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Max Havelaar

Titolo originale: Max Havelaar of de koffieveilingen der Nederlandsche handelsmaatschappij
  • 1976
  • PG-13
  • 2h 50min
VALUTAZIONE IMDb
7,1/10
1071
LA TUA VALUTAZIONE
Peter Faber in Max Havelaar (1976)
Period DramaDrama

Aggiungi una trama nella tua linguaAn idealistic Dutch colonial officer posted to Indonesia in the nineteenth century is convinced that he can make the kinds of changes that will actually help the local people of whom he is i... Leggi tuttoAn idealistic Dutch colonial officer posted to Indonesia in the nineteenth century is convinced that he can make the kinds of changes that will actually help the local people of whom he is in charge.An idealistic Dutch colonial officer posted to Indonesia in the nineteenth century is convinced that he can make the kinds of changes that will actually help the local people of whom he is in charge.

  • Regia
    • Fons Rademakers
  • Sceneggiatura
    • Gerard Soeteman
    • Multatuli
  • Star
    • Peter Faber
    • Sacha Bulthuis
    • Adendu Soesilaningrat
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,1/10
    1071
    LA TUA VALUTAZIONE
    • Regia
      • Fons Rademakers
    • Sceneggiatura
      • Gerard Soeteman
      • Multatuli
    • Star
      • Peter Faber
      • Sacha Bulthuis
      • Adendu Soesilaningrat
    • 13Recensioni degli utenti
    • 5Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 1 vittoria in totale

    Foto12

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    + 6
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    Interpreti principali26

    Modifica
    Peter Faber
    • Max Havelaar
    Sacha Bulthuis
    Sacha Bulthuis
    • Tine
    Adendu Soesilaningrat
    • Regent
    • (as E.M. Adenan Soesilaningrat)
    Maruli Sitompul
    • Demang
    Krijn ter Braak
    Krijn ter Braak
    • Verbrugge
    Carl van der Plas
    • Resident
    Rima Melati
    Rima Melati
    • Mevrouw Slotering
    Joop Admiraal
    • Slotering
    Pitradjaya Burnama
    • Djaska
    • (as Pitradjaja Burnama)
    Herry Lantho
    • Saïdjah
    Nenny Zulaini
    • Adinda
    Sofia W.D.
    • Babu
    Minih bin Misan
    • Saïdjah's vader
    Rutger Hauer
    Rutger Hauer
    • Duclari
    Frans Vorstman
    • Gouverneur-generaal
    Helmert Woudenberg
    Helmert Woudenberg
    • Planter
    Hugo Koolschijn
    • Luitenant
    Mello Nieuwenhuis
    • Maxje
    • Regia
      • Fons Rademakers
    • Sceneggiatura
      • Gerard Soeteman
      • Multatuli
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti13

    7,11K
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    Recensioni in evidenza

    10bspittle

    Where to get a copy

    I saw this movie about 30 years ago. I remember that I loved it. I spent 2 years in Java and it really captured a lot of the spirit there. The cinematography and colors in the move were fabulous. Indonesia was ruled by the Dutch for 450 years so they are not always that fond of their former colonizers. Anyone interested in a great book ought to read Krakatoa: the Day the World Exploded by Simon Winchester. It too, captured the country in the 1800's and explains in great part some of the tensions that still exist there.

    If anyone knows where to get a copy of it, please post here. I've been trying off and on for years to get a copy through Ebay and internet searches but to no avail.
    7frankde-jong

    The difficult task of adapting an icon of Dutch literature

    Fons Rademakers is a Dutch director known for his adaptations of Dutch literature. Earlier I already wrote reviews about his films "The dark room of Damocles" (1963) and "The assault" (1986). With "Max Havelaar" he adapts one of the icons of Dutch literature.

    "Max Havalaar" was written in 1860 and is about the Dutch colonial government in Indonesia. It has strong autobiographical elements as the writer Eduard Douwes Dekker has been a civil servant in the Dutch East Indies himself. One of the purposes of the book is to find rehabilitation for injustices Douwes Dekker believes were done to him during his career. He published the book under the pseudonym "Multatuli", latin for "I suffered a lot". This personal motive does not harm however the literary value of the novel.

    "Max Havelaar" is a multi faceted book. It covers the following topics.

    The way the colonial government of the Dutch East Indies was organized.

    The way native princes collaborated with the Dutch government producing an intimately intertwined system of exploitation of the population.

    A story within a story about this population featuring the boy Saïdjah and the girl Adinda.

    The hypocrisy of Dutch traders in oriental spices, interpreting exploitation as development aid and beleiving it themself, as represented by the character of "Droogstoppel" (dry stubble).

    A description about the essential element of bureaucracy as not including bad news in official reports because later you could be held accountable for not doing anything about it. This discription of bureaucracy is surprisingly topical for a novel from 1860!

    The movie does not (and could not) treat al these elements. It is above all the story of a good Dutch civil servant (Max Havelaar played by Peter Faber), who tries to protect the native population, and a bad native prince (Adipati played by Adendu Soesilaningrat), who exploits the people. The other elements of the story are hinted at at best. The hypocrisy of Droogstoppel is magnificently illuminated by church services (with very hypocritical preaching) at the beginning and the end of the film.

    For the Dutch film industry "Max Havelaar" is on the crossroad of the careers of two prominent Dutch directors. Fons Rademakers, the director of this film, was in the later stages of his career. Paul Verhoeven was the upcoming director at that time. Verhoeven himself was not involved with "Max Havelaar", but some people who would later become his regular "crew" were. I can mention scenario writer Gerard Soeteman, actor Rutger Hauer and cinematographer Jan de Bont. Nevertheless the film is "signature" Rademakers. The scene in which Havelaar saves a dog out af the sea with sharks nearby or the scene in which a native prince tries to blackmail a Dutch civil servant using beautiful young native dancing girls would have been done much more spicy by Verhoeven.
    10brian-1414

    A relevant film, again

    I saw this film once, thirty years ago, when it first came out. It was regarded as avantgarde at the time, and was shown in a small "alternative" movie theaters in Aarhus, Denmark. I have never forgotten the power of this film, and can remember it in amazing detail, in particular the ending. No, it's not a happy film, full of complete heroes who win the day. It is like the world today, and is as relevant now as it was then. I can remember that it was one of the rare films that did not have a musical score. The sound was what actually took place; the sound of machinery,walking, the weather, music played in the film. It is sad that this seems to have become a forgotten film. I don't know one other person who has seen this film. It is unknown and unavailable in all the local movie rental places. Not even Netflex had a copy. I would love to see this film again, and if anyone knows how to get a copy I hope they post that info here. Brian
    7Chinesevil

    An honorable movie about a very shameful story.

    The problem of some peoples of South Asia and Africa was that of their intrinsic corruption, their poor culture and great ignorance which made these peoples non-productive and incapable of everything slaves.

    Even today these countries are horrible in all existing statistics.

    European colonialism has always improved and brought great techniques and great culture, but men with blinkers do not understand good things, and follow evil and horrible traditions. As it was in Indonesia, it is still one of the worst countries in Asia today.

    The film is good, has great intentions of justice, and is also very realistic.
    10Cioran

    compelling

    This film works. It gives a realistic, grim depiction of life in a European colony, namely Indonesia. The description of web of hypocrisy of church-going Dutch and the utmost repression the natives under their rule endure. People who derive benefits from others misery and use powerful denial mechanisms to evade from the truth. Max Havelaar was a man, the film makers and writers seem to love - a beacon of hope. One stand up guy who resists succumbing to the mire of human power struggles and utmost cruelty towards other people, in a situation where he has the position to wield unquestionable power. In this he reminds of Josef Schindler who also found some humanity in a dire, cruel situation. This film also matches John Sayles' "Men With Guns" in portraying human cruelty.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Peter Faber got a new set of dentures during filming, but Producer and Director Fons Rademakers insisted he put the old ones back in because the new pair made his face look different.
    • Blooper
      When Saidjah's brother chases the KNIL-soldiers, he is shot down with one shot. While falling, his forehead is intact. On the ground, you see a bullethole between his eyes
    • Curiosità sui crediti
      The title doesn't appear until 13 minutes into the movie.
    • Connessioni
      Featured in Fons Rademakers: Hoe een zondagskind de Nederlandse speelfilm uitvond (2003)

    I più visti

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    Domande frequenti16

    • How long is Max Havelaar?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 9 settembre 1976 (Paesi Bassi)
    • Paesi di origine
      • Indonesia
      • Paesi Bassi
    • Lingue
      • Olandese
      • Malese
    • Celebre anche come
      • Max Havelaar - meine Tage in der Südsee
    • Luoghi delle riprese
      • Bogor, Indonesia(Istana Bogor/ Het Paleis Buitenzorg)
    • Aziende produttrici
      • P.T. Mondial Motion Pictures
      • Rademakers Productie BV
      • Jakarta Film
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 50 minuti
    • Mix di suoni
      • Mono
    • Proporzioni
      • 2.35 : 1

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