Da mezzogiorno alle tre

If you seek killer Bronson, he isn't home. But if you are willing to watch Bronson doing lighter work and be on screen with his wife in a mildly funny satire, enjoy. From first meeting to keeper of the legend, this is a Jill Ireland vehicle. It satirizes Bronson's previous work which grew out of the dime novel creation of the American West. We watch the Bronson character lose control of his real life because a widow creates a better outlaw than he was. Enjoy this for the satire on every level including the score and the songs.

It is a refreshing change of pace compared to the blood beast Bronson had to feed in many action movies. Now that it is being broadcast, watch it with the idea that Bill Hickok and Bill Cody played on stage for money and that dime novelist Ned Buntline gave out those Buntline specials to the men he wrote about. I suspect most of you will at least chuckle at the world caught up in the legend of a third rate bank robber ensnared by a woman he seduced. And the end is better satire than real life Emmett Dalton going to Hollywood to help make movies about the Dalton gang robbing Coffeyville. For an adult audience, this is far better entertainment than Over the Hill Gang slapstick. Give it a try.

After spending 3 unforgettable hours with an outlaw called Graham Dorsey, Charles Bronson, whose band commits a bank hold-up thwarted by villagers , a beautiful young widow, Jill Ireland, turns her love story - Romeo and Juliet alike- into a worldwide notorious book with several prints and she builds the mediocre Graham Dorsey into a western hero. As the town celebrates :Welcome to Gladstone City where Buck Bowers gang met their end and the romance of Graham and Amanda began. As the noisy city receives a lot of tourists and visitors and showing : Starbuck Mansion tour twice daily , 3 dummies with a poster captioning : where they were hung. And to see Graham Dorsey's grave: he valued friendship more than life , sleep gently sweet prince.

This is a change of pace character for Bronson in a spoof of western legend . Strange is certainly the word for this comedy action fantasy romance tale . The plot is plain and simple as Bronson has a brief romance with his real wife Jill Ireland who , believing him dead, fictionalizes their lives in a series of succssesful books, when he turns alive, no one, including Jill believes that he is the actual Dorsey and he is gradually driven crazy. No sypnosis could convey the flavour of a movie that almost creates its own genre and even might have done so with other classic Hollywood actors . Bronson gives an acceptable acting as the two-fisted gunslinger , though Charles adventure buffs may well not know what to make of this one . This is one of a number of westerns that Bronson played during the mid, late 60s and early seventies, as the famous Once upon a time the west by Sergio Leone, Red sun by Terence Young , Chato by Michael Winner , Nevada Express by Tom Gries , Valdez by John Sturges and White Buffalo by JL Thompson. And being finely acompanied by Jill Ireland who is nice as the gorgeous and sympathetic widow. Supporting cast is good with brief interpretations from Douglas Fowley, Don Red Barry, Elmer Bernstein himself and Anne Ramsey.

Enjoyable and sensitive musical scoreby the classy maestro Elmer Bernstein. Adequate and appropriate production design by Robert Clatworthy, an expert designer who worked in Psycho, Ship of fools, Touch of evil, Guess who is coming to dinner, The incredible shrinking man, The parent trap, among others. The motion picture was weak but professionally directed by Frank D Gilroy. He was a craftsman who wrote and directed a few films such as The gig, Jinxed, Once in Paris, Desperate characters, The subject was roses , The gallant hours and Fastest gun alive. Rating :acceptable and passable 6/10

"Some have a life time/Some just a Day..... Nothing's ever forever/ Forever's a lie..." So goes the theme of this excellent and memorable movie. Bronson shows his talent not only as an actor but as a comic. Jill Ireland also exceeds anything she did before or after. Her shock as she realizes Graham is telling the truth is alone worth the price of admission. Perhaps not for Bronson fans but rather for those of us who enjoyed "Cat Ballou", "Support your Local Sheriff/Gunfighter" and 'The Halleluia Trail". Adult comedy westerns come no better than this.

Never have I seen a Bronson flicker as bizarre as this gem. Here we have a outlaw who breezes into the life of a lonely, remote woman on the post civil war outback. Their relationship takes off like a ruptured duck, producing an outcome that only the likes of a taro card reader could predict. I loved the way this story played out as the action led from one stranger than fiction event to another. This led Bronson's character to lose the one thing more valuable to him than all the bank money he had ever desired and his lover to lose even more. This was a top notch Charles Bronson film, well written and played out, possibly the best thing I've seen him in yet. Thumbs up.

And its a Charles Bronson film! With a pretty good train crash too! I guess Bronson wanted to make a romantic comedy western with his gorgeous wife Jill Ireland and instead of starring in BILLY TWO HATS or THE SPIKES GANG or some other forgotten oater, he went for this. Rather like a BUTCH CASSIDY - CAT BALLOU combo, this small but charming robbery western gets its title from the afternoon liason he spends with Jill inbetween crime appointments. As Bryan Brown said about adultery in BREAKER MORANT: "A slice off a cut loaf is never missed............!" NOON TILL THREE did little business at the time and is never seen now, pity as like alot of small mid 70s films they are well made and still from the days when films were made to entertain, not shock or traumatise.