Uno studente di storia viene coinvolto in un pericoloso complotto internazionale che coinvolge nazisti, gioielli rubati e agenti governativi.Uno studente di storia viene coinvolto in un pericoloso complotto internazionale che coinvolge nazisti, gioielli rubati e agenti governativi.Uno studente di storia viene coinvolto in un pericoloso complotto internazionale che coinvolge nazisti, gioielli rubati e agenti governativi.
- Candidato a 1 Oscar
- 4 vittorie e 11 candidature totali
- Old Lady on 47th Street
- (as Lotta Andor-Palfi)
- Street Gang
- (as Church)
Recensioni in evidenza
William Goldman, one of Hollywood's few celebrity screenwriters, wrote both the original novel and the script for this film version. I find him a bit overrated, but here he does a good job of elevating hack-level thriller material into a sort of art form. The beginning of the film is particularly well-written and intriguing, since it's full of creepy and cryptic events that are not immediately explained. But, alas, I find the ultimate explanation of these events to be rather prosaic and disappointing.
So, I think the movie's strengths lie in the acting and directing, more so than the story. Olivier and Scheider give particularly great performances, and Marthe Keller comes across as appropriately sweet and sexy (her big "secret," though, should be really easy for anyone to guess!) I'm a little less enamored of Dustin Hoffman, whose character is inexplicably nicknamed "Babe." He's just way too old to be a typical graduate student (almost forty years old, to be precise), and he simply doesn't have much charisma to me. Usually I like normal-looking, non-glamorous actors, but somehow Hoffman doesn't float my boat.
Still, it's hard not to sympathize with the poor guy while he's being pursued, beaten, tortured etc. The "dental horror" scene is still quite effective, though it's rather short; I was more impressed by the subsequent chase through the dark streets of NYC. (The city, by the way, looks like a hellish, crime-infested, debris-strewn pit in this movie - like it does in most 1970s productions!)
In the end, "Marathon Man" isn't quite another "French Connection," but it's got more than enough suspense to crush a lot of the dross that infests theaters today. It's worth watching just for the terrifying scene when the bad guys start tearing Hoffman's door off its hinges - it's good stuff.
Marathon runner and grad student Thomas "Babe" Levy (Dustin Hoffman) unknowingly crosses paths with Nazi (Lawrence Olivier) attempting to disguise himself as a regular citizen posing as a dentist, for the intention of retrieving some jewels. It was quite an effective chiller during it's time, from director John Schilsinger, especially the well-known drilling of the teeth scene that can be painful to even watch. Dentists were not too popular after the film's release this is part of the reason why. Roy Schneider also stars as Dustin Hoffman's brother Doc Levy as a government agent. Acting veteran received another Best Oscar nomination for this role. The second of 2 movies director John Schlesinger made with actor Dustin Hoffman.
I didn't find the infamous (this was quite a buzz when the film came out) dentist scene to be as terrifying as it was made up to be and the references to the McCarthy hearings are a bit annoying and typical of Hollywood director John Scheslinger. It's also a typical modern-day film in which the U.S government's police agencies are corrupt (oh, puhleeze, filmmakers - think of something new).
However, despite those negatives, the film is fascinating with no dry spots despite its two-hour length. There is a nice variety of action scenes and very interesting characters. Marthe Keller never looked better. Too bad she didn't make more movies in the U.S. Dustin Hoffman, as he did so well in the '70s, keeps your attention and Laurence Olivier is absolutely riveting. This is a terrific thriller, start to finish.
Lo sapevi?
- QuizSir Laurence Olivier took the role of Dr. Szell in part to leave a great deal of money to his wife and children, as he expected to die from the cancer that afflicted him throughout production. He performed the role while undergoing treatment for his cancer, which included heavy doses of painkillers to allow him to work every day. The pain medication affected his memory, and at times Olivier could not remember more than one or two of his lines at a time. In a testament to his fierce concentration, his performance garnered rave reviews and an Oscar nomination, and despite working under such aggressive medical treatment, he experienced a full recovery, allowing him to enjoy the success of this movie, and a series of leading roles that followed.
- BlooperAs Doc approaches LeClerc's shop, he passes a girl in a green sweater. When he leaves the shop a few minutes later, the same girl passes him, still going in the same direction.
- Citazioni
Christian Szell: Is it safe?... Is it safe?
Babe: You're talking to me?
Christian Szell: Is it safe?
Babe: Is what safe?
Christian Szell: Is it safe?
Babe: I don't know what you mean. I can't tell you something's safe or not, unless I know specifically what you're talking about.
Christian Szell: Is it safe?
Babe: Tell me what the "it" refers to.
Christian Szell: Is it safe?
Babe: Yes, it's safe, it's very safe, it's so safe you wouldn't believe it.
Christian Szell: Is it safe?
Babe: No. It's not safe, it's... very dangerous, be careful.
- Curiosità sui creditiThe ending credits scroll with Babe's jogging route as a backdrop.
- ConnessioniEdited from Le olimpiadi di Tokyo (1965)
- Colonne sonoreDors, ô cité perverse
(1881)
(from 'Hérodiade')
Music by Jules Massenet
Libretto by Paul Milliet (uncredited) and Henry Grémont (uncredited)
Sung by Joseph Rouleau, with the Orchestra of the Royal Opera House (Royal Opera House Covent Garden Orchestra)
Conducted by John Matheson
Courtesy of London and Decca Records
I più visti
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Maratón de la muerte
- Luoghi delle riprese
- 505 South Flower St, Los Angeles, California, Stati Uniti(Scheider & Olivier converse in front of "Double Ascension" sculpture)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 21.709.020 USD
- Lordo in tutto il mondo
- 21.709.020 USD
- Tempo di esecuzione
- 2h 5min(125 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1