Io, re del blues

Leadbelly isn't a great movie, but it does a good job of conveying a sense of the man, and the lead performance is very strong.

Director Parks doesn't quite carry off the sense of how alien a world the old segregated South was, and the movie has a bit too much of a this happened, and then this happened, and then this happened quality to it, rather than shaping Leadbelly's story to make a great movie.

But overall the movie is engaging, entertaining, and educational, and you get a sense of why he was such an influence on today's music. It's an enormous shame that the Weavers never credited him in "Wasn't that a time."

Truly outstanding performance by Roger Mosely as Leadbelly. A must-see for any music or blues fan. The film takes you back in time, shows the pain, suffering and hardship of the American Black experience, and the music that evolved from that suffering. Most interesting is the explanation for how Leadbelly got his nickname. The film is true to life and captures your attention right from the start - taking you right into Leadbelly's world - one not only filled with very hard times, but the best of American blues roots music. An outstanding biography with excellent acting, GREAT music - an all-in-all unforgettable biography.

Not only was this one of the most insightful biographical films I have ever seen, it was also a most poignant and revealing documentation of turn of the century social attitudes. This is truly a great film that I especially recommend to blues and rock and roll afficiandoes. Leadbelly in my opinion played a major part in the history of music and this movie plays a significant part towards documenting his story.

I've seen this movie 3 times and would like to know where I can buy a copy of it, either DVD or VHS. The movie itself is great, excellent acting and script ! A job well done Hollywood ! The movie shows the highlight and lowlights of Leadbelly's life and career with pretty decent accuracy . It came across very good on the screen. See if it you ever get a chance especially if you are a fan of southern blues music.

Roger Moseby carried this entire movie by himself aided by a pretty notable staff of other actors and actresses. He makes you feel like he actually was Huddie Ledbetter and that you are right there witnessing the events that unfold.

Again I ask, please let me know where and if I can buy either a VHS or DVD of Leadbelly and many thanks !

It's a biopic of the blues and folk musician Lead Belly. It alternates between Texas and Louisiana and covers Lead Belly's life from about 1910 to 1933.

The film opens with Lead Belly (Roger E. Mosley) in prison in 1933, where John (James Brodhead) and Alan Lomax visit him. They are recording African American folk music, including early blues, for the Library of Congress. The film then flashes back to Lead Belly's early 20s when he still lived at home with his father, Wes (Paul Benjamin), and mother, Sally (Lynn Hamilton), and his wife, Lethe (Rhetta Greene).

Lead Belly then moves to the redlight district of Shreveport, Louisiana, where he plays at whorehouses and encounters Miss Eula (Madge Sinclair) and singer Blind Lemon (Art Evans). "Leadbelly" follows his life, including two murders--one of a friend in the early 1910s and a later one around 1925, soon after his release from a Texas prison. There is much time given to his prison experiences. The movie concludes with his 1933 encounter with Thomas Lomax.

The movie is straightforward, but Lead Belly's music, dubbed by Hi Tide Harris, holds it together. Harris does an excellent job. The "Leadbelly" dialogue is blunt, reflecting the racial understandings of the day. The cinematography struck me as only OK, and some of the acting, particularly by secondary characters, seemed stiff.