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Edvard Munch

  • Film per la TV
  • 1974
  • Not Rated
  • 3h 30min
VALUTAZIONE IMDb
8,1/10
3515
LA TUA VALUTAZIONE
Edvard Munch (1974)
Drammi storiciBiografiaDrammaMisteroRomanticismoStoria

Aggiungi una trama nella tua linguaThis biopic of Norwegian Expressionist painter Edvard Munch focuses on the influences that shaped his art, his devastating affair with a married woman that will haunt him for the rest of his... Leggi tuttoThis biopic of Norwegian Expressionist painter Edvard Munch focuses on the influences that shaped his art, his devastating affair with a married woman that will haunt him for the rest of his lifeThis biopic of Norwegian Expressionist painter Edvard Munch focuses on the influences that shaped his art, his devastating affair with a married woman that will haunt him for the rest of his life

  • Regia
    • Peter Watkins
  • Sceneggiatura
    • Peter Watkins
  • Star
    • Geir Westby
    • Gro Fraas
    • Kerstii Allum
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,1/10
    3515
    LA TUA VALUTAZIONE
    • Regia
      • Peter Watkins
    • Sceneggiatura
      • Peter Watkins
    • Star
      • Geir Westby
      • Gro Fraas
      • Kerstii Allum
    • 25Recensioni degli utenti
    • 32Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
    • Ha vinto 1 BAFTA Award
      • 2 vittorie totali

    Foto8

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    Interpreti principali64

    Modifica
    Geir Westby
    Geir Westby
    • Edvard Munch
    Gro Fraas
    • Fru Heiberg
    Kerstii Allum
    • Sophie Munch - 1868
    Eric Allum
    • Edvard Munch - 1868
    Susan Troldmyr
    • Laura Munch - 1868
    Ragnvald Caspari
    • Peter Andreas Munch - 1868
    Katja Pedersen
    • Inger Munch - 1868
    Hjordis Ulriksen
    • Housemaid - 1868
    Inger-Berit Oland
    • Sophie Munch - 1875
    Amund Berge
    • Edvard Munch - 1875
    Camilla Falk
    • Laura Munch - 1875
    Erik Kristiansen
    • Peter Andreas Munch - 1875
    Anne-Marie Daehli
    • Inger Munch - 1875
    • (as Anne Marie Dæhli)
    Johan Halsborg
    • Dr. Christian Munch - 1884
    Gro Jarto
    • Laura Catherine Munch - 1884
    Lotte Teig
    • Aunt Karen Bjølstad - 1884
    Rachel Pedersen
    • Inger Munch - 1884
    Berit Rytter Hasle
    • Laura Munch - 1884
    • Regia
      • Peter Watkins
    • Sceneggiatura
      • Peter Watkins
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti25

    8,13.5K
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    Recensioni in evidenza

    10flannelgraph

    The Citizen Kane that no one saw.

    Peter Watkins' Edvard Munch contains artistic innovations in editing and story that surely would have changed the face of how films are made--if only more people had seen it. Through an inspired stream-of-consciousness editing style, Watkins approximates the workings of the mind with greater success than ever before seen on screen. Because of this achievement, Watkins is able to convey, with vivid strokes, the intensity of Munch's emotions, and how they led to his tortured art. It is tragic that this film has not seen larger distribution, just as it is tragic that Watkins' other films are cloistered by the very companies that produce them. But then again, I cannot imagine going to the cineplex and watching a statement of life through art as soaring and original as Edvard Munch. For now, I'll continue to treasure it alone.
    10chexmix

    The best artist-biography I have ever seen

    Peter Watkins' Edvard Munch is the best film "biography" of an artist I have ever seen. Like Peter Greenaway's THE FALLS (another favorite of mine) it uses non-professionals to great advantage... I'm not quite sure I can say how (other than that I tend to find professional actors distancing, with a few notable exceptions). It also strangely but tantalizingly mixes re-creation with pseudo-interview, creating an emotional tapestry of this lonely man's life which I have never quite been able to

    UPDATE: ... Not sure why my comment cut off like that!

    I am re-viewing this great film and find it just as astonishing as I did the first time through. The great _layering_ of image and sound (so that we see an oddly-cut sequence of a couple making love mixed with images of bloody sickbeds, all the while hearing Munch's palette knife scraping away or his distraught sobs) is employed to devastating effect, while the performances seem so naturalistic that it all feels less _acted_ than simply _filmed_ ... as if Watkins somehow managed to transport himself and camera back to 19th century Christiania. Absolutely spellbinding.
    10dalaine00

    Amazing

    I just watched this movie last night and I came to this site to see how many awards this movie won. I was shocked when I saw that this was a TV movie that has apparently won no awards whatsoever! The movie is absolutely brilliant and completely mesmerizing.

    Rather than just detailing the chronology of the artist's life, the film tells Munch's story by juxtaposing his excruciating emotional, sexual, and spiritual conflicts against his quiet and composed public facade. Raised in a Puritan middle-class Norwegian family, Munch rebelled early on by joining a group of Bohemian artists that met nightly to discuss the strict but hypocritical rules of Norwegian society which prized marriage and purity on the one hand while allowing legalized prostitution (supervised by the local police department) on the other. Munch's mother died when he was very young and before dying, made him and his sister promise to always be good, follow Jesus, and turn away from earthly desires. The movie tries to show how his early experiences caused a lifelong tension between sexual desire, unfulfilled love, emotional trauma, and spiritual guilt that created extreme anxiety and depression that, in turn, becomes a part of Munch's art. He tries to either excise or describe his pain through his art, I'm not sure which.

    The movie layers multiple sounds and sights to create the story. So, for example, when Munch has his first sexual encounter with the love of his life, who is a married woman, the scene shifts back and forth between images of him kissing his love on the neck and mouth and scenes of his mother coughing up blood and being supported by her sisters as she dies. In many scenes of the movie, when he is painting, you hear a piano playing in a bar with all the bar noises and overlaying that sound is the sound of Munch weeping after he lost his love, all the while showing him attacking the canvas violently as he paints.

    As others have said, the painful story of Munch's life and art is also interlaced with information about the society he lived in and stories from the news. So throughout the movie, you hear news snippets like when Hitler was born or when a revolution breaks out in Venezuela or a story about a riot in London. There are interviews with factory workers who work 16 hour days or prostitutes who are trying to support their families. There are a lot of details about the sexual revolution of the Bohemians and the painful affairs that resulted from that. There are quite a few bar discussions about Marxism, women's rights, censorship, and art. You just can't imagine people having these kinds of discussions today. One of Munch's mentors was jailed after he wrote a book that was considered too provocative for proper society. Munch also had exhibitions shut down because they were considered improper and immoral.

    I strongly recommend this movie. I'm wondering if I'll ever see anything like this again.
    10jtur88

    Mystical experience

    Something about this movie set it apart from every other film I've ver seen. It was, like, a mystical experience in which I felt literally drawn into the reality of the scene that was being portrayed. It was a long time ago that I saw it, and I still remember the feeling I had that I understood what was taking place inside a woman when she screams. Something was happening viscerally, that I've never experienced before or since. I think part of it was the timing of the film---crucial events occurred with those little, momentary pauses that left one sensing that things were different than they ought to be and that there was some unfathomable terror associated with the hidden reality. Was it just me?
    8eigaeye

    A Piece of Munch

    At 221 minutes, this film pushes to the outer limits of its material and cinematic technique. Certainly the director's style is fresh and arresting, and the performances (if that's the right word for a 'fly-on-the-wall' directorial style), including the remarkable look-alike actor who plays Munch, are uniformly excellent. The art direction is also particularly impressive, evoking both late 19th century middle class and bohemian Europe with real pungency. The film concentrates on some of the main formative influences on Munch's art: his family relations, circle of friends and lovers. Munch's poor health as a child (you would never guess from this film that he actually lived to the age of 80) is given much prominence. The film, however, could not be described as a biography of the artist. It has nothing to say about his commercial success (which was not insignificant by 1897), what paintings he sold, how he supported himself, or anything about the second half of his life. For me, the last 30 minutes of the film seemed repetitive and, with the accumulation of repeated images and scenes, suffered from the law of diminishing returns. Perhaps the film's greatest strength is its exposition of the circumstances under which several key works in Munch's oeuvre were created. The depictions of the act of painting – often the weakest element in such biopics – are brilliantly handled by Watkins. Worth seeing. But worth owning?

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    Trama

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      This film has a 100% rating based on 13 critic reviews on Rotten Tomatoes.
    • Citazioni

      Narrator: I felt as if there were invisible threads between us. I felt as if invisible threads from her hair still twisted themselves around me. And, when she completely disappeared there, over the ocean, then I felt still how it hurt, where my heart bled, because the threads could not be broken.

    • Connessioni
      Referenced in A Discussion with Peter Watkins (1977)

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    Dettagli

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    • Data di uscita
      • 12 novembre 1974 (Norvegia)
    • Paesi di origine
      • Svezia
      • Norvegia
    • Lingue
      • Francese
      • Inglese
      • Norvegese
      • Tedesco
      • Svedese
      • Danese
    • Celebre anche come
      • Эдвард Мунк
    • Aziende produttrici
      • Norsk Film
      • Norsk Rikskringkasting (NRK)
      • Sveriges Radio
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 43.539 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 3961 USD
      • 19 giu 2005
    • Lordo in tutto il mondo
      • 76.949 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 3h 30min(210 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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