Aggiungi una trama nella tua linguaA classy, resourceful panther has plenty of hilarious misadventures, outwitting those who annoy him with his clever tricks.A classy, resourceful panther has plenty of hilarious misadventures, outwitting those who annoy him with his clever tricks.A classy, resourceful panther has plenty of hilarious misadventures, outwitting those who annoy him with his clever tricks.
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I didn't enjoy many cartoons as a child, but this one is so clever and stylish. The "stories" (or scenarios) are funny without being too corny. It's hard to think of anything being "clever" without thinking of dialog, but this has no dialog and yet is clever.
Many cartoons, notably the Warner Brothers cartoons, obviously have elements of absurdity and physical impossibility (like objects falling through the air landing on or passing other objects also falling through the air). But in the Pink Panther, the absurd element is more sublime, sometimes almost breathtaking.
Maybe it's partly because, unlike Bugs Bunny and co., whose fast-talking and whirlwind pranks stun and confuse his assailants, the Pink Panther is non-verbal and more subtle. His stunts can range from blunt physical comedy, to smart and suave, to a series of bizarre visual tricks reminiscent of M. C. Escher. Sometimes it is almost the equivalent of a special effect.
This flexibility seems to be tied into the fact that the Pink Panther is not necessarily one fixed character. He lives in different places, and has different habits, interests and projects in the different cartoons. Sometimes there is no story, no explanation for the actions we are seeing. Sometimes it's more "normal" and the Pink Panther seems to be a plausible guy in society.
Also the Henry Mancini soundtrack sets a fabulous mood.
Many cartoons, notably the Warner Brothers cartoons, obviously have elements of absurdity and physical impossibility (like objects falling through the air landing on or passing other objects also falling through the air). But in the Pink Panther, the absurd element is more sublime, sometimes almost breathtaking.
Maybe it's partly because, unlike Bugs Bunny and co., whose fast-talking and whirlwind pranks stun and confuse his assailants, the Pink Panther is non-verbal and more subtle. His stunts can range from blunt physical comedy, to smart and suave, to a series of bizarre visual tricks reminiscent of M. C. Escher. Sometimes it is almost the equivalent of a special effect.
This flexibility seems to be tied into the fact that the Pink Panther is not necessarily one fixed character. He lives in different places, and has different habits, interests and projects in the different cartoons. Sometimes there is no story, no explanation for the actions we are seeing. Sometimes it's more "normal" and the Pink Panther seems to be a plausible guy in society.
Also the Henry Mancini soundtrack sets a fabulous mood.
I have fond memories of watching this show,and this cat was the coolest ever! Way better than his counterparts Heathcliff and that lazy cat Garfield. This was produced by David DePatie and the great Friz Freleng whom in some of the theatrical shorts directed several of the segments for film and television. Pink had a style that was so unique and the way he carried it by using non-verbal tactics to outwit his opponents was something to see. Especially with those characters he had to put up with and the situations he encountered along the way and prevail it with the greatest of ease. However,there were several theatrical shorts or cartoon shorts made for television that would accompanied The Pink Panther which included,"The Ant And The Aardvark","The Inspector","Hoot-Kloot","The Blue Racer","The Texas Toads","Tijuana Frogs","Misterjaw",and so on. However out of all of them,"The Inspector"(based on the theatrical films of Inspector Clouseau)were absolutely hilarious to boot, as the Inspector tries to captured or chased his man down and the results are hilarious one right after the other voiced to perfection by actor Pat Harrington,Jr.(who was also Scheider on the television series,"One Day At A Time")and also Marvin Miller and sometimes by Mel Blanc and June Foray. The other one was a all time favorite,but incredibly funny,and I do mean downright hilarious as hell,"The Ant And The Aardvark". This was a great cartoon with the Aardvark always getting the end of the stick by chasing the Ant down for a snack and then always in some predicament the Aardvark would get into some situation with several animals and always getting beat up in the process for a square meal and its hilariously funny and these were the cartoons,which by the way were the equivalent of Friz Freleng's own Sylvester and Tweety cartoons that had its audience laughing hard and simply a comedical riot within itself one right after the other. However,stage actor John Byner's dead on impression of comedian Jackie Mason made this work brilliantly. "Hoot-Kloot",was a theatrical and TV short about a dimwitted sheriff and his bright horse getting into some predicament or another. Can you believe that this was based on Rod Steiger's character from "In The Heat Of The Night"?
The other one was based on the successful movie "Jaws",so producer Friz Freleng,along with his business associate David DePatie created a theatrical and also a television short intitled "Misterjaw". Only one theatrical release short was produced but the rest of it was made for television and it was just as funny but at times stale and boring with the mean old shark getting into a funny situation one right after the other. The voice-over for Misterjaw was by Arte Johnson of "Laugh-In" fame,and he was also the other voices for a lot of Freleng-DePatie cartoons. Catch him on Cartoon Network!!!
NOTE:Speaking of "The Pink Panther",this was Friz Freleng's most successful animated cartoon second to Bugs Bunny. The character was based on the original movie "The Pink Panther" which was directed by Blake Edwards,but it was Friz Freleng and his animation department that brought it to life along with the original theme music from composer Henry Mancini,which was also used in segments by composers William Lava,Walter Greene,and Douglas Goodwin. The theatrical shorts and the cartoons made for television ran every Saturday Morning throughout the entire decade of the late-1960's and throughout the 1970's. It was shown on all three major television networks,first it was on CBS,then went to NBC(where The Pink Panther Show ran for 11 years,and it was during his stay at NBC where he had his own two hour cartoon show which was mostly seen on Saturday Mornings and also shown on Saturday evenings as well),and later on over at ABC(where new animated segments were produced for television)where the show came to an end during the late-1970's,but came back to NBC in the mid-1980's where DePatie-Freleng teamed up with Hanna Barbera for a new version titled,"Pink Panther And Sons",which this time around audiences finally got to hear the Pink Panther verbally.
The other one was based on the successful movie "Jaws",so producer Friz Freleng,along with his business associate David DePatie created a theatrical and also a television short intitled "Misterjaw". Only one theatrical release short was produced but the rest of it was made for television and it was just as funny but at times stale and boring with the mean old shark getting into a funny situation one right after the other. The voice-over for Misterjaw was by Arte Johnson of "Laugh-In" fame,and he was also the other voices for a lot of Freleng-DePatie cartoons. Catch him on Cartoon Network!!!
NOTE:Speaking of "The Pink Panther",this was Friz Freleng's most successful animated cartoon second to Bugs Bunny. The character was based on the original movie "The Pink Panther" which was directed by Blake Edwards,but it was Friz Freleng and his animation department that brought it to life along with the original theme music from composer Henry Mancini,which was also used in segments by composers William Lava,Walter Greene,and Douglas Goodwin. The theatrical shorts and the cartoons made for television ran every Saturday Morning throughout the entire decade of the late-1960's and throughout the 1970's. It was shown on all three major television networks,first it was on CBS,then went to NBC(where The Pink Panther Show ran for 11 years,and it was during his stay at NBC where he had his own two hour cartoon show which was mostly seen on Saturday Mornings and also shown on Saturday evenings as well),and later on over at ABC(where new animated segments were produced for television)where the show came to an end during the late-1970's,but came back to NBC in the mid-1980's where DePatie-Freleng teamed up with Hanna Barbera for a new version titled,"Pink Panther And Sons",which this time around audiences finally got to hear the Pink Panther verbally.
I'll never forget the times when that I used to watch Pink Panther every morning during my grade school years and that cartoon was fantastic, it is well written, has good music and the situations with the dog and his owner were hilarious, nowadays what you see in some of the cartoons are crude vulgar humor and I don't think that children deserves to watch shows like that, instead they should show children some of the good old cartoons like this, I think that Pink Panther should come on the Cartoon Network and it give the adults some of those great memories that they once enjoyed.
One of the greatest animated masterpieces ever. Perfect for kids, full of jokes. Highly recommend.
It is a classic. Out of definitions or verdicts. Its music, its characters, its great humor are more than virtues but , front to contemporary animations, a sort of happy refuges. A pink panther. A lot of stories. Simple, absurde, deep unrealistic. But so charming. Short - a huge hero. British, strange but ...lovely.
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- QuizThe character was originally created for the opening credits for the film La pantera rosa (1963), and after this series would be a part of every Inspector Clouseau film made from here on in.
- BlooperEvery single episode features multiple animation errors.
- Citazioni
Pink Panther: [as the hunter runs across the bridge and back onto the ark he created and laughing hysterically] Why can't humans behave more like animals?
- Versioni alternativeThe series was given a unique spin in Germany. Comedic voice-over was added to every episode, with a narrator following along the stories and providing commentary in rhyming verse, full of various wordplays and puns. Many originally unnamed characters were given names, even the Pink Panther himself: in Germany, he was known as Paul or Paulchen (Paulie). Another change was giving the originally male blue Ardwark a female voice and naming her "die Blaue Elise" or "the Blue Elise", and she would at times refer to herself in third person. The German edit also created unique opening and closing titles with original songs. At the end of every episode, Paulchen Panther would turn to the audience and say the rhyming phrase "Heute ist nicht alle Tage; ich komm wieder, keine Frage." ("Today is not every day; I will be back, no questions about it."). The phrase was so popular among German viewers that it became part of everyday use. Adding rhyming commentary to voiceless foreign cartoons was a common thing in Germany. "Tom and Jerry" (1940) and Oggy i maledetti scarafaggi (1995) were also famously given the same treatment.
- ConnessioniEdited into The Ant and the Aardvark (1969)
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- The New Pink Panther Show
- Luoghi delle riprese
- Grauman's Chinese Theater - 6925 Hollywood Blvd., Hollywood, Los Angeles, California, Stati Uniti(intro & closing: Panthermobile parked in front of theater)
- Aziende produttrici
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What is the Italian language plot outline for The Pink Panther Show (1969)?
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