E tanta paura

Finally, a so-called "giallo" that's working vs. the formula. Corinne Cléry makes it quite clear when the Commissario (Michele Placido) asks her for a dance: "Recite an Apollinaire poem for me." De facto, the shadow of the famous French proto-surrealist is lurking everywhere in Paolo Cavara's tongue-in-cheek, poptastic homage to Heinrich Hoffmann's gruesome cautionary tales, published as "Struwwelpeter" in 1845. At first sight the usual psycho killer rubbish, E Tanta Paura is brimming with bizarre surprises, as in the orgy flashback sequence in the Fauna Lovers Group Sex Club (including a porn cartoon by Italian animatore Gibba) or the acidly humorous slaughterhouse scene, and you won't get much better dialogue for your money ("She cheated on me with a white guy." "But you're white as well." "I'm Neapolitan, that's different"). The denouement might be a bit underwhelming, but Cavara's elegant direction, Franco di Giacomo's skillful cinematography, Daniele Patucchi's versatile soundtrack and the splendid cast – special jury prize for the sardonic John Steiner – add up to an intertextual fun(house) ride breaking it down light-handedly that "giallo" can be a whole lot more than those bland Argento bummers: in this case, a vitriolic grotesque bowing its serpent's head in reverence to the origins of the Grand Guignol.

'E Tanta Paura' provides a fairly good Italian crime plot, located in the mid-19-Seventies. Carrying all characteristics of its era, a slice of sleaze included.

Nevertheless, to boost up sales, the cover of my DVD adds that Corinne Clery features in this film. And yes, here we have a name that those around at the time may remember: the naked female lead from 'Histoire d'O' (= French for 'the story of O'). It must be said that Clery contributes well to 'E Tanta Paura'; clothed (90%) as well as naked (10%).

'E Tanta Paura' still reasonably entertains without being great. And shows a little dented by the passage of time.

A series of brutal and savage murders baffles police.Egocentric inspector Gaspare Lomenzo(Michele Placido)wants to catch elusive killer.The victims were the members of a bizarre sex club called The Fauna Lovers.The club is led by eccentric and filthy rich author Hoffman.The accidental death of a hooker Rosa may help to solve this tough criminal case...After making brilliant giallo "Black Belly of the Tarantula" Paolo Cavara made "Plot of Fear".The film is well-acted and very suspenseful with several surprising plot twists.The set designs are garish,the ladies are beautiful and there is a bit of sleaze.The murders are stylish and unrelenting for example one female victim is burned alive.The portrayal of wealthy decadence in "Plot of Fear" comes across as depressing and unforgiving.8 giallos out of 10.

In a Milanese night, a masochistic man, Mattia Grandi, is strangled with the hands of a female prostitute in his house, and a middle-aged woman, Laura Falconieri, is killed with a spanner in the empty bus. In each case, the killer leaves a meaningful illustration of the children's book titled PIERINO-PORCOSPINO. And then the Naples-born Lieutenant Lomenzo, who is in charge of these cases, meets an informative model named Jeanne who tells him that there was an accidental sudden-death of a prostitute named Roza Catena at the meeting of a club named WILDLIFE'S FRIENDS in which the two victims participated... I think the whole story of this film is one of the most unique ones of the Gialli in the 1970s'. Indeed the concludingness of its serial murders seems to be too unique even for the serious Giallo lovers to gladly accept. But it is not unexpected one because most of the murders in this film are a little too large-scale to be conventionally concluded. And it should be add that the cool beautifulness of Corinne Clery, who superbly plays the enigmatic model, is highly appropriate for the very mystery this film has. Unfortunately, as a post-TORSO giallo, this film has something problematic; not only Daniele Patucchi's music but also Giovanni Capelli's special effects are definitely weak and almost minimalistic (except for the only one murder sequence which has unusually energetic music. Strangely enough, although most of the murder sequences of this film are disappointingly light, the same one is exceptionally gory, too.) Incidentally, this film has at least two prints. For instance, in the shorter print (and this not-Italian-but-English-speaking one seems to be so-called International Version), the murder sequence of Laura Falconieri is heavily cut, and therefore one can hardly understand what is precisely going on in the problematic bus. Indeed, in the problematic print, the victim is simply murdered without giving notice, and therefore it is no longer a murder sequence; it is rather a murder scene.

Paolo Cavara had already directed an earlier giallo by the time he made Plot of Fear. His previous effort - The Black Belly of the Tarantula - was pretty much a textbook example of the genre. By 1976 the sub-genre had ran its course and that may be why Plot of Fear tries to bring in a few different angles into the giallo template. For this reason it's a relatively distinctive effort. For my money it isn't as good as the classic-style Tarantula. It lacks the thrills of that one. Nevertheless, it remains a worthy effort.

Rather than a completely new take on the genre, it might be truer to say that Plot of Fear mixes typical giallo aspects with atypical ones. We have traditional giallo elements like a group of unsympathetic rich people being violently murdered one by one, a secret sex club, dark secrets from the past informing the present and each murder being signatured with a page from a sinister sounding children's story book (in this case a book called 'Shock-Headed Peter). As you could also gather the plot-line is typically convoluted too. Where things deviate from the norm is the inclusion of paranoid thriller material, no doubt influenced by the Watergate fallout that shaped many other films of the time. This is in reference to the whole wire-tapping/tapes thread and the morality of the private investigators whose services can be bought. The film overall does seem to have at least some social and political conscious, which is very far removed from most gialli. Its mystery is also wrapped up in a somewhat unorthodox manner that is significantly different to others in the genre.

The casting is a little unusual too for a giallo. While John Steiner was a regular at playing shady characters in these types of movies, the same cannot be said for the American actors Eli Wallach or Tom Skerrit. The latter has a very minor role indeed, almost irrelevant; you almost wonder why they didn't just hire one of their stock bit player actors for his role. As a film, this is a pretty decent effort. It isn't as formulaic as most in the genre. While it's central mystery is intriguing enough and builds up interest by way use of some interesting flashbacks. One of which shows the rich and decadent clique relaxing while watching a pornographic cartoon. I really would like to know what it is, as it looked like a bit of a riot. Answers on a postcard for that one.

Overall, Plot of Fear isn't among the best in the giallo genre. But it is probably among that grouping of titles that straddle other genres and are somewhat less predictable. Not essential stuff by any means but fans of Italian genre pictures will surely find something to enjoy in it.