Eva nera

Eva Nera (AKA Black Cobra) is my favorite entry in Joe D'Amato's infamous "Black Emanuelle" series. Also known as "Emanuelle Goes Japanese", this film features no characters named Emanuelle, and doesn't take place in (or in any way allude to) the country of Japan. Other than these minor details, Eva Nera exhibits every other trait of a Black Emanuelle movie, including of course Laura Gemser as the main character, and the ever-present douche-bag Gabriele Tinti lurking somewhere in the cast. And though this movie lacks some of the overt acts of depravity that other Emanuelle flicks are known for, it offers three times that in the form of a more subtle weirdness.

The movie begins with Eva's arrival in Hong Kong. Played by the beautifully boring Laura Gemser, Eva's character is essentially the same as Black Emanuelle: a frigid, vapid, nonchalantly nymphomaniacal bisexual nudist mannequin-like temptress. Unlike Emanuelle, who is a reporter, Eva is a snake dancer. Here we use the term "dancer" loosely to mean standing around naked and arrhythmically flailing your arms while holding a live snake.

As you would expect from Joe D'Amato, the story that follows is totally nondescript and irrational, and mostly serves as a vehicle for him to express his most banal ideas of what constitutes eroticism. The remarkable thing is that, unlike other of his creations, like say Emanuelle and The Last Cannibals, here D'Amato tries to exercise restraint, which results in a bizarre, watered-down version of the typical D'Amato fetishes. Included are the mandatory nudism, lesbianism, morbidness, and the gawking fascination with all things foreign and Exotic that characterizes D'Amato's work, minus the ultra-violent sadism that he's also famous for. Along the way, D'Amato's camera still manages to objectify and diminish every single living and non-living thing it gazes upon, whether it be the bland characters, the city of Hong Kong, those oh-so-dangerous snakes, or deeper aspects of human experience such as love and death.

None of this would stand out much were it not for two key elements that make Eva Nera exceptional: the haunting euro-soundtrack and the mind-blowingly strange performance by Jack Palance, whose character is so freakin' weird it defies description. Highly recommended.

I should have known better. I was actually expecting this film to be a combination of mystery, drama and horror. I knew from the box cover that there would be nudity. What I didn't know was that the nudity is the main feature of the movie. The movie has several nude women and many nude scenes. That would be OK if there was at least a stronger plot and a little bit more reason for making this movie other than showing skin. I know this type of film may have it's followers but even if viewed as a skin flick, it's boring and even a bit humorous. It was made in 1976. At that time it may have been exciting but compared to milder, soft porn movies of today, this would have to be classified as very mild, to the point of being almost dull. This movie was just too long for so few meaningful scenes. I can't think of any good reason for watching this film other than to have a nostalgic look at a 70s nudie flick.

Quite simply a cinematic treasure that will never get the exposure it so richly deserves. Jack Palance gives quite simply his best ever performance by a country mile in the role of Judas. Palance breathes an awkward and devilishly creepy life into the snake obsessed sleaze Judas. His own fabulous performance crackles magically against Gabriele Tinti's Jules, his jealous and treacherous, even creepier, sociopathic brother.The film is intended as soft porn but works wonderfully as comedy, whenever I need a laugh this guarantee's it. It works woefully on just about any level. If you expect any kind of sexual excitement from Erotic Eva, look elsewhere. The superb score by Umiliani adds essential 70s style and character. The whole film centers around the brothers attempt to gain the affections of bisexual snake dancer Eva, played by the painfully skinny real life wife of Gabriele Tinti, Laura Gemser. The film is filled with magical dialogue, always involving Jack Palance. His spine twitchingly awkward seduction scenes with Gemser, and his subliminally hate filled smarm drenched chats with Jules are truly worthy of legendary status. Fast forward through the attempts at porn, except the scene with the prematurely ejaculating Japanese businessman. In short cheesier than a cheese puff factory, and as amusing and entertaining as cinema gets.

First off, yes, Eva (Laura Gemser) is absolutely beautiful. Whether clothed or unclothed she's breathtaking. That said, she's just not that interesting as a character. Ms. Gemser's performance in EVA NEGRA (aka: BLACK COBRA WOMAN) is every bit as languid as her other Emmanuelle outings.

Presented as an "erotic thriller", this movie is obviously just another excuse for Ms. Gemser to get naked every 15 minutes. On that score, even the steamy scenes get tiresome. Without a real plot or direction, there's really nowhere to go with this.

Oh, there are some poisonous snakes thrown in as well.

One highlight is Jack Palance's perverted performance as the Eva-obsessed Judas. Gabriele Tinti is also memorable as his unhinged, even more Eva-obsessed brother Jules.

Black Cobra (1976)

* 1/2 (out of 4)

Joe D'Amato directed film about a shy, lonely man (Jack Palance) living in Hong Kong where his only friends are his pet snakes. One night his brother takes him to a strip joint where he sees a beautiful woman (Laura Gemser) putting on a dance with a snake. He moves the woman in but soon someone starts killing off her lesbian friends. The killer doesn't know the woman is a Goddess to snakes. Like many other D'Amato/Gemser films, this one here basically leaves the plot behind in favor of the beautiful actress walking around in the nude and carrying out various lesbian scenes. Gemser is also fun to watch (when she's naked) but the story here is pretty dull and lifeless. Palance must have really been down on his luck at the time.