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Nel 1909 in Arizona, la vita dell'uomo di legge in pensione Sam Burgade viene sconvolta, quando il suo vecchio nemico Zach Provo e altri sei detenuti scappano dalla prigione territoriale di ... Leggi tuttoNel 1909 in Arizona, la vita dell'uomo di legge in pensione Sam Burgade viene sconvolta, quando il suo vecchio nemico Zach Provo e altri sei detenuti scappano dalla prigione territoriale di Yuma e lo inseguono in cerca di vendetta.Nel 1909 in Arizona, la vita dell'uomo di legge in pensione Sam Burgade viene sconvolta, quando il suo vecchio nemico Zach Provo e altri sei detenuti scappano dalla prigione territoriale di Yuma e lo inseguono in cerca di vendetta.
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This hard-hitting, often violent western in the Peckinpah/Leone tradition is surprisingly directed by Andrew V. McLaglen, whose previous westerns (particularly those that starred John Wayne) were mainly in the John Ford mode. It is both surprisingly traditional (good guys/bad guys) and incredible up-to-date as well.
Heston portrays a former captain of the Arizona territorial police who has been in retirement for a year, having turned over the law enforcement reins to a reform-minded sheriff (Michael Parks) and finding his ways of enforcing the law being taken over by autos, telegraphs, telephones, and the railroad in the first years of the 20th century. But soon he is confronted with a menace from his past--a half-breed outlaw (Coburn) that he put away more than a decade before for a train robbery that killed four guards. In a subsequent shootout, Coburn's wife was killed; and so Coburn is out for a most nasty sort of revenge. It involves the kidnapping and, eventually, the rape of Heston's daughter (Hershey) by him and his gang. The result is a taut and violent pursuit through the mountains and deserts of southern Arizona.
THE LAST HARD MEN, based on Brian Garfield's novel "Gun Down", is violent in many places, including the showdown between Heston and Coburn, and the rape scene involving Hershey and two members of Coburn's gang (Quade, Paull) is probably every bit as questionable as similar scenes in STRAW DOGS and DELIVERANCE. But that doesn't detract too terribly much from the film's psychological approach to the western genre. McLaglen is able to handle the bloody story with significant panache, and Heston's performance as an aging lawman was probably the best one he ever gave in any of his 1970s films. Coburn makes for an especially cold-blooded heavy, and both Parks and Chris Mitchum (as Hershey's intended husband) do good turns as well. The music here is cribbed from Jerry Goldsmith's scores to 100 RIFLES and the 1966 remake of STAGECOACH, but it still works here.
Wisely filmed totally on location in southeastern Arizona, and utilizing the Old Tucson set, THE LAST HARD MEN needs to be released by Fox on VHS and/or DVD soon. It is a western that deserves nothing less.
Heston portrays a former captain of the Arizona territorial police who has been in retirement for a year, having turned over the law enforcement reins to a reform-minded sheriff (Michael Parks) and finding his ways of enforcing the law being taken over by autos, telegraphs, telephones, and the railroad in the first years of the 20th century. But soon he is confronted with a menace from his past--a half-breed outlaw (Coburn) that he put away more than a decade before for a train robbery that killed four guards. In a subsequent shootout, Coburn's wife was killed; and so Coburn is out for a most nasty sort of revenge. It involves the kidnapping and, eventually, the rape of Heston's daughter (Hershey) by him and his gang. The result is a taut and violent pursuit through the mountains and deserts of southern Arizona.
THE LAST HARD MEN, based on Brian Garfield's novel "Gun Down", is violent in many places, including the showdown between Heston and Coburn, and the rape scene involving Hershey and two members of Coburn's gang (Quade, Paull) is probably every bit as questionable as similar scenes in STRAW DOGS and DELIVERANCE. But that doesn't detract too terribly much from the film's psychological approach to the western genre. McLaglen is able to handle the bloody story with significant panache, and Heston's performance as an aging lawman was probably the best one he ever gave in any of his 1970s films. Coburn makes for an especially cold-blooded heavy, and both Parks and Chris Mitchum (as Hershey's intended husband) do good turns as well. The music here is cribbed from Jerry Goldsmith's scores to 100 RIFLES and the 1966 remake of STAGECOACH, but it still works here.
Wisely filmed totally on location in southeastern Arizona, and utilizing the Old Tucson set, THE LAST HARD MEN needs to be released by Fox on VHS and/or DVD soon. It is a western that deserves nothing less.
This is a minor 70s Western, directed with rather too much stolidity by Andrew V. McLaglen. Heston hasn't quite got the form in the genre to pull off the ageing lawman role, although you can certainly see his ornery old Republican role being practised before your eyes; Coburn is good as the psychotic halfbreed outlaw looking for revenge, but he needed a director who encouraged him to loosen up more and go loco.
The film does score points, though, in its nastiness. There is a genuinely sadistic universe on show here, as if in the last days of the Wild West the outlaw and the marshal both were reduced to being little more than collections of violent spasms, each twitch aimed at causing some torment to another human being, and each situation causing more twitchin'.
The film does score points, though, in its nastiness. There is a genuinely sadistic universe on show here, as if in the last days of the Wild West the outlaw and the marshal both were reduced to being little more than collections of violent spasms, each twitch aimed at causing some torment to another human being, and each situation causing more twitchin'.
A nice departure from the mainstream, "good guys wear white hats", product typical of the genre. First released in the 1970's, the movie followed in the experimental trend of the day begun with the "Spaghetti Westerns" starring Clint Eastwood, Eli Wallach, etc.
Both the protagonist and antagonist are throwbacks to an earlier time. Charlton Heston is somewhat dismayed and bewildered by the technological changes thrust upon him while James Coburn's character simply disregards them. The two men become locked in an ego battle that disregards all those around them except to the extent others are useful in pursuing their own personal goals. Both characters are incredible "hard men", physically, mentally, and emotionally and this aspect of their personalities plays out in single-minded, intense violence and cruelty.
The plot is nothing new, however. Coburn plays an escaped convict bent on avenging himself against Heston, the lawman who captured him. Coburn manipulates a gang of mostly dimwitted but dangerous criminals who kidnap Heston's daughter. Heston then chases them across hill and dale in an attempt to save her.
Both the protagonist and antagonist are throwbacks to an earlier time. Charlton Heston is somewhat dismayed and bewildered by the technological changes thrust upon him while James Coburn's character simply disregards them. The two men become locked in an ego battle that disregards all those around them except to the extent others are useful in pursuing their own personal goals. Both characters are incredible "hard men", physically, mentally, and emotionally and this aspect of their personalities plays out in single-minded, intense violence and cruelty.
The plot is nothing new, however. Coburn plays an escaped convict bent on avenging himself against Heston, the lawman who captured him. Coburn manipulates a gang of mostly dimwitted but dangerous criminals who kidnap Heston's daughter. Heston then chases them across hill and dale in an attempt to save her.
Charlton Heston is Burgade, trying to retire, with his daughter Susan (Barbara Hershey). when chain gang prisoner Provo (James Coburn) escapes, he comes gunning for Burgade. along with a whole group of fellow prisoners. chris Mitchum, son of robert, is in here as Brickman. mexican muscle man jorgé rivero is Menendez. Larry Wilcox (CHIPS !) is Shelby. Provo manages to kidnap the daughter Susan, so Burgade gets a posse together and goes after Provo and his gang. the usual western, tracking, trailing, threats, shoot-outs. it's good. most of the film is the sheriff tracking Provo and his gang. Directed by Andrew McLaglen. he worked with John Wayne on seventeen films! Story by Brian Garfield. filmed in various beautiful locations around Arizona.
Nowadays, people would take a different meaning if you told them you were watching a movie called The Last Hard Men. But this film in question is a Sam Peckinpah styled Western that has two leading men that were cast in Peckinpah's films going head to head against each other in this vicious revenge western. James Coburn escapes from Yuma prison on the chain gang and instead of going on the run, he plots revenge on the lawman that brought him in and kidnapped his daughter. This puts his old nemesis taking himself out of retirement to put down his long time enemy and get back his daughter. Both Heston and Coburn are fantastic and the film is tense, violent and nasty, but is totally well made overall. I can't say that this comes close to Peckinpaw's best work, but for something similar The Last Hard Men gets the job done and is a pretty solid lesser known western.
Lo sapevi?
- QuizAfter award-winning composer Leonard Rosenman recorded a score for the film, which he personally didn't care for but was given freedom to be experimentally creative, the score was rejected. While Jerry Goldsmith is credited with "Music" on the film's credits, the credit is misleading as he composed no original score for the film, instead it was tracked with cues from four other films he scored: El Verdugo (1969); Rio Conchos (1964); I morituri (1965) and I 9 di Dryfork City (1966) . Which is why he did not receive a credit like "Original Music composed & Conducted by".
- BlooperJames Coburn is using an Army Colt M1911 .45 caliber automatic pistol that, as its name indicates, was produced in 1911, but the story takes place in 1909.
- Citazioni
Zach Provo: You don't die for women. You kill for them.
- ConnessioniReferenced in Film Junk Podcast: Episode 365: The Cabin in the Woods and Titanic 3D (2012)
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- How long is The Last Hard Men?Powered by Alexa
Dettagli
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Proporzioni
- 2.35 : 1
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