Una donna intende vendicarsi dell'uomo che ha abusato di sua sorella.Una donna intende vendicarsi dell'uomo che ha abusato di sua sorella.Una donna intende vendicarsi dell'uomo che ha abusato di sua sorella.
- Regia
- Sceneggiatura
- Star
Rosemarie Lindt
- Emanuelle
- (as Rose Marie Lindt)
Annie Carol Edel
- Mira
- (as Karole Annie Edel)
Maria Rosaria Riuzzi
- Pamela
- (as Mary Kristal)
Giorgio Fieri
- Alfredo
- (as Giorgio Fleri)
Eolo Capritti
- Il produttore cinematografico
- (as Al Capri)
Filippo Perego
- Ispettore Polizia
- (non citato nei titoli originali)
Anna Maria Polini
- Ragazza Nella Cena Cannibale
- (non citato nei titoli originali)
Luciano Rossi
- Card Player
- (non citato nei titoli originali)
Umberto Santolamazza
- Carlo's Friend
- (non citato nei titoli originali)
Recensioni in evidenza
"Emanuelle e Françoise (Le sorelline)" is a 1975 Italian exploitation film that delivers on its promise of eroticism and controversy. Directed by Joe D'Amato, a master of the genre, the film is an unrestrained and unabashedly sleazy journey into the depths of human desire and the extremes of revenge.
The plot revolves around the titular characters, Emanuelle, a mature and seductive agent, and her sister Françoise, who find themselves entangled in a web of murder and intrigue. The story takes a twist when Emanuelle discovers that her sister has been murdered by an evil, playboy character, setting her on a path of vengeance.
The film is unapologetically explicit, featuring a steady stream of sexual content, including a three-way lesbian encounter, genital fondling, oral sex, and creative use of a wine bottle. The violence is also notable, with a detour into horror territory, adding a layer of unpredictability to the already titillating narrative.
While the cinematography and composition are commendable, with D'Amato's own photography enhancing the atmosphere, the real star of this film is its unhinged nature. The performances are delightfully over-the-top, with George Eastman's sweaty portrayal of the playboy villain being a standout. The score is also worth mentioning, described as "demented," it enhances the depravity on screen.
However, the film is not without its flaws. The late shift into horror may be jarring for some, and the story itself is uneven, feeling like a set-up for the sex and violence rather than a cohesive narrative. This is a common issue with fake Emanuelle movies, of which this is a part, and while it has its moments of brilliance, it also feels exploitative and trashy.
In conclusion, "Emanuelle e Françoise (Le sorelline)" is a film that embraces its B-movie status and leans into the excesses of the genre. It is a wild ride that will appeal to fans of Euro-trash cinema and exploitation revenge flicks. It may not be a masterpiece, but it leaves an impression for its unabashed embrace of sex, violence, and sibling revenge.
The plot revolves around the titular characters, Emanuelle, a mature and seductive agent, and her sister Françoise, who find themselves entangled in a web of murder and intrigue. The story takes a twist when Emanuelle discovers that her sister has been murdered by an evil, playboy character, setting her on a path of vengeance.
The film is unapologetically explicit, featuring a steady stream of sexual content, including a three-way lesbian encounter, genital fondling, oral sex, and creative use of a wine bottle. The violence is also notable, with a detour into horror territory, adding a layer of unpredictability to the already titillating narrative.
While the cinematography and composition are commendable, with D'Amato's own photography enhancing the atmosphere, the real star of this film is its unhinged nature. The performances are delightfully over-the-top, with George Eastman's sweaty portrayal of the playboy villain being a standout. The score is also worth mentioning, described as "demented," it enhances the depravity on screen.
However, the film is not without its flaws. The late shift into horror may be jarring for some, and the story itself is uneven, feeling like a set-up for the sex and violence rather than a cohesive narrative. This is a common issue with fake Emanuelle movies, of which this is a part, and while it has its moments of brilliance, it also feels exploitative and trashy.
In conclusion, "Emanuelle e Françoise (Le sorelline)" is a film that embraces its B-movie status and leans into the excesses of the genre. It is a wild ride that will appeal to fans of Euro-trash cinema and exploitation revenge flicks. It may not be a masterpiece, but it leaves an impression for its unabashed embrace of sex, violence, and sibling revenge.
Not what I expected from D'Amata who is mostly known for his gore/porn films but its somewhat of a different film. You have the big anthropophagus himself George Eastman as a selfish gigolo/actor who obviously causes the death of his pushover model girlfriend. We find out that Carlo's (Eastman)girlfriend has a sister and its no other than Emmanuelle (being played by someone else other than Laura Gemser here). After finding out the humiliation Carlo put her sister through Emmanuelle exacts her revenge by chaining the poor sap in a secret room in her house and drugging him up causing him to have hallucinations. The whole affair is slow moving but it has its perks: some 70's bush (if your into the rug look), slew of soft core scenes and some bizarre hallucinations involving cannibalism, we even get George Eastman reprising his Anthropophagus role with his big meat cleaver! Genre buffs will dig this, you'll need it to complete your emmanuelle collection otherwise I found myself drifting in and out of it.
In this (Reportedly a remake of a Greek film of the 60s) Joe D'Amato guilty pleasure, goes a beautiful mature agent woman Emanuelle (Rosemarie Lindt - exploiting only the famous name) making a plan against an evil, giant playboy (Habitual George Estman) for murder her sister Françoise of solitude. Is undeniably kinky and trashy, but the music, the photograpahy (Of D'Amato itself) and the composition makes more than worthwhile and it really works! Still, be sure this is not for every taste ... Is a D'Amato film, and one of his best.
With Patrizia Gori and Mary Kristal, in color by Luciano Vittori. Still a hard to get DVD overseas. Also known as Emanuelle's Revenge.
With Patrizia Gori and Mary Kristal, in color by Luciano Vittori. Still a hard to get DVD overseas. Also known as Emanuelle's Revenge.
Hardcore alpha male and playboy Carlo(George Eastman)rejects cruelly his girlfriend Francoise(Patrizia Gori)after years of abusing her innocence and prostituting her.Distressed girl commits suicide by jumping onto moving train.Francoise's sister Emanuelle(Rosemarie Lindt)sets out to seduce Carlo and perform bloody revenge on him.Carlo is chained in her house,drugged and sexually tortured.The climax is hysterically bloody and exploitative.I must say that I enjoyed this piece of filth from legendary Joe D'Amato.There is lesbian scene,rape,two insanely bloody meat-cleaver attacks plus totally twisted dinner party orgy which involves cannibalism and sexual violence.If you like trashy and exploitative cinema with no redeeming values give this ultra-sleaze a chance.8 meat-cleavers out of 10.
Actually she may be looking for you - but both those puns aside (and as always none of them intended - believe it or not) ... I watched a direct remake of this just a while ago. And I am surprised it is not connected or shown up on imdb - then again I reckon you have smaller movies where not many really care about.
The remake also has an Emanuelle ... but watching those "side by side", the newer version is way better ... even if this paints the bad guy ... really bad! Even though he also has a moment of clarity ... where he warns his girlfriend ... not that it excuses any of his behavior! I mean he really does some horrible stuff ... or let's horrible stuff happen.
The police seem quite incompetent. But there is not much story wise to be honest. And while there is a lot of nudity, it mostly is not something to get excited about (no pun intended either). This also has aged badly ... the ending is ... ok I reckon even though I don't like it on many levels. While I reckon it is a nice twist, it makes no sense for the person to do ... what they do! But I reckon it is better than the original ending ...
The remake also has an Emanuelle ... but watching those "side by side", the newer version is way better ... even if this paints the bad guy ... really bad! Even though he also has a moment of clarity ... where he warns his girlfriend ... not that it excuses any of his behavior! I mean he really does some horrible stuff ... or let's horrible stuff happen.
The police seem quite incompetent. But there is not much story wise to be honest. And while there is a lot of nudity, it mostly is not something to get excited about (no pun intended either). This also has aged badly ... the ending is ... ok I reckon even though I don't like it on many levels. While I reckon it is a nice twist, it makes no sense for the person to do ... what they do! But I reckon it is better than the original ending ...
Lo sapevi?
- QuizBeware the 1:22 English version that cuts all the sleaze you come to a D'amato film for!:
- Citazioni
Il produttore cinematografico: We're not making arty-farty flicks for intellectual faggots! ... We got a terrific setup here, terrific! You can't tell this from the real thing, completely authentic! Sam Peckinpah was begging to film here!, I told him no ... D'y'all remember a film called, uh, what was it called? "A Fistful of Silver," something like that, "A Fistful of Lead?" Well that was shot right here, right where we're walking, every foot of that film
- Versioni alternativeErwin C. Dietrich cut the original movie to get an "Ungeprueft" in Germany. To have enough material, he fit in new scenes with Brigitte Lahaie.
- ConnessioniFeatured in Joe D'Amato Totally Uncut (1999)
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By what name was Emanuelle e Françoise (Le sorelline) (1975) officially released in India in English?
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