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Tutti gli uomini del presidente

Titolo originale: All the President's Men
  • 1976
  • T
  • 2h 18min
VALUTAZIONE IMDb
7,9/10
132.450
LA TUA VALUTAZIONE
POPOLARITÀ
2558
424
Dustin Hoffman and Robert Redford in Tutti gli uomini del presidente (1976)
Trailer for All the Presidents Men
Riproduci trailer2:49
3 video
99+ foto
DocudramaDrama sul postoDramma politicoThriller cospirativoThriller politicoDrammaStoriaThriller

I reporter del Washington Post Bob Woodward e Carl Bernstein indagano sul caso Watergate e scoprono informazioni che porteranno alle dimissioni del presidente Nixon.I reporter del Washington Post Bob Woodward e Carl Bernstein indagano sul caso Watergate e scoprono informazioni che porteranno alle dimissioni del presidente Nixon.I reporter del Washington Post Bob Woodward e Carl Bernstein indagano sul caso Watergate e scoprono informazioni che porteranno alle dimissioni del presidente Nixon.

  • Regia
    • Alan J. Pakula
  • Sceneggiatura
    • Carl Bernstein
    • Bob Woodward
    • William Goldman
  • Star
    • Dustin Hoffman
    • Robert Redford
    • Jack Warden
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,9/10
    132.450
    LA TUA VALUTAZIONE
    POPOLARITÀ
    2558
    424
    • Regia
      • Alan J. Pakula
    • Sceneggiatura
      • Carl Bernstein
      • Bob Woodward
      • William Goldman
    • Star
      • Dustin Hoffman
      • Robert Redford
      • Jack Warden
    • 317Recensioni degli utenti
    • 171Recensioni della critica
    • 84Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 4 Oscar
      • 17 vittorie e 23 candidature totali

    Video3

    All the President's Men
    Trailer 2:49
    All the President's Men
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    Clip 5:10
    Robert Redford: The Con With Conviction & the End of a Legendary Screen Persona
    What Movies Make Up the DNA of "Utopia"?
    Interview 2:50
    What Movies Make Up the DNA of "Utopia"?

    Foto150

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    Interpreti principali99+

    Modifica
    Dustin Hoffman
    Dustin Hoffman
    • Carl Bernstein
    Robert Redford
    Robert Redford
    • Bob Woodward
    Jack Warden
    Jack Warden
    • Harry Rosenfeld
    Martin Balsam
    Martin Balsam
    • Howard Simons
    Hal Holbrook
    Hal Holbrook
    • Deep Throat
    Jason Robards
    Jason Robards
    • Ben Bradlee
    Jane Alexander
    Jane Alexander
    • Bookkeeper
    Meredith Baxter
    Meredith Baxter
    • Debbie Sloan
    Ned Beatty
    Ned Beatty
    • Dardis
    Stephen Collins
    Stephen Collins
    • Hugh Sloan
    Penny Fuller
    Penny Fuller
    • Sally Aiken
    John McMartin
    John McMartin
    • Foreign Editor
    Robert Walden
    Robert Walden
    • Donald Segretti
    Frank Wills
    Frank Wills
    • Frank Wills
    F. Murray Abraham
    F. Murray Abraham
    • Arresting Officer #1
    David Arkin
    David Arkin
    • Eugene Bachinski
    Henry Calvert
    • Bernard L. Barker
    Dominic Chianese
    Dominic Chianese
    • Eugenio R. Martinez
    • Regia
      • Alan J. Pakula
    • Sceneggiatura
      • Carl Bernstein
      • Bob Woodward
      • William Goldman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti317

    7,9132.4K
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    Recensioni in evidenza

    sjtom49

    So you trust Washington?

    This film is probably in more top 10 lists than any movie ever made and deservedly so. Due to the subject matter (the Watergate break-in and cover-up) there's little in the way of suspense but it's not needed. Seeing exactly how Woodward and Bernstein went about putting their story together is movie making at its finest. The story, top notch casting, editing and directing give this an easy 10 out of 10!
    8calinchiriac

    Ever Heard of Watergate?

    "All the President's Men" (1976) follows the investigation led by Washington Post journalists Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman) on the Watergate scandal, running parallel with President Nixon's campaign for reelection. As the two lead characters see their investigation unfold, hardly, must I say, they get banged down by your usual, but not quite so, "newspaper" drama : missing sources, pettiness of the story, abstinence and denial by the witnesses, lack of hard evidence and, above all, threat to the survival of the Post itself.

    This is a gripping time piece. Almost half of the story is spent at the newspaper's offices, overshadowed by the permanent key-tapping of ardent typewriters and the constant chatter of young secretaries, which add a great sense of urgency and authenticity to a typical 1970s Washington workplace, where Woodward and Bernstein, sitting face-to-face in an odd, diagonal line that becomes a subtle symbol for a head-butting professional relationship, learn to first tolerate each other (and each other's egos) before uniting to unveil the truth. The interactions between Hoffman and Redford throughout the movie are as delightful to watch as they are crucial to making William Goldman's Academy Award-winning script reach its climax. We, as spectators, pay attention to these two very powerful actors' every word with such care and eagerness without even seeing through their banter and mistakes, breathing sighs of relief when catching a loose second and setting the alarm as the next one arrives. In the meantime, we get glimpses of written notes swinging in every direction from Woodward, mainly, creating a true journalistic feel, and enthralling conversations over the phone from both characters, desperately attempting to connect with not only the people behind the scandal, but also with the obscure situation on which they vainly light their lamps on, to a point where the phone becomes a mere extension of the hand and the absence of voice on the other end of the wire provokes an expression of total indifference. The story hides behind this progressive and discreet line of events without ever declaring "right" or "wrong", and plays with the writers' heads, leading them to frustration, unaided by the pressure of their superiors, the Metro News' supervisor Harry Rosenfeld (Jack Warden) and the Post's Ben Bradlee (Jason Robards, in a sublime performance).

    The remainder of the movie explores Woodward and Bernstein's (or "Woodstein", as Bradlee once cries out, interrupting the high-pitched noise of the office for more than two seconds) attempts to force the truth (or, at least, parcels of it) out of various mouths (White House bookkeepers, attorneys, lawmen, you name it) and shows with true excitement the abusive paraphrasing and deduction the two men make with a less-than-minimal amount of words or simple nods from the speakers (or non-speakers). In fact, the two are so convinced of the story's credibility that they unequivocally trade sentences for common sense, really. This is where the movie falters; its will and urgency to depict these moments rapidly makes them seem trivial and forgettable. For instance, an "informant" of Woodward's ("Deep Throat", as they call him) only agrees to meet with him in a dark, underground parking, but the movie never truly gives his character the proper gravitas and importance that his name really bears, historically speaking.

    Nevertheless, "All the President's Men" is the prototype of a solid and honest depiction of a historical event or, in this case, a more or less extended period of time marked by historical events. Alan J. Pakula's camera is turning around America's capital with remarkable ease, giving us the feeling that we have already been there, with Woodward and Bernstein, and capturing the charm of residential homes, the cacophony of midnight streets and the peacefulness of everyday places, such as libraries and diners. As already mentioned, the dynamics of the characters and of their relationships elevate the movie way above average, but the thoroughness to get the story "just the right way" makes it even greater. At some points during the movie, we are projected with real-time speeches from Nixon and his entourage or with journalistic coverage from 1972 and 1973 on a small television set in the office, further down the road from Woodward's small cabinet. As we exchange glances from the coverage on TV to Woodward's continuous typing, we take a step back and contemplate the successful effort of converting the broadcasted story into a much more intimate one.
    8Rathko

    Heroic Journalists? Those were the days...

    After the flawed but fascinating 'Parallax View', Alan J. Pakula learns from his mistakes, and delivers a more logical and satisfying story in 'All the Presidents Men'. Everything about this movie is of the highest quality. Another bravado turn from cinematographer Gordon Willis creates a world of intensely glaring lights and ominously inky shadows. Subtle and realistic performances from the entire cast create a believable pressroom atmosphere of rivalry, idealism and integrity.

    The story has been the prototype for every conspiracy thriller since, establishing all the motifs that would eventually be exhausted by 'The X-Files' and become cliché. The narrative flows smoothly, and Goldman does an excellent job of reigning in a potentially incomprehensible plot line, a feat that won him a much-deserved Oscar. The story does, however, slow down in spots, becoming repetitious, and could have benefited from a little judicious pruning.

    An excellent movie, that not only sheds light on a historic episode without the usual glossy spin, but highlights the pitiful condition of modern journalism, a fall from grace that in time will prove to far more terrifying and long reaching than anything perpetrated by Nixon and his cronies.
    george.schmidt

    The Real Dynamic Duo

    ALL THE PRESIDENT'S MEN (1976) **** Dustin Hoffman, Robert Redford, Jason Robards, Jane Alexander, Martin Balsam, Jack Warden, Hal Holbrook, Ned Beatty. Superb adaptation of Washington Post's scathing historical expose by intrepid reporters Bob Woodward and Carl Bernstein (played with energetic paranoia by Golden Boy and Dusty to perfection) on the infamous Watergate break-in and the ultimate downfall of the Nixon presidency with cover ups, cloak-and-dagger informant `Deep Throat', conspiracies and Washington as a fixed metaphor as a quagmire sucking down America's freedoms with only the dynamic duo as our only hope! Robards won a richly deserved Best Supporting Actor Oscar for his portrayal of crusty yet fair editor Ben Bradlee. Suspensefully directed by Alan J. Pakula. Look sharp for Polly Holliday (aka tv's `Flo') as a repellent secretary. Also won Oscars for Best Screenplay Adaptation by William Goldman, Art Direction and Sound. Alexander was nominated for Best Supporting Actress.
    7thinker1691

    " There is no greater weapon in a democracy, than a free press "

    On June 17th, 1972 a security guard (Frank Willis) discovered a small piece of tape covering the latch on the basement door of the Headquarters of the National Democratic Committee in Florida. Calling for the police, they quickly arrested five well dressed burglars, one with $800 in his wallet. What few people knew was that these individuals would become the foundation of a massive conspiracy which involved the entire Federal community including the F.B.I, C.I.A. and other agencies working for the President of the United States. Attending the burglars at their court arraignment, rookie reporter Bob Woodward (Robert Redford) is astounded to learn one of the burglar's previously worked for the C.I.A. in the White House. The senior reporter who is later paired with him is 14 year veteran Carl Bernstein (Dustin Hoffman). What transpires in the next three years will illuminate the secret illegal activities, covert operations and deep paranoia of the Nixon Administration. In this movie, audiences are privy to the workings of The Washington Post and the enormous efforts of these two Pulitzer Prize winning journalists. Jack Warden plays Harry M. Rosenfeld the Metroploitan editor who despite his own doubts believes in the future of the promising investigative journalists. Martin Balsam is Howard Simons and Jason Robards plays stanch Ben Bradlee, the Executive Editor of the Post. Even though they realized the risks involved, they stood their ground and allow the citizens of America to see the importance of a free press. In retrospect, America also learns of the immense risk and hazardous undertaking assumed by Woodward's 'invisible' source by the then Assistant Director of the F.B.I. 'Mark Felt' who has come to be known as "Deep Throat." (Hal Holbrook) With his invaluable help, Americas' press reveals how even a man so powerful as a sitting President must not be allowed to believe he is above the law. The film is a great example and tribute to men of the Forth Estate. Today it stands as a Classic movie in it's own right. ****

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      One scene involving Robert Redford on the phone is a continuous six-minute single take with the camera tracking in slowly. Towards the end, Redford accidentally calls the phone caller by the wrong name. But as he stays in character, it appears genuine, so the take was used in the final cut.
    • Blooper
      When Bernstein is questioning Judy Hoback in her home, she tells him that "In one two-day period, $6 million came in." In the following scene, in which Bernstein is explaining his notes to Woodward, he repeats the information as "In one six-day period."
    • Citazioni

      [last lines]

      [last lines excluding archive footage]

      Ben Bradlee: You know the results of the latest Gallup Poll? Half the country never even heard of the word Watergate. Nobody gives a shit. You guys are probably pretty tired, right? Well, you should be. Go on home, get a nice hot bath. Rest up... 15 minutes. Then get your asses back in gear. We're under a lot of pressure, you know, and you put us there. Nothing's riding on this except the, uh, first amendment to the Constitution, freedom of the press, and maybe the future of the country. Not that any of that matters, but if you guys fuck up again, I'm going to get mad. Goodnight.

    • Curiosità sui crediti
      The opening Warner Bros. Zooming \\' logo is in black and white.
    • Versioni alternative
      German theatrical version was cut by. ca 7,5 minutes (ie. a conversation between Rosenfeld and Simons, Woodward asking a woman about Hunt, Woodward and Bernstein being dismissed by Mrs. Hambling, Woodward on the way to a meeting with Deep Throat). DVD release is uncut.
    • Connessioni
      Edited into La classe américaine (1993)
    • Colonne sonore
      Concerto in C for two trumpets
      (RV 537)

      Written by Antonio Vivaldi

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    Domande frequenti25

    • How long is All the President's Men?Powered by Alexa
    • At 59.20 there is guy in the Chief Editors office trying to sell weather reports then crosswords and enjoying a bit of banter. We only see him from behind and when he stands up the shot cuts off at his shoulders until he walks out and turns and asks Woodward to get his boss to buy something - we get a glimpse of the side of his face. His voice and brand of humor delivery really does remind me of Mel Brookes. Even the way the actors react to him doesn't look scripted. Does anyone think that was Mel Brookes making an unscripted appearance?
    • Why did the pages that the journalists used in their typewriters have wide red margins on the left and right with the number 6 on them?
    • Is "All the President's Men" based on a book?

    Dettagli

    Modifica
    • Data di uscita
      • 21 ottobre 1976 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Warner Bros.
    • Lingue
      • Inglese
      • Spagnolo
    • Celebre anche come
      • Todos los hombres del presidente
    • Luoghi delle riprese
      • Parking garage, ABC Entertainment Center - 2040 Avenue of the Stars, Century City, Los Angeles, California, Stati Uniti(Deep Throat meeting site)
    • Azienda produttrice
      • Wildwood Enterprises
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 8.500.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 70.600.000 USD
    • Lordo in tutto il mondo
      • 70.601.199 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 2h 18min(138 min)
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.85 : 1

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