Quel giorno il mondo tremerà

an idealist ordinary man. and his desire to transform the other's perspective about life. a lucid psychologist who looking solve a case. result - a film who could seems boring at the first sigh. because it is not a crime but it has each ingredients of one. it is not a political film against the elements who defines in this sense. it is only a sort of cry of a man who has the hope/faith to do the expected revolution . a Don Quixote in new clothes. inspired portrait of contemporary society, it is the film who remind and not present. the duel between Delon and Yanne is , scene by scene, build in the precise manner. one of films who could be useful when the challenges of everyday becomes more bitter. because the chance to discover yourself in the gestures of Carrier or Ambrose, sides of same coin, is the great virtue of the film.

The movie is worth seeing because it stars Alain Delon (a psychologist who collaborates with police) and Jean Yanne, a psychopathic criminal with terrorist aspirations.

Maybe the film is more interesting today than in 1977, because now we live in a period in which terrorist threat is global. In a certain way "Armaguedon" is 25 years ahead of its time.

Unfortunately, although still watchable, the movie lacks a real confrontation between the two main actors, and that's a pity -because thriller is one of the genres French filmmakers are excellent in. In the film Delon and Yanne never meet really... It's a script mistake, which director Alain Jessua admits.

There's some action, but the film is more psychological than physical -it's not like many banal Hollywood action movies. But it's not a memorable movie, the final part goes too fast -it spoils the tension settled so far.

I have always compared Alain Jessua's filmography with Serge Leroy's one; interesting topics which analysed very brilliantly and in the best intelligent way the problems of the modern world, or human nature. And they often used the thriller pretext to do this. Check every of their films, for both of them and you'll have confirmation of what I say. For Leroy, LA TRAQUE, ATTENTION LES ENFANTS REGARDENT or LEGITIME VIOLENCE, LE QUATRIEME POUVOIR; for Jessua, ARMAGUEDON, TRITEMENT DE CHOC, LES CHIENS; all topics about social issues and human behavior. The adaptation from the David Lippincott's novel is rather faithful and that remains a very good French yarn. Yanne is exquisite in this ambivalent character. The relationship between his character and Renato Salvatori's one is very touching, so unusual, which reminds me OF MICE AND MEN, between George and Lenny.

What can people do to draw people's attention?Some go as far as to kill their fellow men to achieve that;

Louis ,a humble craftsman, inherits a lot of money.He's got fortune,but he wants fame too.He has his friend Einstein(sic) take photographs of him among crowds of celebrities.He sends them to the Police and threatens to commit crime as "Armaguedon".

Alain Jessua was certainly one of the most underrated of the French directors of that era:"traitement de choc" (probably his most successful effort)"les chiens" and "paradis pour tous" all ventured off the beaten track;they were sometimes close to sci-fi. While "Armaguedon" seems more realistic,it is an absorbing thriller.

An anti-hero, proletarian, and idealistic man, Louis Carrier (played by Jean Yanne) craves for waking people up to their conditioning as larvas in today's society and puts a plan into action upon inheriting some insurance money from his deceased brother...

Jean Yanne gives a moving, authentic, and powerful performance opposite Alain Delon who plays with lucidity and presence a renowned psychologist hired by the police to hunt down Carrier.

Most likely, this movie will communicate emotions to those who wish for a better world !