Mako - Lo squalo della morte

Sonny loves sharks.He feeds them and swims with them.But when a group of fisherman set out to exploit and kill the sharks Sonny and his carnivorous friends take bloody revenge."Mako:Jaws of Death" by William Grefe is an average animal attack film with unspectacular death scenes.The performances are weak and there is no suspense.The cinematography is murky and there is very little blood.However some underwater shots look impressive.I have seen "Whiskey Mountain" by William Grefe and I must say that I enjoyed that movie more than "Mako:The Jaws of Death".Still if you are into low-budget 70's horror "Mako" is definitely one to check out.6 sharks out of 10.

This movie is about a guy whose best friends are sharks.

He talks to them and gets revenge if anybody hurts them. A science lab does something awful to his sharks and they pay the price. The music score for this movie is quite good and it sets the mood. Also the only thing this movie has in common with Jaws is that it has sharks in it, the plot is totally different. It also has some amusing parts in it too. All in all a fun, amusing shark movie. I give Mako: The Jaws of Death **1/2 out of ****

This film starts off by thanking the underwater directorial team for risking their lives for the making of it. I sincerely hope that this is just some sort of ploy and not actually the case, as Mako: The Jaws of Death is definitely not a film that anyone should even consider risking their life over. In 1975, Steven Spielberg released what is probably the great shark movie of all time with Jaws, but he really has a lot to answer for as that film inspired a whole host of awful (mostly Italian) rip-offs. I've only seen a handful of Jaws rip-offs, but even among the few that I've seen – Mako: The Jaws of Death surely ranks right down near the bottom, and that's actually a shame because it has a fairly decent plot idea going for it. Basically, we focus on a man with a bond for sharks. He keeps a few as 'friends' but attracts interest from local entities - including a scientist and a nightclub. He ends up loaning out some of his sharks, but is not impressed with their treatment and so decides to take his revenge...

The film does manage a true seventies exploitation style and while the film obviously shot on a very low budget, it still manages to be fairly good in that respect. The problem really is with the way that the plot is developed as it doesn't fulfil its potential and none of the characters are interesting enough to really care about, and that unfortunately includes the lead who really should have been a lot better considering his strange interest in sharks. There are a couple of familiar faces in the cast list - most notably Richard Jaeckel and Harold Sakata, who is credited in this film as Harold "Oddjob" Sakata. Unfortunately (saying that a lot in this review...), considering that the film is about sharks, sharks actually don't feature all that often and when they do it's a bit of a let-down. The film also lacks a lot of humour, and while it's clear that the filmmakers were not making a serious horror film to the audience; apparently they themselves were oblivious that fact! Overall, Mako: The Jaws of Death is a silly and tepid film and should not really be viewed by anyone!

Someone already pointed out that MAKO: THE JAWS OF DEATH is a hybrid of JAWS and a cult classic about a young man with a twisted connection to rats, WILLARD. But this film's director William Grefé's STANLEY, about a slightly older fella hooked on snakes, already borrowed from the WILLARD template, making JAWS OF DEATH a clone of a clone of a clone...

As Richard Jaekel, no stranger to creepy roles despite or even accentuated by his blond-haired, man-next-door look, goes back and forth from the seaside town to the sea itself, where the opening credits of a diver swimming smoothly beside a killer shark proves the introductory scrawl, about how the underwater crew risked their lives in making this motion picture, wasn't just for show: the first two minutes alone defines exploitation cinema at its finest, and riskiest...

But for the fictional story, time moves rather slow like in these kind of shoddy, super low budget films, especially conversations between Jaekel and the sexy tavern-swimming dame he saves from being raped by two town bullies...

Seedy shark-hunters played by cult actors Harold 'Odd Job' Sakata ala GOLDFINGER and John Davis Chandler, who looks like Jaekel's brother from another father... Peter Lorre. And Jennifer Bishop's Karen isn't very wise when Jaekel shows-off two pet sharks he feeds from an estuary below his island shack's floorboard. She actually calls him crazy, right then and there. No other ingenue in a killer fish flick has ever asked for it so much... but that's only the beginning of her extremely predictable/inevitable fate...

Meanwhile, her boss and boyfriend, and the film's primary exploiter, Buffy Dee as Barney, is the real target: he owns the club where both the girl and Jaekel's trained shark will swim behind glass for the patrons (throwing in a little KING KONG and MIGHTY JOE YOUNG influence)...

Going back to WILLARD, Barney's the Ernest Borgnine character here (who played Bruce Davison's bitter boss), only Jaekel works for no one but himself. And again like STANLEY, practically note-for-note, the girl erotically "dances" with the main character's beloved pet... that he unwittingly sold for that reason, while not realizing the otherwise docile predator would be unfairly harmed: plus there's a trusted doctor that winds up a backstabber, and he also doesn't live very long...

But the best, most original scene occurs in the beginning where a fishing charter boat thinks they caught a prized Mako, and in fact, for a few minutes, they have: until ascending angel Jaekel moves in wielding severe yet entertaining ultra-violence... but perhaps too soon...

More similar creative body count moments distributed evenly throughout would've made this a lot more fun for the drive-in audience it seems intentionally made for/catered to. Instead there's a lot of waiting between preachy talk about protecting sharks from evil humans...

It's always more fun when the psychotic lead isn't so idealistic and self-righteous wherein, like SILENT RUNNING, he kills for supposedly forgivable reasons. But for shark cinema enthusiasts, MAKO, definitely more well filmed than well put-together, is something to admire, at least once.

Greetings and salutations, and welcome to my review of 1976s Mako: Jaws Of Death

The story gets a 1 out of 2: The trouble with this film is its ridiculous story. The writers barely bother hiding its stupidity. It wouldn't have been so harmful if they'd played it for laughs. I find it strange they ramble through this Shark Whisperer tale as though talking to sharks was typical. I know we all talk to our pets, but this guy believes the sharks talk back to him.

However, I have to say I fully embrace the idea of an eco-warrior trying to save the little fishes. Sharks have been much-aligned for years. It's about time they bit back because of their critical press. It's just a shame the writers decided to handle it in such a manner.

The Direction and Pace receive a 2.25 out of 4: What deems this an okay film is the direction. Most of the sharks are real. However, I'm hoping the multiple deceased ones in the movie were merely rubber props. Otherwise, that makes the moral of the tale hypocritical.

Where the direction falls flat is in the creation of atmosphere. It would've been enjoyable to feel anxious whenever the sharks attacked. But the director films it in a matter-of-fact fashion, which adds a smidgeon of boredom to the scenes. This film needed more tension and scares, which would have made it more powerful. Which, of course, talks of pacing. The movie has a steady pace, and it doesn't work. This style of story cries out for a roller-coaster style tempo. Because of the steadiness, I found my attention faltering.

The Acting gets a 1 out of 2: There are a few known faces in this film, and none of them helped make this film more entertaining. Even the Eco-Hero played by Richard Jaeckel felt out of place with his odd and peculiar character. However, I do have to give him respect because he nailed ominous. This guy can stand and stare, and you know you'll have to fight like hell to survive.

And, my Enjoyment level hits a 0.75 out of 2: Unfortunately, the ridiculous story and principal character hindered Mako too much. Couple that with the monotonous pacing and my failing attention, and you develop a sub-par movie.

The total scores give Mako a 5 out of 10: This is one of those weekend afternoon movies you choose to watch if there's no match. I wouldn't recommend you rush to watch it. In fact, I wouldn't recommend viewing this movie until you've exhausted all your other shark films.

Pull on your speedo's and breaststroke over to my Killer Thriller Chillers and Monstrous lists to see where these misrepresented man-eaters and their bestie drowned in my rankings.

Take care and stay well.