The Onedin Line

I watched this series as a youngster and loved them all, glued to the, black and white TV and later, wow, in color (don't be mistaken all is in color, it just took long for we had a color TV). Now having bought all the series as soon as they came out I watched them all again. And, again. They are just wonderful stories, all 8 seasons long. Characters develop, are somewhat predictable, but highly entertaining. It was all made with low budgets and of course that shows. You will catch inaccuracies like for instance way to big master cabins on small ships, ships that are pictured trying to make you believe the 2nd ship is different but look carefully, it's not, it's the same ship, storms, well, storms are mere light breezes, and so on. Mostly studio indoors acting. But all of that does not matter really. I depicts a life from an era most people can't imagine how life was. Rich got richer, poor stayed poor. Nice costumes, entertaining events. So very British, so very BBC, so very 70's made. But all over a wonderful tribute to life at sea, life of those staying behind, struggling ship owners, cheating ship owners. A period drama like no other. Look at it, it lasted all of 8 seasons and it really ends in season 8, a real end, not just a series that was stopped making without an end. I would highly recommend it, but you have to like period drama's, not mind the inaccuracies and low budgets, and if you don't mind all of that you will be entertained.

Gosh, this is good.

I started watching the repeats as it's a programme that my parents used to watch every week and I remembered the great opening credits with the scenes of the ship out at sea and the famously romantic music.

For all its technical limitations, this show could give any modern TV series a run for its money. Fascinating historical detail, intelligent and well-rounded characters, great performances, and a profoundly gritty realism without being self-consciously so.

The women are also a joy: complex, able and utterly real.

Granted, the studio-bound scenes look really clunky, but this is offset by the myriad location work either in port or out at sea.

Recommended.

A BBC serie. And the another definition becomes bizarre. Because it is the serie of many youths. Defined by costumes, atmosphere, the feeling of salted air, more than reasonable performances. And by a sort of flavour. Enigmatic, powerful, seductive, delicate, bitter. A serie about a man, his love and his ambition. And, sure, about the sea and the spirit of a period. All - impecable. And preserving, after decades, the fresh air of pure adventure.

I watched the series in the 70s,...Sunday evenings around the TV with my Mum an Dad and my sister. I enjoyed it then. Now I am watching the whole thing all over again in the afternoons. Its not just a bit of nostalgia, its absolutely marvellous. Production values may seem low at first compared to today's blockbuster serials, but the sharply drawn characters are brought to riveting life by a first class cast (special mentions to Peter Gilmore, Jessica Benton and Anne Stallybrass as James, Elizabeth and Anne Onedin respectively). Proof (as if it were needed) that script and cast can overcome any weaknesses or paucity of cash elsewhere in a production. One noticeable aspect is how fully rounded the women characters are, how equal in every way to the male characters. That this is immediately apparent is a sad reflection on the way women's roles have retreated in the last decade or so. Maybe 70s feminism had something to do with it. But these women are not all about shoe shopping and chocolate! As an adult I really see the nuances of the story telling, and the richness of characterisation, historical context etc, Fantastic.

Grand music, real drama, tall ships and Jessica Benton, how can you go wrong?

One way is to cram all the episodes together so that each DVD forms some kind of four hour movie version of 'The Onedin Line'. This means that the writing talent that went into giving us some dramatic flow in an hour show is completely crapped on. At odd points during your viewing, provided you've got four hours spare to do that, you'll suddenly get a bit of the Adagio from 'Spartacus' dropped on you like a piece of musical jetsam. And with only your memory to guide you as to where each episode ends, you end up with a very up and down experience and not what TV drama is all about.

I for one would've been keen to see the names of the actors in each episode, too, as I'm sure they would be keen for me to know who they were. Alas, even that is lost to us in some harebrained attempt to turn this magnificent production into something even David Lean could find a trifle lengthy and vicissitudes.

We can only hope the BBC doesn't try this again with the second series.