Aggiungi una trama nella tua linguaA Marine recruit fails basic training and is sent home wearing the "baby blue" fatigues of a washout. En route, he's mugged by a battle-fatigued Marine Raider who leaves him to hitch-hike ho... Leggi tuttoA Marine recruit fails basic training and is sent home wearing the "baby blue" fatigues of a washout. En route, he's mugged by a battle-fatigued Marine Raider who leaves him to hitch-hike home wearing the hero's uniform left by the Raider.A Marine recruit fails basic training and is sent home wearing the "baby blue" fatigues of a washout. En route, he's mugged by a battle-fatigued Marine Raider who leaves him to hitch-hike home wearing the hero's uniform left by the Raider.
- Regia
- Sceneggiatura
- Star
Bruno Kirby
- Pop Mosley
- (as B. Kirby Jr.)
Kenneth Tobey
- Buick Driver
- (as Ken Tobey)
Recensioni in evidenza
Very appealing stateside WWII drama stars then-hot Jan-Michael Vincent as Marion "Hedge" Hedgepeth, who, before long, flunks out of his basic training as a Marine, and is sent home in a baby blue uniform in disgrace. During the journey, he encounters an actual young veteran (Richard Gere, in a memorable bit) who's desperate to avoid being sent back into battle. So the vet mugs Hedge (well, so to speak...he actually LEAVES him a few dollars), and all Hedge has to wear is the vets' uniform. On his way back home, he stops in a small Colorado town, and is naturally thought to be a war hero by the locals. He's so endearing to them, and they to him, that he can't bring himself to tell them the truth.
Written by Stanford Whitmore ("Hammersmith Is Out", "The Dark"), and directed by John D. Hancock ("Let's Scare Jessica to Death", "Bang the Drum Slowly"), this is an enjoyable little film worth rediscovering. While not altogether believable (for some reason, there's a Japanese internment camp right in the woods near this town), it gets by on a certain amount of charm, just like its lead character. In fact, a citizen named Hudkins (Bert Remsen), with whose daughter Rose (Glynnis O'Connor) Hedge falls in love, surmises that he's too *nice* and *innocent* to seem like a hardened killer.
Overall, the film does get pretty dramatic, and takes on the tone of a fable, but it never veers too far into unpleasantness. Excellent location shooting in & near the California towns of Weed and McCloud gives it atmosphere and a fine feeling of Americana, and the score by Fred Karlin is excellent.
Vincent was then at the peak of his career as a leading man in film, and he couldn't be more likable. O'Connor is adorable as the romantic interest, and Katherine Helmond, Dana Elcar, Bert Remsen, Bruno Kirby, Gere (sporting shocking bleach blonde hair), Art Lund, Michael Conrad, Allan Miller, Kenneth Tobey, Lelia Goldoni, Marshall Efron, and Barton Heyman comprise a rock solid supporting cast. Adam Arkin has one of his earliest big screen roles as a boy named "Rupe".
Well worth a look, especially if you like cinema set during this period, or are a fan of Vincent.
Seven out of 10.
Written by Stanford Whitmore ("Hammersmith Is Out", "The Dark"), and directed by John D. Hancock ("Let's Scare Jessica to Death", "Bang the Drum Slowly"), this is an enjoyable little film worth rediscovering. While not altogether believable (for some reason, there's a Japanese internment camp right in the woods near this town), it gets by on a certain amount of charm, just like its lead character. In fact, a citizen named Hudkins (Bert Remsen), with whose daughter Rose (Glynnis O'Connor) Hedge falls in love, surmises that he's too *nice* and *innocent* to seem like a hardened killer.
Overall, the film does get pretty dramatic, and takes on the tone of a fable, but it never veers too far into unpleasantness. Excellent location shooting in & near the California towns of Weed and McCloud gives it atmosphere and a fine feeling of Americana, and the score by Fred Karlin is excellent.
Vincent was then at the peak of his career as a leading man in film, and he couldn't be more likable. O'Connor is adorable as the romantic interest, and Katherine Helmond, Dana Elcar, Bert Remsen, Bruno Kirby, Gere (sporting shocking bleach blonde hair), Art Lund, Michael Conrad, Allan Miller, Kenneth Tobey, Lelia Goldoni, Marshall Efron, and Barton Heyman comprise a rock solid supporting cast. Adam Arkin has one of his earliest big screen roles as a boy named "Rupe".
Well worth a look, especially if you like cinema set during this period, or are a fan of Vincent.
Seven out of 10.
Just saw Baby Blue Marine again after 30 years. I still find it a pleasant and romantic film which catches a time which has been lost forever. The innocence and purity of a time now long gone, is truthfully captured in this small film. The acting is above average and Richard Gere's brief appearance as a shell-shocked Raider Marine war hero, holds a keen interest for any film buff or Gere fan. Jan-Micheal Vincent is in his prime and looks and acts like the "All-American" boy. The late Bruno Kirby (who was billed as B.Kirby, Jr.) has a meaty role as "Pop", a peace-loving, Marine Corp reject, dreaming of getting back home to his wife. If you're looking for sex, drugs, or rock and roll, this movie is not for you. If you're looking for action and adventure, the same applies. However, if you want to recapture a time in America of innocence, honor, romance, and love, then Baby Blue Marine is a movie for you.
The first time I saw this film I was working as the projectionist of the multi-plex theater where it first opened in 1976. It played for two or more weeks and did good business. I must have checked my watch and looked out at the same few scenes a hundred times. The actors were so talented and the scenery so real as if it was a real 1944 town. I am 60 now and just saw it again on cable. I was about 23 or 4 when it was released. It has been hard for me to understand why Jan Michael Vincent never became a huge box office star like DeNiro or Warren Beaty. I didn't like his TV series "Airwolf" He was so talented but his feature-length movies just were swept under the rug so to speak. I guess some make it while some don't. If you see this playing on cable or in a DVD discount bin watch it un-cut by commercials. Have some tissues nearby.
Jan-Michael Vincent plays a "Baby Blue Marine" (i.e., a Marine boot camp failure) during World War II. He's initially sent home in disgrace after just five weeks--wearing baby blue fatigues--until he's knocked unconscious (by a white-haired Richard Gere), forcing him into a different uniform: that of a Raider Marine. Original screenplay by Stanford Whitmore opens with a hilarious loser's outfit overseen by an incredulous drill instructor (Michael Conrad, who's terrific). The rest of the film isn't quite so good, especially with Whitmore's overripe narrative playing out like a Preston Sturges wannabe accented with barracks talk, introspective drama, and curlicues of wobbly comedy. Vincent (laying on the sensitive soul routine) isn't the recruit I wanted to follow, anyway; that honor would go to Bruno Kirby (B. Kirby Jr.) as a fake bed-wetter who just wants to get home to his lonely wife. **1/2 from ****
I first saw this film while stationed in Germany, and I especially enjoyed the scenery, music, and the plot. The timeless standard, "I'll be seeing you", added greatly to the mood. A very imaginative, and sensitive kind of movie for all to enjoy.
Lo sapevi?
- QuizUncredited final theatrical feature film of John Drew Barrymore. After finishing this film he left the industry and became a recluse for the next 25 years.
- BlooperDuring the flag ceremony at the Japaneses Internment Camp, the wrong bugle call is sounded. Lowering the flag at the end of the day is called a "Retreat" ceremony. The bugle call played is, "Retreat", which is the first of two bugle calls that are sounded. When "Retreat" is sounded, it lets everyone know to stop what they're doing and face the flag. The salute isn't presented until the second bugle call, "To The Colors" begins as the flag is being lowered. In this movie, the bugle call, "To The Colors" is not played.
- ConnessioniFeatures Tramonto (1939)
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