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IMDbPro

Eraserhead - La mente che cancella

Titolo originale: Eraserhead
  • 1977
  • VM14
  • 1h 29min
VALUTAZIONE IMDb
7,3/10
139.093
LA TUA VALUTAZIONE
POPOLARITÀ
2628
16
Jack Nance in Eraserhead - La mente che cancella (1977)
Guarda Official Trailer
Riproduci trailer0:47
2 video
99+ foto
Commedia darkHorror mostruosoOrrore corporeoFantasiaOrrore

Henry Spencer cerca di sopravvivere al proprio ambiente industriale, alla sua ragazza arrabbiata e alle urla insopportabili del figlio mutante appena nato.Henry Spencer cerca di sopravvivere al proprio ambiente industriale, alla sua ragazza arrabbiata e alle urla insopportabili del figlio mutante appena nato.Henry Spencer cerca di sopravvivere al proprio ambiente industriale, alla sua ragazza arrabbiata e alle urla insopportabili del figlio mutante appena nato.

  • Regia
    • David Lynch
  • Sceneggiatura
    • David Lynch
  • Star
    • Jack Nance
    • Charlotte Stewart
    • Allen Joseph
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    139.093
    LA TUA VALUTAZIONE
    POPOLARITÀ
    2628
    16
    • Regia
      • David Lynch
    • Sceneggiatura
      • David Lynch
    • Star
      • Jack Nance
      • Charlotte Stewart
      • Allen Joseph
    • 776Recensioni degli utenti
    • 200Recensioni della critica
    • 87Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 3 vittorie e 2 candidature totali

    Video2

    Official Trailer
    Trailer 0:47
    Official Trailer
    Remembering David Lynch
    Clip 1:46
    Remembering David Lynch
    Remembering David Lynch
    Clip 1:46
    Remembering David Lynch

    Foto103

    Visualizza poster
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    + 98
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    Interpreti principali21

    Modifica
    Jack Nance
    Jack Nance
    • Henry Spencer
    • (as John Nance)
    Charlotte Stewart
    Charlotte Stewart
    • Mary X
    Allen Joseph
    Allen Joseph
    • Mr. X
    Jeanne Bates
    Jeanne Bates
    • Mrs. X
    Judith Roberts
    Judith Roberts
    • Beautiful Girl Across the Hall
    • (as Judith Anna Roberts)
    Laurel Near
    Laurel Near
    • Lady in the Radiator
    V. Phipps-Wilson
    • Landlady (long version)
    Jack Fisk
    Jack Fisk
    • Man in the Planet
    Jean Lange
    • Grandmother
    Thomas Coulson
    • The Boy
    John Monez
    • Bum
    Darwin Joston
    Darwin Joston
    • Paul
    T. Max Graham
    • The Boss
    • (as Neil Moran)
    Hal Landon Jr.
    Hal Landon Jr.
    • Pencil Machine Operator
    Jennifer Lynch
    Jennifer Lynch
    • Little Girl
    Brad Keeler
    • Little Boy
    Peggy Reavey
    Peggy Reavey
    • Person Digging in the Alley (long version)
    • (as Peggy Lynch)
    Doddie Keeler
    • Person Digging in the Alley (long version)
    • Regia
      • David Lynch
    • Sceneggiatura
      • David Lynch
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti776

    7,3139K
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    Recensioni in evidenza

    brianh-7

    I either need to attend film school or see a therapist

    Of all the films I've seen, this has to be the 2nd most surreal of all. Only L'Age d'or can surpass it. While that movie was sublimely subversive, especially in its closing scene, Eraserhead can only hint at such greatness.

    Reviewing a movie like this is nearly impossible. How can one honestly "enjoy" the macabre and disturbing imagery? How can one definitively pinpoint the narrative or intention when the creator has said nary a word on the subject in 30 years?

    Most of David Lynch's work has been moderately accessible if you're willing to work at it. He's been equally successful with a straight-forward narrative (The Elephant Man, Straight Story) as he has with the bizarre (almost everything else). But after watching this movie, I feel like I either need to attend film school or see a therapist.
    7isaacsundaralingam

    Eraserhead is weird. And I like weird.

    What fascinated me throughout the entire movie was how David Lynch built a world that looks like it could be familiar to the audience, but feels like something entirely alien.

    This is not my first David Lynch movie, as I watched The Elephant Man some years back, but I remember it being nothing like this in terms of its weirdness.

    Definitely looking forward to getting to know more of Lynch's work!
    8Xstal

    Scratch, Eliminate, Annul...

    You need a clear head and focused intent prior to settling down to an abstract and uncoupled vision of a world that's so out of phase with anything you have or will ever come across - wlack & bhite but not monochrome.
    hursto

    how weird can you get?

    I needed to read all the other reviews here before I was game to make a comment. I'm a great fan of Lynch's Wild at Heart having seen it four times, and recently loved Lost Highway. But this one left me baffled. I'd heard of it for years, but can make little sense of it. It certainly didn't bore me, in fact I was fascinated to see where the plot led. Tried to analyse it in terms of symbolism, but decided that if I have to do that the film isn't really speaking to me. The dark broodiness is impressive, the squishiness repulsive, and Henry's hairdo is unforgettable!
    10Skeptic459

    The reason that I got into films in the first place!!!

    In film school it is not cool to say you like David Lynch. Film students claim he is just a poor mans version of Luis Bunuel. Yes, I would say that Bunuel is more talented and is the king of surrealism. But Lynch is very good and his films do challenge the viewer. I actually have a deep affection for his films. When his films work, they really work! However, when they do not work, for example, Twin Peaks, Fire, Walk with Me or Lost Highway then they quickly launch themselves into self parody. Many people claim his material is too inconsistent and indulgent to be really liked very much.

    What I find strange is that one reviewer here states that he feel duped by Lynch. Duped? Why? The films all have a story. They just have a narrative that works differently to conventional film making. If you look hard at the film and try to understand the subtext then you will pick up on what the film is about.

    I saw this when I was 16. I knew nothing about films or film making then. A friend and I were bored so we decided to see a movie at capitol cinema. Capitol cinema used to be a cinema that played arty or small independent films. They used to play midnight showings of eraserhead. There was always someone smoking a joint in that place. However, you don't need drugs for this film. Lynch is drugs. This film just buzzes you out.

    I had no idea what Eraserhead was about. I had never heard of Lynch and knew nothing about surrealism. I went in and was just totally blown away! Before this I had only really seen commercial blockbuster movies. Lynch gave me a whole knew perspective on what cinema is capable of. Eraserhead is the stuff of dreams. Lynch believes that watching a film is entering a dream state. Both my friend and I did not know what the hell was going on. I was fascinated...

    Later I would learn this is a film about Lynch's own obsessions. His hatred of Philadelphia. His fear and anxiety at being a father. The film is just full of a kind of a compulsive, paranoid neurosis. It is a waking nightmare. He also seems to parody the nuclear family. 'Did you have sexual intercourse with my daughter?' Meanwhile that weird blond woman in his radiator seems to represent his escape. A way to transcend from his grim world. What I also find bizarre is that people then accuse him of having no sense of humor! What? There are always funny moments in his films. 'Did you have sexual intercourse with my daughter?'

    Jack Nance is also very good as the main character. He seems to be playing the director and he gives a performance that is distant, spaced out and yet emotionally vulnerable. A really strange mix. The imagery is just brilliant. Black and white in an industrial wasteland. There is smoke here of course. It wouid not be a Lynch film without smoke! It also has a cool, grating industrial soundtrack that sets your nerves on edge. This is perfectly effective for the bleak tone of the film. It is so visually striking that the viewer will not forget the imagery quickly. There is a reason that this is a cult film. The other distinctive feature of this film is the long lingering shots. This reminds me of Jim Jarmusch and his movies like Dead Man and Ghost Dog. The length of the shots seems to have the effect of immersing the viewer in this strange industrial wasteland.

    I have my own copy that I lend to friends. They then normally give it back to me saying that they only got through the first half hour. They also normally tell me that I am a weirdo for liking it. I think what frustrates people most about Lynch is that he will not give any explanations of what the film is about. So any interpretation is as good as any other. People want the film to be explained so they can understand it. Who said films must be understood or comprehensible? Why can't a film be abstract piece of art like a painting? Lynch's films are like an acid trip. To quote the great gonzo, Hunter S Thompson, 'buy the ticket, take the ride and if it gets a little heavier than what you had in mind, then put it down to forced consciousness expansion.'

    So in other words, relax, stick it on and just run with it. Travel into someone else's nightmare for a change...

    Interessi correlati

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    Commedia dark
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    Horror mostruoso
    Jeff Goldblum in La mosca (1986)
    Orrore corporeo
    Elijah Wood in Il Signore degli Anelli - La compagnia dell'Anello (2001)
    Fantasia
    Mia Farrow in Rosemary's Baby - Nastro rosso a New York (1968)
    Orrore

    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      When production on the film took longer than expected, David Lynch had to sleep in the same room used as Henry's bedroom for over a year.
    • Blooper
      Henry takes off the wrong shoe/sock to dry off.
    • Citazioni

      Lady in the Radiator: [singing] In Heaven, everything is fine. In Heaven, everything is fine. In Heaven, everything is fine. You've got your good things. And I've got mine. In Heaven, everything is fine. In Heaven, everything is fine. In Heaven, everything is fine. You've got your good things. And you've got mine. In Heaven, everything is fine.

    • Curiosità sui crediti
      There are no opening credits, just a long, tilted close-up of the face of Jack Nance.
    • Versioni alternative
      First DVD edition was printed in open matte format (1:1.33)
    • Connessioni
      Edited into The History of the Hands (2016)
    • Colonne sonore
      Lady in the Radiator Song
      Composed by Peter Ivers

      Lyrics by David Lynch (uncredited)

      Performed (Sung) by Peter Ivers and Fats Waller (as "Fats" Waller) (Pipe Organ)

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    Production art
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    Domande frequenti22

    • How long is Eraserhead?Powered by Alexa
    • Who is the Man in the Planet?
    • What is David Lynch's interpretation of this film?
    • What are the "Glen or Glenda" references?

    Dettagli

    Modifica
    • Data di uscita
      • 30 gennaio 1982 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Cabeza de borrador
    • Luoghi delle riprese
      • Center for Advanced Film Studies, American Film Institute - 2021 N. Western Avenue, Los Angeles, California, Stati Uniti
    • Aziende produttrici
      • American Film Institute (AFI)
      • Libra Films
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 100.000 USD (previsto)
    • Lordo in tutto il mondo
      • 37.796 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 29min(89 min)
    • Colore
      • Black and White
    • Mix di suoni
      • Mono(original release)
    • Proporzioni
      • 1.85 : 1

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