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Mikey e Nicky

Titolo originale: Mikey and Nicky
  • 1976
  • R
  • 1h 46min
VALUTAZIONE IMDb
7,3/10
8355
LA TUA VALUTAZIONE
Peter Falk and John Cassavetes in Mikey e Nicky (1976)
Guarda Official Trailer
Riproduci trailer1: 39
1 video
90 foto
TragedyCrimeDramaThriller

Nicky è in fuga dalla mafia, quindi va dal suo vecchio amico Mikey per un aiuto.Nicky è in fuga dalla mafia, quindi va dal suo vecchio amico Mikey per un aiuto.Nicky è in fuga dalla mafia, quindi va dal suo vecchio amico Mikey per un aiuto.

  • Regia
    • Elaine May
  • Sceneggiatura
    • Elaine May
  • Star
    • Rose Arrick
    • Carol Grace
    • William Hickey
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    8355
    LA TUA VALUTAZIONE
    • Regia
      • Elaine May
    • Sceneggiatura
      • Elaine May
    • Star
      • Rose Arrick
      • Carol Grace
      • William Hickey
    • 72Recensioni degli utenti
    • 51Recensioni della critica
    • 81Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
  • Video1

    Official Trailer
    Trailer 1:39
    Official Trailer

    Foto90

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    Interpreti principali22

    Modifica
    Rose Arrick
    • Annie
    Carol Grace
    Carol Grace
    • Nellie
    William Hickey
    William Hickey
    • Sid Fine
    Sanford Meisner
    Sanford Meisner
    • Dave Resnick
    Joyce Van Patten
    Joyce Van Patten
    • Jan
    M. Emmet Walsh
    M. Emmet Walsh
    • Bus Driver
    Peter Falk
    Peter Falk
    • Mikey
    John Cassavetes
    John Cassavetes
    • Nicky (Nick Godalin)
    Ned Beatty
    Ned Beatty
    • Kinney
    Sy Travers
    • Hotel Clerk
    Peter R. Scoppa
    Peter R. Scoppa
    • Counter Man
    • (as Peter Scopia)
    Virginia Smith
    • Jan's Mother
    Jean Shevlin
    Jean Shevlin
    • Lady on Bus
    Danny Klein
    • Harry
    Martin Wolfson
    Martin Wolfson
    • Candy Store Man
    Eugene Hobgood
    Eugene Hobgood
    • Mel
    David Pendleton
    David Pendleton
    • Bar Patron
    Will Gill Jr.
    • Bartender
    • (as William Gill)
    • Regia
      • Elaine May
    • Sceneggiatura
      • Elaine May
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti72

    7,38.3K
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    Recensioni in evidenza

    5jellopuke

    Not the lost classic some say

    Mikey and Nicky, two small time mob guys wander around town while a hitman chases Nicky (sort of). They bicker and yabber endlessly the whole time.

    I'd wanted to see this for a long time. It's called some kind of misunderstood classic, lost work of genius, etc. I'm sad to say it's not. There's not really enough here for the running time and what is here is barely interesting. Lots of talking and improvising (despite what May says, I don't buy that this wasn't, in parts, largely improvised. There are too many nonsensical bits to be anything other than spur of the moment choices). Also, it's shockingly poorly edited, with loads of continuity errors, off camera dialogue to on camera closed mouths, poorly framed shots, out of focus inserts, freeze frames on details they forgot to cover, and even reused reactions. It's obvious that there was way too much film shot, no focus, and bad construction.

    This is not some fabled hidden gem, but it's not a total waste. There are a couple of okay scenes and the bookend shots work nicely. Solid Meh.
    Wizard-8

    Not without merit, though it eventually outstays its welcome

    I decided to take a chance on this movie when I stumbled upon it in my neighborhood video store. I feel I should mention that I'm not a fan of Cassavetes' films, though I did know that he just acted in this movie and didn't write or direct. Cassavetes does give a good performance in the movie - in fact, all the other actors give good performances as well. Under the direction of Elaine May, the performances have a relaxed and unrehearsed feeling; at times I almost thought I was seeing real people caught by a hidden camera. May also captures the grit of an American city in the 1970s before things got cleaned up. Despite this good stuff, however, the movie eventually becomes somewhat tiresome. The Cassavetes character eventually becomes obnoxious and frustrating because we never really learn how he got into trouble. And after a time, you start to wonder where this thin story is going - you have to wait until the last half hour before the plot starts moving again. Not a terrible movie, but the script should have gone through a couple more rewrites before filming started.
    9drosse67

    Elaine May makes a Cassavetes film

    Viewers familiar with John Cassavetes' directing style will see his influence in this film, but Elaine May wrote and directed it. It is an engaging, highly unusual drama about two childhood pals mixed up with the mob. Don't expect Martin Scorsese or Francis Coppola glitz here---this movie is different. There is a real, uncinematic edge to it. It almost plays like a documentary, or a "reality movie." And the actors--Falk and Cassevetes were good friends and frequently worked together--allow for unique male-bonding (and a dissection of the male sex) that rarely occurs in modern film (another characteristic of a Cassavetes-directed film). Women are basically throwaway characters in many of his films, and that is the case here. This movie will either be an endurance test for audiences, or a fascinating experience. It was the latter for me.
    8Felonious-Punk

    This movie makes me want to fight for its respect!

    People give respect to give respect to Scorsese's "Casino", to "Taxi Driver", to "Mean Streets", they give respect to "The Godfather" and a whole slew of gritty organized crime movies. But I've never heard a single mention of this movie. Thankfully, people have been coming slowly around to Cassavetes-directed movies, but seldom, if ever, have I heard anyone compliment this movie for which Cassavetes is only credited for his acting. The silence regarding this movie is ridiculous, because of how great this movie is. It's so pure, it's so rough, it makes "Mean Streets" look big budget. The director, the comic-timing pro Elaine May, is a genius to let the actors do their thing, because they are legendary actors and to get too involved would ruin the chemistry. I think it's wise to go into this movie without knowing too much except maybe the names of the two leads and the director, and that the whole production is amazing without being perfect.
    LewisJForce

    Wildly overpraised

    People are going crazy for this film here: "one of the best films ever made", "lost classic" "10 star movie", etc, etc. When I finally got hold of a disc, I was wetting myself in anticipation.

    Friends, it ain't all that. It's watchable. Reasonably entertaining. Often feels like it's gonna go somewhere profound, though never does. Has lovely little moments. But it meanders, is unnecessarily technically inept (it was a major studio picture with people like the great Lucien Ballard involved) and somehow never has the courage of it's convictions. Cassavetes' similar film from the same period, 'The Killing Of a Chinese Bookie', is far better.

    I don't dislike the film. It has a great 70's texture and plenty of lovable eccentricities, such as the brief musical 'score'( anyway you look at it, it doesn't work, but I sort of enjoyed it for that reason). There's one scene I really liked: Cassavetes walks into an all-night candy store (as a Brit, the concept of that alone excites me) and tries to buy ice-cream. Nothing worth really talking about happens, but it's quirky and entertaining. It's that kind of movie.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Elaine May shot 1,400,000 feet of film for the production. A two-hour feature is just under 11,000 feet. This was nearly three times the amount of film that was shot for Via col vento (1939).
    • Blooper
      In the hotel room when Nicky is on the bed moving, a crew member can be seen reflected in the mirror in a crouching position.
    • Citazioni

      Mikey: [they have just climbed over the wall of a cemetery] I'm exhausted really, Nick. This is foolish. Nick, please. It's just foolish.

      Nicky: Foolish?

      Mikey: Frankly, I think it's ridiculous.

      Nicky: You didn't like my mother?

      Mikey: I loved your mother. I thought she was a wonderful woman.

      Nicky: Why is it ridiculous to visit her grave?

      Mikey: Because it's one o'clock in the morning.

      Nicky: That makes it nicer.

      Mikey: It doesn't make it anything, Nick. A grave is a grave. There's not a religion in the world that says a person's soul is buried with them in their grave. It's not your mother in there.

      Nicky: You don't believe in any of that stuff?

      Mikey: No.

      Nicky: You don't believe there's anything after you die?

      Mikey: Er, me personally, no. I believe you die and that's it.

      Nicky: That doesn't scare you? To think that one day'll you die. You'll be over. You won't be anything, you won't know anything. Be nothing.

      Mikey: Look, Nick, if you wanna visit your mother, let's visit your mother because this conversation is stupid.

      Nicky: It isn't stupid. It's interesting - if you're gonna die.

      Mikey: Well, I'm not gonna die so I think it's stupid.

      Nicky: Yeah, well you are some day.

      Mikey: Look, Nick...

      Nicky: You're gonna die some day.

      Mikey: I'm not gonna stand here at one o'clock in the morning and discuss what's gonna happen to me when I die. I mean, that mishegoss I leave to the Catholics.

      [he walks off]

      Nicky: Aren't you gonna die some day? Aren't you gonna die some day? Aren't you gonna die some day? I just wanna know, are you gonna die some day?

    • Connessioni
      Featured in The Making of Mikey and Nicky (2004)
    • Colonne sonore
      Good Times Bad Times
      Words and Music by John Strauss

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    Dettagli

    Modifica
    • Data di uscita
      • 21 dicembre 1976 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official site
    • Lingue
      • Inglese
      • Ebraico
    • Celebre anche come
      • Mikey and Nicky
    • Luoghi delle riprese
      • Filadelfia, Pennsylvania, Stati Uniti(the Essex Hotel at 13th and Filbert Streets depicting the film's Hotel Royale)
    • Azienda produttrice
      • Paramount Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 4.300.000 USD (previsto)
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 46 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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