Un ex-legante minore, vecchio e sfortunato, allena una squadra di disadattati in un campionato californiano ultra competitivo.Un ex-legante minore, vecchio e sfortunato, allena una squadra di disadattati in un campionato californiano ultra competitivo.Un ex-legante minore, vecchio e sfortunato, allena una squadra di disadattati in un campionato californiano ultra competitivo.
- Regia
- Sceneggiatura
- Star
- Nominato ai 1 BAFTA Award
- 1 vittoria e 2 candidature totali
Alfred Lutter III
- Ogilvie
- (as Alfred W. Lutter)
Recensioni in evidenza
"The Bad News Bears" came out in 1976, the summer that I started playing little league. I know I am not breaking any new ground when I say that this film is a classic, but hopefully I can educate some of the younger viewers and posters as to how realistic this film is, in some ways.
First of all, I believe that anyone who has ever played organized youth sports has had a Tanner Boyle, Timmy Lupus and a Kelly Leek on their teams. This is just how it is, and for better or worse, it is one of the galvanizing factors that make youth leagues etch themselves indelibly into the memories of all those who have participated in them.
Second of all, kids curse. I don't know who the "nay-sayers" out there are, but they should look back into their own memories and try to figure out just when they learned to use the F-word. If you didn't learn it from your parents, you learned it from other kids. Granted, not all of us knew exactly what the words meant at that age, but we still used them. It was a small measure of rebellion at the age of seven.
When Tanner Boyle makes the comment that the team is filled with "niggers, spics, Jews and now a broad," it would be a crass, hateful comment if it had come from an adult. Yet, as a youth, Tanner gets a laugh because we all know that he doesn't really mean it, he is just repeating what he has heard at home -- not to condone what might have been said over the Boyle dinner table. The proof of this is obvious when Tanner "takes on the seventh grade," and makes a valiant attempt to preserve Timmy Lupus' honor before he gets thrown into a garbage can. Regardless of Tanner's racist remarks about the team, and his shunning of Lupus, "Lupus, why don't you sit over there? (abbr.)" he is willing to fight for those same people.
Third, (sorry for the digression), that's what parents are like. It is a truth that goes down through the ages: when it comes to their children, all adults are a-holes. When it comes time to see their children strive to excel at something, they become the obnoxious, bullying, chest-beating sh**s they have warned their children not to be. For the most part it is an extension to the children for what the parents' couldn't be in the first place, e.g. a good shortstop.
And Fourth: Losing. There is something about those pinstripes and even the moniker "Yankees" that make some of us want to do violent things to a couch. Mind you, I am not a native southerner, nor am I a Red Sox fan. I am just a man who can see the fact that pinstripes and the word "Yankees" symbolizes a corporate juggernaut that tries to annihilate the concept of fair play. For the Bears to ultilmately lose to the "Yankees" is just. They got beat. Perhaps it is an irony that this movie came out one year after the last choppers left Saigon, that defeat was in the air, so to speak.
There was still a message to this movie. A message that I have carried throughout my adult life. A message that Churchill had during the Blitz, and Giuliani had in the post 9/11 rubble. Once again, a line from Tanner Boyle: "Hey Yankees, you can take your trophy and shove it up your ass. Just wait until next year!"
First of all, I believe that anyone who has ever played organized youth sports has had a Tanner Boyle, Timmy Lupus and a Kelly Leek on their teams. This is just how it is, and for better or worse, it is one of the galvanizing factors that make youth leagues etch themselves indelibly into the memories of all those who have participated in them.
Second of all, kids curse. I don't know who the "nay-sayers" out there are, but they should look back into their own memories and try to figure out just when they learned to use the F-word. If you didn't learn it from your parents, you learned it from other kids. Granted, not all of us knew exactly what the words meant at that age, but we still used them. It was a small measure of rebellion at the age of seven.
When Tanner Boyle makes the comment that the team is filled with "niggers, spics, Jews and now a broad," it would be a crass, hateful comment if it had come from an adult. Yet, as a youth, Tanner gets a laugh because we all know that he doesn't really mean it, he is just repeating what he has heard at home -- not to condone what might have been said over the Boyle dinner table. The proof of this is obvious when Tanner "takes on the seventh grade," and makes a valiant attempt to preserve Timmy Lupus' honor before he gets thrown into a garbage can. Regardless of Tanner's racist remarks about the team, and his shunning of Lupus, "Lupus, why don't you sit over there? (abbr.)" he is willing to fight for those same people.
Third, (sorry for the digression), that's what parents are like. It is a truth that goes down through the ages: when it comes to their children, all adults are a-holes. When it comes time to see their children strive to excel at something, they become the obnoxious, bullying, chest-beating sh**s they have warned their children not to be. For the most part it is an extension to the children for what the parents' couldn't be in the first place, e.g. a good shortstop.
And Fourth: Losing. There is something about those pinstripes and even the moniker "Yankees" that make some of us want to do violent things to a couch. Mind you, I am not a native southerner, nor am I a Red Sox fan. I am just a man who can see the fact that pinstripes and the word "Yankees" symbolizes a corporate juggernaut that tries to annihilate the concept of fair play. For the Bears to ultilmately lose to the "Yankees" is just. They got beat. Perhaps it is an irony that this movie came out one year after the last choppers left Saigon, that defeat was in the air, so to speak.
There was still a message to this movie. A message that I have carried throughout my adult life. A message that Churchill had during the Blitz, and Giuliani had in the post 9/11 rubble. Once again, a line from Tanner Boyle: "Hey Yankees, you can take your trophy and shove it up your ass. Just wait until next year!"
10Cobbler
Hilarious film with a darker side that sometimes pokes through, especially in its serious moments. This is classic Walter Matthau, and classic Jackie Earle Haley, too! (Love that air hockey scene!) It reminds me of my childhood, and not many movies do. I can watch this film a dozen times and never get tired of it.
10JW-27
This is a superb movie. I don't think it will ever become dated--not as long as little league baseball is in existence. I remember first seeing it at a drive-in when I was ten, shortly after my own little league season had finished. Walter Matthau is excellent as Buttermaker, the beer-soaked coach who takes on the unwanted task of coaching a team of misfit kids who were allowed to play in the league only after a civil action law suit was won in their favor. Tatum O'Neal shines as the team's recruited pitcher Amanda, whose mother once dated Buttermaker. A touching subplot involves the relationship between Amanda and Buttermaker which turns from distant to warm as the final game approaches. Vic Morrow gives a frighteningly good performance as the out-to-win-no-matter-what coach of the opposing team who was never happy with the fact that the Bears were allowed to play in the first place. Joyce Van Patten is also good as the butch, outspoken league supervisor.
It's the kid players that really give this movie the edge. All performances are top-notch, and director Michael Ritchie splendidly keeps the focus mostly on them and their feelings about the whole ordeal. Stand-outs include Jackie Earl Haley as the heroic Kelly Leak and Chris Barnes as shortstop Tanner Boyle. This film should be a warning to relentless adults who try to achieve stardom on the backs of their children, be it on the baseball field or on the ballet floor.
It's the kid players that really give this movie the edge. All performances are top-notch, and director Michael Ritchie splendidly keeps the focus mostly on them and their feelings about the whole ordeal. Stand-outs include Jackie Earl Haley as the heroic Kelly Leak and Chris Barnes as shortstop Tanner Boyle. This film should be a warning to relentless adults who try to achieve stardom on the backs of their children, be it on the baseball field or on the ballet floor.
I have to admit I am not a huge sports fan, but several sports movies have sparked my interest, such as Hoosiers, Breaking Away and Remember the Titans. I saw The Bad News Bears mostly for Walter Matthau and I really enjoyed it. While it could have been a tad longer perhaps, and one or two scenes could have been tighter in the pace, it is a very good movie. For a sports movie, it is quite different, taking on the underdogs taking on the big boys scenario for example, and it works wonderfully.
The production values are very nice, and Jerry Fielding's score compliments each scene beautifully. The film's script is quite gritty, but it is also funny and thoughtful, while the story is always engaging and well-thought out with the relationship between Morris and his team particularly pulling you in. The direction is solid, while the acting is excellent. Walter Matthau is simply brilliant as the boozy coach Morris, while Joyce Van Patten gives great support and the child stars are more than a match for Matthau. Especially Tatum O'Neal, who is quite charming yet very spunky and likable, and I personally think she has better screen presence than her dad.
All in all, a very enjoyable movie, and whether you are a fan of sports movies or not, this movie is recommended. 8/10 Bethany Cox
The production values are very nice, and Jerry Fielding's score compliments each scene beautifully. The film's script is quite gritty, but it is also funny and thoughtful, while the story is always engaging and well-thought out with the relationship between Morris and his team particularly pulling you in. The direction is solid, while the acting is excellent. Walter Matthau is simply brilliant as the boozy coach Morris, while Joyce Van Patten gives great support and the child stars are more than a match for Matthau. Especially Tatum O'Neal, who is quite charming yet very spunky and likable, and I personally think she has better screen presence than her dad.
All in all, a very enjoyable movie, and whether you are a fan of sports movies or not, this movie is recommended. 8/10 Bethany Cox
Scrappy pool-cleaner (and former ballplayer) in Southern California gets talked into coaching Little League to a bunch of no-talent boys. I don't think I've ever seen another movie that captured this bit of Americana so vividly: you can almost smell the freshly-cut grass and the cigar smoke in the air! One of Walter Matthau's many triumphs, and Tatum O'Neal as the pitching ace is also terrific (especially in the dug-out scene where she tries involving Matthau in her life and he cracks, sending her away in tears: "You don't wanna go, fine, no big deal."). The young boys are mostly all wonderful: Alfred Lutter, from "Alice Doesn't Live Here Anymore", as the nerdy brain; Jackie Earle Haley as the cool kid with shades and motorcycle; Brandon Cruz, from "The Courtship of Eddie's Father", as the pitcher for the enemy-team. The film has some overacting and is occasionally sloppy (with the boom-mike showing, as well as O'Neal's stand-in in a wig), but is otherwise extremely well-written and designed and directed. In 1976, this had kids and adults lining up to see it, so I wouldn't consider the picture a 'sleeper' or an underrated film. It was a big commercial box-office hit and there is an audience for it wherever there's a DVD player and a screen. ***1/2 from ****
Lo sapevi?
- QuizTatum O'Neal trained with a professional sports trainer for several weeks before filming began in August 1975, so she could get her pitch "pitch perfect," so to speak. Although some of the pitches in the movie were done by stunt doubles, O'Neal did the bulk of them on her own. (Rare for a movie like this,)
- BlooperAfter Kelly Leak's home run gives the Bears their first win of the season (against the White Sox), the footage of the Bears celebrating at home plate around Kelly shows a Yankee catcher. This footage was actually from the alternate ending which had the Bears winning the final game against the Yankees.
- Citazioni
[last lines]
Tanner Boyle: Hey Yankees... you can take your apology and your trophy and shove 'em straight up your ass!
Timmy Lupus: And another thing, just wait till next year!
- Curiosità sui creditiWhen the Paramount logo turns blue, the "Paramount" text extends beyond the dark blue area instead of staying inside the dark blue.
- ConnessioniFeatured in Precious Images (1986)
- Colonne sonoreCarmen
Written by Georges Bizet
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Los picarones
- Luoghi delle riprese
- Mason Park - 10500 Mason Ave., Chatsworth, Los Angeles, California, Stati Uniti(Little League Fields)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 32.211.330 USD
- Lordo in tutto il mondo
- 32.211.330 USD
- Tempo di esecuzione1 ora 42 minuti
- Colore
- Proporzioni
- 1.85 : 1
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