movie is ridiculous, because of how great this movie is. It's so pure, it's so rough, it makes "Mean Streets" look big budget. The director, the comic-timing pro Elaine May, is a genius to let the actors do their thing, because they are legendary actors and to get too involved would ruin the chemistry. I think it's wise to go into this movie without knowing too much except maybe the names of the two leads and the director, and that the whole production is amazing without being perfect.

Wizard-8

Not without merit, though it eventually outstays its welcome

I decided to take a chance on this movie when I stumbled upon it in my neighborhood video store. I feel I should mention that I'm not a fan of Cassavetes' films, though I did know that he just acted in this movie and didn't write or direct. Cassavetes does give a good performance in the movie - in fact, all the other actors give good performances as well. Under the direction of Elaine May, the performances have a relaxed and unrehearsed feeling; at times I almost thought I was seeing real people caught by a hidden camera. May also captures the grit of an American city in the 1970s before things got cleaned up. Despite this good stuff, however, the movie eventually becomes somewhat tiresome. The Cassavetes character eventually becomes obnoxious and frustrating because we never really learn how he got into trouble. And after a time, you start to wonder where this thin story is going - you have to wait until the last half hour before the plot starts moving again. Not a terrible movie, but the script should have gone through a couple more rewrites before filming started.

a1_andy_11

Good acting, let down by poor pacing.

Cassavetes and Falk are excellent in this film. Unfortunately the film is let down by poor pacing, and poor production.

Each scene is drawn out just that little bit too long. By the time we hit the 2nd act I was finding it hard to keep focused. It felt like the director was trying to string out a short into a feature. It's a pity because both leads gave excellent performances'. Cassavetes's character was getting incredibly annoying. I was rooting for him to get whacked after 45 minutes.

I don't using complain about production value of 70's films. It was a LOT tougher back then. Mickey & Nicky had a sizeable budget though, and it looked terrible.

There are much better Cassavetes films, such as "Gloria" & "The Killing of a Chinese Bookie".

Quiz
Elaine May shot 1,400,000 feet of film for the production. A two-hour feature is just under 11,000 feet. This was nearly three times the amount of film that was shot for Via col vento (1939).

Blooper
In the hotel room when Nicky is on the bed moving, a crew member can be seen reflected in the mirror in a crouching position.

Citazioni
Mikey: [they have just climbed over the wall of a cemetery] I'm exhausted really, Nick. This is foolish. Nick, please. It's just foolish.
Nicky: Foolish?
Mikey: Frankly, I think it's ridiculous.
Nicky: You didn't like my mother?
Mikey: I loved your mother. I thought she was a wonderful woman.
Nicky: Why is it ridiculous to visit her grave?
Mikey: Because it's one o'clock in the morning.
Nicky: That makes it nicer.
Mikey: It doesn't make it anything, Nick. A grave is a grave. There's not a religion in the world that says a person's soul is buried with them in their grave. It's not your mother in there.
Nicky: You don't believe in any of that stuff?
Mikey: No.
Nicky: You don't believe there's anything after you die?
Mikey: Er, me personally, no. I believe you die and that's it.
Nicky: That doesn't scare you? To think that one day'll you die. You'll be over. You won't be anything, you won't know anything. Be nothing.
Mikey: Look, Nick, if you wanna visit your mother, let's visit your mother because this conversation is stupid.
Nicky: It isn't stupid. It's interesting - if you're gonna die.
Mikey: Well, I'm not gonna die so I think it's stupid.
Nicky: Yeah, well you are some day.
Mikey: Look, Nick...
Nicky: You're gonna die some day.
Mikey: I'm not gonna stand here at one o'clock in the morning and discuss what's gonna happen to me when I die. I mean, that mishegoss I leave to the Catholics.
[he walks off]
Nicky: Aren't you gonna die some day? Aren't you gonna die some day? Aren't you gonna die some day? I just wanna know, are you gonna die some day?