28 recensioni
The Gestapo's Last Orgy concerns an unlikely romance between a Nazi death camp commandant and a Jewish female prisoner, Lise Cohen. Shortly after the war they rendezvous at the dilapidated remains of the concentration camp they met. From here, the story is told in flashback. We discover that the camp was used to incarcerate Jewish women. These women were subsequently subjected to all manner of sexual degradation, torture and death. Lise refuses to be broken by her Nazi oppressors and, subsequently, becomes the object of the camp commandant's obsession. This leads to her being treated in increasingly degrading ways. But the commandant's obsession also offers her hope of salvation.
As an example of the Naziploitation sub-genre, The Gestapo's Last Orgy is a more hard-edged entry than the very silly SS Experiment Camp. Unlike the latter film, there is more of an attempt at authenticity. The victims are clearly referred to as Jews and the treatment meted out to the women is often very disturbing. That is not to say that the film is a convincing depiction of events in a Nazi death camp - it is pretty ridiculous a lot of the time. However, there is a definite mean-spiritedness about this exploitation movie. The women seem to be constantly undressed. There is a great deal of sexual assault, humiliation and torture. The victims are hung naked from chains, fed to dobermans, drowned in quicklime - you name it. This, of course, all sounds extremely lurid and nasty. And it is. But the film isn't terribly well-made, so it isn't quite as shocking as it sounds. The crazy dubbing does not help matters either. Nevertheless, I would be very surprised if this film finds itself released uncut on DVD in the UK. With it's combination of sex and violence, this is one of the infamous 'video nasties' that would still pose some problems to UK censors. So, if that is enough of a recommendation for you then go for it.
As an example of the Naziploitation sub-genre, The Gestapo's Last Orgy is a more hard-edged entry than the very silly SS Experiment Camp. Unlike the latter film, there is more of an attempt at authenticity. The victims are clearly referred to as Jews and the treatment meted out to the women is often very disturbing. That is not to say that the film is a convincing depiction of events in a Nazi death camp - it is pretty ridiculous a lot of the time. However, there is a definite mean-spiritedness about this exploitation movie. The women seem to be constantly undressed. There is a great deal of sexual assault, humiliation and torture. The victims are hung naked from chains, fed to dobermans, drowned in quicklime - you name it. This, of course, all sounds extremely lurid and nasty. And it is. But the film isn't terribly well-made, so it isn't quite as shocking as it sounds. The crazy dubbing does not help matters either. Nevertheless, I would be very surprised if this film finds itself released uncut on DVD in the UK. With it's combination of sex and violence, this is one of the infamous 'video nasties' that would still pose some problems to UK censors. So, if that is enough of a recommendation for you then go for it.
- Red-Barracuda
- 27 giu 2006
- Permalink
The beautiful blonde (Daniela Poggi) is sent to a concentration camp for female Jews to be sexually used by the German soldiers. She is not afraid of dying, since she believes she provoked the death of her family in a ghetto. Commandant Conrad von Starker (Marc Loud) feels challenged by her behavior and decides to torture her, making she faces the horror of death. Later, she becomes her sexual slave of along the period of war. In the post-war, they meet each other, with this meeting ending in a tragic way. This type of 'exploitation movie' recalls `Ilsa, She Wolf of the SS', with a shallow drama which recalls `The Night Porter' and violence like `Salo, or The 120 Days of Sodom'. At least, Daniela Poggi, who works naked along all the movie, has a beautiful body and the violence is limited, therefore it is watchable. I do not like this genre, but there are movies worse than `L' Ultima orgia del III Reich'. My vote is four.
Title (Brazil): `As Condenadas' (`The Condemned')
Title (Brazil): `As Condenadas' (`The Condemned')
- claudio_carvalho
- 30 ago 2004
- Permalink
- poolandrews
- 28 set 2005
- Permalink
It takes something special to shock those of us who chew popcorn through Hong Kong gore movies and watch the bulldozer decapitation scene from "Island Of Death" to cheer ourselves up. Blood and guts won't do it: if you've ever seen a movie like "Flower Of Flesh And Blood", you hardly blink at a badly-acted torture scene or two. Nastiness isn't enough: those who've sat through the rape scene in "I Spit On Your Grave" won't find any of the sexual violence in "Gestapo's Last Orgy" remotely disturbing. So why is this strange, strange movie more unsettling than any of the other obscure trash/gore/exploitation flicks some of us love so much?
Unlike "SS Experiment Camp" or "The Beast In Heat", "The Gestapo's Last Orgy" isn't quite ridiculous enough to be camp...unlike "Ilsa, She Wolf Of The SS", it's not an outrageous bad-taste romp for whooping drive-in punters. Influenced more by "The Night Porter" than anything else, this unsavoury bucket of softcore death-camp swill actually thinks it's A Proper Movie.
Director Cesare Canavari has a ball ripping off Fellini, Godard, Pasolini and Tinto Brass on a college-project budget, while the script attempts to explore Sadeian themes with some level of seriousness. Uniquely among the Nazisploitation films, the movie specifically refers to the prisoners as Jewish. But this is a movie in which Nazis sit round a dinner table saying "there's nothing better than a pot-roast of unborn Jew!" - in a "dramatic" boat scene, a technician can be seen kneeling in the back of the boat. It's a cheapo, badly-made schlock shocker just like all the others! Its pretentions are what make it so mindbogglingly shocking - what the hell were these people thinking?
Unlike "SS Experiment Camp" or "The Beast In Heat", "The Gestapo's Last Orgy" isn't quite ridiculous enough to be camp...unlike "Ilsa, She Wolf Of The SS", it's not an outrageous bad-taste romp for whooping drive-in punters. Influenced more by "The Night Porter" than anything else, this unsavoury bucket of softcore death-camp swill actually thinks it's A Proper Movie.
Director Cesare Canavari has a ball ripping off Fellini, Godard, Pasolini and Tinto Brass on a college-project budget, while the script attempts to explore Sadeian themes with some level of seriousness. Uniquely among the Nazisploitation films, the movie specifically refers to the prisoners as Jewish. But this is a movie in which Nazis sit round a dinner table saying "there's nothing better than a pot-roast of unborn Jew!" - in a "dramatic" boat scene, a technician can be seen kneeling in the back of the boat. It's a cheapo, badly-made schlock shocker just like all the others! Its pretentions are what make it so mindbogglingly shocking - what the hell were these people thinking?
- massiveapple
- 4 ago 2003
- Permalink
- t_atzmueller
- 31 gen 2013
- Permalink
- daniel-mannouch
- 27 set 2014
- Permalink
If it's a bad film you're after, then I recommend seeing anything from the abysmal Nazisploitation sub-genre, as unless I'm missing something; they're all terrible! Never has there been a film type so moronic and redundant, and The Gestapo's Last Orgy doesn't do anything to make me reconsider that notion. I suppose in fairness; it has to be said that this isn't as bad as the completely crap SS Experiment Camp, but it really isn't too far off. My only reason for bothering with this film is because of the fact that it was a part of the DPP's Video Nasty list back in the eighties, and I'm pleased to say that now I've seen three of the four Nazisploitation flicks on the list, I only have one left to go (the almost certainly mind numbing Love Camp 7). The Gestapo's Last Orgy is slightly more epic than most of the rest of the sub-genre, but that's not a good thing as it only means that it's even more boring. The plot has something to do with a prisoner of war whom various sick Nazi's see fit to experiment on, only for her to start playing her own game with them...or something. The storyline is too meandering to be satisfying, and most of the film is caught up in showing how sick the Nazi's were - like we need a film to show us that! I'm a big fan of cult cinema, and almost all the sub-genres have some decent films among them - that is, except Nazisploitation. Overall, I have to say that unless you're working your way through the Video Nasty list - this is one to avoid!
The Plot. Lise Cohen is taken to a special prisoner-of-war camp for female Jews, a camp run as a bordello to entertain the German officers and troops going in to battle. The camp is run with an iron fist by Commandant Starker and his minion Alma. Starker becomes frustrated when Lise demonstrates no fear, and devises cruel experiments to scare her, to no avail. Once she realizes her guilt is unfounded, Lise begins to play Starker's game, but even though she begins living a better life, she doesn't forget the atrocities she has seen and experienced.
The titles are the best part of this film. Other than that, I fast forwarded to the atrocity parts because it's really boring.
Frankly, so are the atrocities. They make no sense.
Not one of the better exploitation movies.
The titles are the best part of this film. Other than that, I fast forwarded to the atrocity parts because it's really boring.
Frankly, so are the atrocities. They make no sense.
Not one of the better exploitation movies.
I don't believe any entertainment should be derived from the depiction of Nazi atrocities. I saw this as i attempt to see all Britain's video nasties of the 1980's to better understand the censorship of the time, and i can certainly understand how it wound up on that list. Regrettably, it is quite well done, well-shot with professional actors in accurate period costumes and sets and, of course, beautiful victims. It's not just the mishmash of sex and violence you'd expect from run of the mill exploitation films, but contains a well-measured plot, events meted out deliberately, if excrutiatingly, but dramatically valid. I can't resist mentioning a mostly unintentionally comic orgy scene where a group of soldiers are lined up naked and exhorted by their commandant to violate the prisoners to revitalize themselves for battle. After a quick full-frontal flash of the line, the camera then switches to close-up going down the line of their hairy backsides, the first of which farts (comic relief?) the last of which gets a thumb up it from his next in line., then cuts to frames of flailing naked arms and legs and torsos, the most full-on sex in the movie, for a few frantic seconds But unless you're studying censorship or have a sick fascination for Nazisploitation, i wouldn't recommend it.
Unlike the extremely camp exercise in bad taste that is 'Ilsa, She Wolf of the SS' , Gestapo's Last Orgy is a more unflinching look at the atrocities committed in a Nazi concentration camp, shot in a quasi-serious style. With its harrowing scenes of sexual abuse and violent death and torture, it is easy to understand why this movie might be considered more shocking than other similarly themed flicks from the same era; but is delivering a rawer and nastier (but still very exploitative) movie any more distasteful or disrespectful than making light of the subject matter?
In my opinion, all Nazisploitation movies are treading on dodgy ground and if you're going to use such a touchy subject to make a film that is designed to titillate and disgust, then you might as well go the whole hog. Director Cesare Canevari certainly thinks so; with Gestapo's Last Orgy, he delivers an often sickening piece of no holds barred cinema that should satisfy most fans of extreme movie-making.
Daniela Poggi plays Lise Cohen, a beautiful young Jewish woman being held in a Nazi 'love camp'. Believing that she is responsible for the death of her family, she has lost the will to live and offers no resistance when tortured by evil Commandant Conrad von Starker (Adriano Micantoni). Frustrated by the lack of emotion shown by the woman, Conrad makes Lise his special project and tells her that she will learn to love life once she has experienced real fear.
When a friendly doctor discovers that Lise was not actually to blame for the death of her loved ones, he tells her, thus restoring her will to live and, in turn, her fear of death. In order to survive, she must now pretend that von Starker has succeeded in breaking her, and become his lover...
With scenes of mass extermination, violent rape, and general lack of respect for human life, Canevari's sick flick is certainly disturbing; although not packed with the the wall-to-wall gore that one might expect, the sheer nastiness of some moments make this one hard to stomach at times. When the head honchos at the camp tuck into a meal made from 'unborn Jew', or douse a woman in Cognac and set her on fire, it's not necessarily the visuals that will make you gag, but the idea being portrayed.
Occasionally the pace of the movie lulls and sometimes Canevari sees fit to get rather pretentious with his direction, but, on the whole, the film is a decent enough watch for those seeking some sleaze. And although I imagine the makers never intended to provide any laughs, I defy anyone to not giggle at the moment when Lise is suspended above flesh-eating rats (actually rather disinterested gerbils) or the 'sex' scene between Lise and the doctor, which consists of several minutes of them rolling around together naked, but never actually seeming to bother with any serious boning!
6.5 out of 10 (rounded up to 7 for IMDb).
In my opinion, all Nazisploitation movies are treading on dodgy ground and if you're going to use such a touchy subject to make a film that is designed to titillate and disgust, then you might as well go the whole hog. Director Cesare Canevari certainly thinks so; with Gestapo's Last Orgy, he delivers an often sickening piece of no holds barred cinema that should satisfy most fans of extreme movie-making.
Daniela Poggi plays Lise Cohen, a beautiful young Jewish woman being held in a Nazi 'love camp'. Believing that she is responsible for the death of her family, she has lost the will to live and offers no resistance when tortured by evil Commandant Conrad von Starker (Adriano Micantoni). Frustrated by the lack of emotion shown by the woman, Conrad makes Lise his special project and tells her that she will learn to love life once she has experienced real fear.
When a friendly doctor discovers that Lise was not actually to blame for the death of her loved ones, he tells her, thus restoring her will to live and, in turn, her fear of death. In order to survive, she must now pretend that von Starker has succeeded in breaking her, and become his lover...
With scenes of mass extermination, violent rape, and general lack of respect for human life, Canevari's sick flick is certainly disturbing; although not packed with the the wall-to-wall gore that one might expect, the sheer nastiness of some moments make this one hard to stomach at times. When the head honchos at the camp tuck into a meal made from 'unborn Jew', or douse a woman in Cognac and set her on fire, it's not necessarily the visuals that will make you gag, but the idea being portrayed.
Occasionally the pace of the movie lulls and sometimes Canevari sees fit to get rather pretentious with his direction, but, on the whole, the film is a decent enough watch for those seeking some sleaze. And although I imagine the makers never intended to provide any laughs, I defy anyone to not giggle at the moment when Lise is suspended above flesh-eating rats (actually rather disinterested gerbils) or the 'sex' scene between Lise and the doctor, which consists of several minutes of them rolling around together naked, but never actually seeming to bother with any serious boning!
6.5 out of 10 (rounded up to 7 for IMDb).
- BA_Harrison
- 10 mar 2007
- Permalink
THE GESTAPO'S LAST ORGY is a particularly unpleasant slice of Italian Naziploitation, even by the grubby standards of this gruelling genre. The hinted-at relationship between the Nazi officer and the Jewish camp inmate sticks in the craw, and what perhaps makes this so disturbing is that it's well shot throughout, with a classy, arthouse look to it. The plot is minimal, and like many women in prison movies, this is just a series of unpleasant clips: rape and sexual violence, humiliation, torture and violent death. It's creative at times but it really does wallow in the sleaze, with no stone left unturned in its depiction of abominable crimes.
- Leofwine_draca
- 11 nov 2022
- Permalink
I've read some reviews of this film and I think they are missing something. OK! This is a nazisploitation flick - there's a concentration camp for Jewish women (for coincidence, most of them young and pretty), there is a scene in which a woman is thrown to the dogs for feeding them; in another one young girls are standing side by side waiting to be raped by German soldiers; and there's also a sadomasochistic relationship between Commandant Starker and a woman officer and so on..... But beyond these attractions, "L'Ultima Orgia del III Reich" is about a love relationship between Commandant Starker and a Jewish girl, Lise. It is a love relationship born first from fear - the omnipresent death surrounding and threatening everything had succeeded in drowning hate in a lake of numbness - Lise had hardened herself into indifference and Starker's violence stirs something in her. A dark love affair ensues, and nonetheless it is in some ways a truer depiction of love than the one that is usually given by the average film, where everything is clean and white.
Commandant Starker had made everything he could to break Lise (she had even been tied upside down, her head near a floor crowded with mice). But he had noticed he couldn't make her lose her mind.
And then Lise she seduces Starker. They start a love relationship, fed by opportunism, hate, fear and luxury and driven by power and death. There's a moment in which Starker says to Lise: "I showed you death, now you can start to really live".
But this a a doomed relationship - born in a concentration camp, fed by fear and numbness, aroused by death and violence and corroded by hate and quiet despair. It is an interesting story. Try to leave your prejudices at the door and you may be surprised.
Commandant Starker had made everything he could to break Lise (she had even been tied upside down, her head near a floor crowded with mice). But he had noticed he couldn't make her lose her mind.
And then Lise she seduces Starker. They start a love relationship, fed by opportunism, hate, fear and luxury and driven by power and death. There's a moment in which Starker says to Lise: "I showed you death, now you can start to really live".
But this a a doomed relationship - born in a concentration camp, fed by fear and numbness, aroused by death and violence and corroded by hate and quiet despair. It is an interesting story. Try to leave your prejudices at the door and you may be surprised.
CALIGULA REINCARNATED AS Hitler is a decent, yet somewhat dull Nazi flick in the same realm as ILSA and all the other copy-cats. Basic story- Lise is taken to a camp where the head Nazi-guy tries to break her will with torture. Lise is a strong-willed young lady and won't be broken so easily. Eventually, Lise realizes she can turn the game on it's head by cooperating and giving the head Nazi-guy what he wants. She finally pretends to fall in love with him so that she can act out her revenge... The main difference between this film and many of the other "Nazisploitation" films is that this one appears to take itself pretty seriously. It doesn't have the "campy" feel of the ILSA flicks and every thing is played straight-faced. I think this adds to the atmosphere of the film, but to be quite honest, there isn't much to this film anyway. The torture scenes are pretty tame and there's a few lame sex scenes. There are a few decent moments. The human-flesh-dinner-scene comes to mind...but overall this film is rather dull and not very shocking. A decent attempt but all-in-all a rather forgettable film. If you are looking for a real shockfest or bloodbath - this isn't it. Obviously CALIGULA REINCARNATED won't be for all tastes due to the subject matter, but for the exploit/horror enthusiasts out there, this one will seem rather bland. A generous 6.5/10
Better photographed than most of its ilk, though no less debauched, Canavale's fornication opus is a poor man's 'Salo' with echoes of 'The Night Porter', telling the sordid story of statuesque Lisa (Levy) reuniting with former Commandant (Micantoni) five years following the end of the war, recounting her harrowing experience and their twisted relationship inside the walls of the squalid camp.
Scene-stealing Greco playing the malevolent lesbian deputy commander is a fantastically nasty dominatrix whose appetite for sexual sadism is as voracious as her faithful dobermans, whilst Ricciardi as the dissenting camp doctor provides the storyline's dubious moral counterbalance.
Difficult to take with any modicum of legitimacy, there's an outrageous flambé cannibal scene which is utterly ridiculous and I wasn't sure if it was intended as dark comedy such was its crude absurdity. The bulk of the storyline seems to merely function as a torture chamber tour, each set showcasing a new and even more cruel indignity than the previous exhibit, with little effort to adhere to a coherent plot narrative which gradually pivots toward the frustrated commandant becoming enamoured by his resolute prisoner leading to a Stockholm romance of sorts.
Tedious and degrading soap opera spits reams of dialogue threatening gory atrocities, but it's not especially gruesome nor would I characterise it as a horror film in the traditional sense. A weak psychological sexploitation that's cashing-in on the short-lived nazisploitation craze that might leave you disappointed.
Scene-stealing Greco playing the malevolent lesbian deputy commander is a fantastically nasty dominatrix whose appetite for sexual sadism is as voracious as her faithful dobermans, whilst Ricciardi as the dissenting camp doctor provides the storyline's dubious moral counterbalance.
Difficult to take with any modicum of legitimacy, there's an outrageous flambé cannibal scene which is utterly ridiculous and I wasn't sure if it was intended as dark comedy such was its crude absurdity. The bulk of the storyline seems to merely function as a torture chamber tour, each set showcasing a new and even more cruel indignity than the previous exhibit, with little effort to adhere to a coherent plot narrative which gradually pivots toward the frustrated commandant becoming enamoured by his resolute prisoner leading to a Stockholm romance of sorts.
Tedious and degrading soap opera spits reams of dialogue threatening gory atrocities, but it's not especially gruesome nor would I characterise it as a horror film in the traditional sense. A weak psychological sexploitation that's cashing-in on the short-lived nazisploitation craze that might leave you disappointed.
- Chase_Witherspoon
- 25 mar 2025
- Permalink
This sickie has very good production values, decent acting and an exciting storyline for this kind of trash. Them deranged nazis is at again in one of those generic "women's work camps". It's not as graphic as others but the vile tone is unbelievable harsh as the officers torture and humiliate young jewish girls and...(hold tight!)...EAT THEM AND THEIR UNBORN BABIES!!?! It's unsettling as hell cuz it's so well made. There's also a lot of De Sade-like master/slave games going on. Only for the most jaded thrill seekers (like me) who're tired of Hollywood's PC blockbusters.
...Because this movie was just ludicrous.
Sure, I wasn't harboring much of any hopes when I sat down to watch this 1977 Italian exploitation movie here in 2023. I had actually never heard about it before I stumbled upon it. And with it being a movie that I had never seen, nor heard about, of course I opted to check it out.
And I just wasted 49 minutes of my time on this rubbish. Yeah, I managed to endure a staggering 49 minutes out of the 96 minute runtime that the movie had. I just couldn't take any more of the boredom and the pointlessness that was supposed to pass as the storyline in "L'ultima Orgia Del III Reich".
I am struggling to figure out just what possibly came over writers Cesare Canevari and Antonio Lucarella to come up with such a ridiculous script for a movie. I found no entertainment in the dumpster fire that is "L'ultima Orgia Del III Reich". And believe you me, when I say that I have zero intentions of returning to attempt to finish watching the movie. I just don't care about the story, nor of the characters.
Needless to say that I wasn't familiar with the cast ensemble in the movie, as I have had very limited exposure to the 1970s cinema.
Something that worked in favor of the movie, and yeah there was actually something, was the costumes, the props and the sets. It looked pretty authentic and had that German vibe to it from World War II. But without a properly interesting storyline, it just hardly did make much of any difference.
And one thing that really was an anchor around the movie's feet, was the language. Sure, I get that it was filmed in Italy and Italian produced, but it just was so laughably stupid that they had German soldiers speaking in Italian. Zero credibility to the movie right there.
"L'ultima Orgia Del III Reich" is a lewd and bizarre movie, and that is perhaps why it failed to entertain me.
My rating of director Cesare Canevari's 1977 movie "L'ultima Orgia Del III Reich" lands on a two out of ten stars. Definitely not my cup of tea in terms of proper entertainment.
Sure, I wasn't harboring much of any hopes when I sat down to watch this 1977 Italian exploitation movie here in 2023. I had actually never heard about it before I stumbled upon it. And with it being a movie that I had never seen, nor heard about, of course I opted to check it out.
And I just wasted 49 minutes of my time on this rubbish. Yeah, I managed to endure a staggering 49 minutes out of the 96 minute runtime that the movie had. I just couldn't take any more of the boredom and the pointlessness that was supposed to pass as the storyline in "L'ultima Orgia Del III Reich".
I am struggling to figure out just what possibly came over writers Cesare Canevari and Antonio Lucarella to come up with such a ridiculous script for a movie. I found no entertainment in the dumpster fire that is "L'ultima Orgia Del III Reich". And believe you me, when I say that I have zero intentions of returning to attempt to finish watching the movie. I just don't care about the story, nor of the characters.
Needless to say that I wasn't familiar with the cast ensemble in the movie, as I have had very limited exposure to the 1970s cinema.
Something that worked in favor of the movie, and yeah there was actually something, was the costumes, the props and the sets. It looked pretty authentic and had that German vibe to it from World War II. But without a properly interesting storyline, it just hardly did make much of any difference.
And one thing that really was an anchor around the movie's feet, was the language. Sure, I get that it was filmed in Italy and Italian produced, but it just was so laughably stupid that they had German soldiers speaking in Italian. Zero credibility to the movie right there.
"L'ultima Orgia Del III Reich" is a lewd and bizarre movie, and that is perhaps why it failed to entertain me.
My rating of director Cesare Canevari's 1977 movie "L'ultima Orgia Del III Reich" lands on a two out of ten stars. Definitely not my cup of tea in terms of proper entertainment.
- paul_m_haakonsen
- 22 giu 2023
- Permalink
- kirbylee70-599-526179
- 22 nov 2021
- Permalink
- Bunuel1976
- 25 ago 2008
- Permalink
- bevo-13678
- 20 giu 2020
- Permalink
Out of sheer lurid curiosity I rented this Naz-xploitation flick and it fully lived up to its shocking promise. This treats the Nazis not just as "sadists" commonly understood, but true sadists, i.e., those who are sexually excited by inflicting pain, mental toment, anguish and death on others. So, it serves up not just the violence expected in concentration camp storytelling, focuses exclusively on sexual cruelty. It's production values are uneven, but it's obvious someone spent a fair amount on producing this, and it makes one wonder: did the filmakers really think there would be a wide audience for this depravity? I can't imagine any cinema programming this. The banquet scene, where some debauched "doctor" proudly and leeringly announces the evening's entree, "pot roast of unborn Jew", is out there on the disgusting scale with the banquet scene in "Salo". In other words, this is extreme stuff. Yikes.
It's also obvious that the screenwriters did their homework on the writings of DeSade; the speeches some of these characters make could have been transposed from "The 120 Days of Sodom". Plus, the fact that the depravity all takes place on an isolated castle ground, on an island in the middle of a river, is yet another Sadean tableau.
Not for weak stomachs.
It's also obvious that the screenwriters did their homework on the writings of DeSade; the speeches some of these characters make could have been transposed from "The 120 Days of Sodom". Plus, the fact that the depravity all takes place on an isolated castle ground, on an island in the middle of a river, is yet another Sadean tableau.
Not for weak stomachs.
- BandSAboutMovies
- 24 nov 2021
- Permalink
Lise Cohen is taken to a special Nazi camp for Jewish women,a camp run as a bordello where the most depraved sexual fantasies can become sensual reality.The camp is run by sadistic Commandant Starker and his revolting minion Alma.Starker becomes frustrated when Lise demonstrates no fear,so he subjects her to torture and sexual humiliation."Gestapo's Last Orgy" is a sleazy Nazisploitation flick with enough torture and depravity to satisfy any self-respecting smut-peddler.The banquet sequence with 'pot roast of unborn Jew' is especially memorable as is the sequence of Lise being tied up naked,by her feet over a glass container of rats.If you are into depraved 70's Italian exploitation cinema "Gestapo's Last Orgy" is one to watch.8 out of 10.
- HumanoidOfFlesh
- 20 set 2010
- Permalink
.. not because of the film, that's easy, but I appear to keep falling foul of IMBD's rules and guidelines. So I will make it short and basic -
Italian exploitation movie set in a Nazi concentration camp. A beautiful young Jewish woman forms a relationship with an older and cruel SS commandant. Expect lots of sex, nudity and violence, which includes torture and executions. There is also some cannibalism and a few sexual fetishes. As Nazispoitation movies go this one is fairly interesting and well made. Banned outright in Britain.
- Stevieboy666
- 5 feb 2021
- Permalink