Aggiungi una trama nella tua linguaThe investigation and trial of the horrific Tate-LaBianca mass murders orchestrated by the psychotic pseudo-hippie cult leader, Charles Manson.The investigation and trial of the horrific Tate-LaBianca mass murders orchestrated by the psychotic pseudo-hippie cult leader, Charles Manson.The investigation and trial of the horrific Tate-LaBianca mass murders orchestrated by the psychotic pseudo-hippie cult leader, Charles Manson.
- Candidato a 3 Primetime Emmy
- 1 vittoria e 4 candidature totali
Recensioni in evidenza
Actually, the most frightening people, as a whole, were the women who did Manson's killing for him. I was creeped out more by Nancy Wolfe's chilling performance of Susan Atkins than I did was by anyone else, including the famous "Charlie."
The film has turned out to be a pretty good piece of American history, the kind of crime history we'd like to forget.
Those of us who've devoured just about every scrap of literature about the case may find minor factual points & omissions over which to quibble, but in the end, "Helter Skelter" nicely sums it up in one big lump.
Steve Railsback is letter-perfect as Charlie Manson, and there are moments here that make the viewer wonder if the actor descended just a bit too far into the psyche of the "hippie death cult" leader. No matter, he steals every scene he's in.
Most of the other actors are capable enough, although the actresses portraying Patricia Krenwinkel & Leslie Van Houten leave a lot to be desired. Nancy Wolfe (Susan Atkins) & Jason Ronard (Paul Watkins) both deserve kudos for their performances, & lead actor George DiCenzo (Vincent Bugliosi) throws himself into his role with gusto.
This being a TV-movie from 1976, things get a bit wooden at times, & the law-and-order angle is played to the hilt (the courtroom sequences are great), which may well leave you wondering how various contemporary directors might fare with this saga.
Sublime trivia note: Nancy Burns, who plays "little hippie girl" Linda Kasabian was the lead actress in "The Texas Chainsaw Massacre" ... the girl that Leatherface chases off into the sunset. Amazing.
The film's first half is confusing because it presents so many Manson family names; this part of the film is somewhat hard to follow. The film's second half concentrates on the courtroom trial and is therefore more straightforward. The film's pace tends to be slow. There are several long speeches. And some scenes are either unnecessary or overly long. One scene in the second half goes on for some ten minutes. Overall, the film has a made-for-TV look and feel. Production design, costumes, and makeup are credible. As Manson, Steve Railsback's performance is ... intense.
What makes this film worth watching is that it is a true story ... and a powerful one. Manson had no qualms about killing innocent people. And he sought to sublease that evil to weaker personalities, like Susan Atkins, Linda Kasabian, Leslie Van Houten, and other members of his hippie clan. And that power over others in turn fed his megalomania.
Manson was a cultural scavenger, a junk man without conscience. He and his "family" subsisted on food from dumpsters behind supermarkets. And at one point in the film, he even says he wouldn't mind prison chow; "it's better than (eating) garbage". What a statement. It says a lot about him and about his followers.
I've done enough reading of various books and articles about Manson. He was the product of our institutions -- the one point on which he is correct. From childhood on, he never lived a normal life, always an institutionalized life. Then he took on this Messiah persona to impress the only people who were impressed by him -- young teenaged girls or other young women from homes where they felt unwanted. He literally rented them out as sexual favors to his biker pals, whom he was trying to impress and keep on his side. This was a flower child? Hardly! He has, and still has, a twisted but skillful mind.
As for the stupid premise that Buguliosi "framed him", have these people who write such nonsense read his book? Buguliosi documented, and this was affirmed in such books as "The Family", that Manson actually liked his prosecutor and respected him, and said so, even though there is good evidence that he wanted him dead. Like I say, Manson is a twisted person.
This TV movie is good drama, and totally accurate. Unlike others, I would like to see it redone for the big screen. I think the entire story of Manson's life and of his "family" and what they did to others at the Spahn Ranch before the murders of Sharon Tate and the others, needs to be told. Maybe bring people up to date with interviews with this monster on TV. No, not Oliver Stone! But to tell it somewhat in the way "In Cold Blood" was transferred from book to movie.
I expect to get nasty, threatening replies from Charlie's idiot disciples. That's right, you are all whacked-out idiots for thinking that he is anything but a monster.
Lo sapevi?
- QuizIn preparation for the role of Charles Manson, Steve Railsback locked himself in a closet for two hours every day.
- BlooperOne detective shows others how The Beatles' "White Album" has a song called "Helter Skelter". As he tells them this, he points to the Apple Records label on the record. The problem is, the label he's pointing to is the "sliced" label, which appeared on the even numbered sides of that (and any) Apple album. Since the song "Helter Skelter" appears on Side 3, the label should be of a green apple's body.
- Citazioni
Danny DeCarlo: [after finding out a Manson family member was present at a suspicious suicide] That's it. I ain't talking no more. I'm riding outta here on the wind, mister!
Vincent Bugliosi: There are a couple of outstanding warrants against you, Danny. I don't think you'd be very comfortable in jail. That's where Charlie is.
Danny DeCarlo: [after a slight pause] That sure is cold, man.
- Versioni alternativeThere is a longer version of this movie and this was shown in as a two-part miniseries. The length of the uncut and uncensored movie is 180 minutes.
- ConnessioniFeatured in The 29th Annual Primetime Emmy Awards (1977)
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- Helter Skelter
- Luoghi delle riprese
- Paramount Ranch - 2813 Cornell Road, Agoura, California, Stati Uniti(As the Spahn Movie Ranch)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro