H.R. Pufnstuf

For any adult born after 1970, this series (and the movie that was made from it) will make little sense, if any. Wild, raucous colors, dancing, singing, and an island where everything - yes, EVERYTHING - is alive.

Little Jimmy, coaxed to Living Island by the evil machinations of Witchy-Poo (the heavy of the series) finds himself in possession of a magic, talking flute, and trapped on an island of talking hats and dragons and witches, all of which he can barely comprehend. To an adult of today, the show simply makes little sense...

Ah, but if you saw it as a child, as I did, the show makes perfect sense. First, it's *FUN*. That, indeed, was one of the main points of the show - having fun. Yet, each show attempted to impart (as is typical for children's programming) a moral message. In general, the most common message of the entire series was "Perseverance". Keep trying, because though you may fail, if you keep trying, you may succeed in the end. Other lessons imparted by the show include 'Don't steal', 'Don't Lie', and 'Don't be Mean (despite how much fun it may be, you end up hurting others, and that isn't nice).'

Adults today look at the show, searching for depth, perhaps hidden meanings. Well, there *AREN'T* any - what you see is what you get. Cling and Clang have no "Hidden Meanings" - they are simply Cling and Clang. The talking flute is just a talking flute, and Jimmy is just a boy who wants to go home.

Alas, the networks decided to cancel the show. In an era where even the most critically acclaimed shows often died due to a slip of a point or two in the Nielsens, H.R. Pufnstuf was not the smash hit the network demanded. Adults of the time simply shook their heads as their children laughed and clapped and sang along with the simple songs, for parents of the time understood the show about as well as they understood the dark side of the moon.

Yet, I understood it as a child, as did all my friends of that time. Yes, we sang along with the theme song (which I can still sing today, word for word - it was mercifully short), laughed at the antics of the Living Islanders, booed the evil Witchy-Poo, and deeply felt for Little Jimmy, who sometimes wept for his heartfelt desire to go home. As a child, however, I often found I was jealous, even angry with little Jimmy. Living Island was, in the end, a fantasy paradise (despite Witchy-Poo), and for each moment Jimmy sighed and wished he could go home, I sighed and wished I could be there, on Living Island, instead of in the world of 1969, with it's turmoil and strife that were far beyond the comprehension of a little boy.

This show, and many other Krofft programs (i.e. Lidsville and Land of the Lost), scared the hell out of me. In 1979 HR was deep in syndication, but that didn't stop a 4 year old from finding it. You'd sit down and watch, allured by the surreality, the "stranger in a strange land" themes and the larger than life puppet-like characters. You'd expect a benign Sesame Street-like program full of soft freindly characters. But in the land of Krofft all things are slightly twisted, mysterious, surreal. Just look at the expressions they've sewn into the faces of the characters. Dark man, dark. You'd be a little tense for the first 15 minutes, but then Freddy the Flute would bite Witchiepoo on the finger or some hitherto inanimate object would turn around and talk and freak the hell out of you, push you right over the cliff into full throttle terror... I remember crying hysterically and trying explain to my grandmother the freaky stuff that just went down on TV. She probably thought I was crazy. This stuff permeated my dreams and nightmares for years. I deeply repressed all things Krofft and then around age 20 learned that this show actually existed. Boy was I relieved, I hadn't made it all up. Absolutely priceless program, I've got some on tape.

Remember the sleestak? Enik? Chaka? That's a whole nother source of Freudian terror.

This was one psychedelic children's show. In all,it was a memorable fantasy-musical adventure fiasco of a series that was filmed on a Hollywood studio lot-at Paramount Studios,and in turn was the first of several Sid and Marty Krofft Productions to be produced for Saturday Mornings. The executive producers were Sid and Marty Krofft themselves along with producer Si Rose,who was also the head writer for several episodes and also the producer-writer for several classic television shows which included "McHale's Navy","The Ghost and Mrs. Muir","F-Troop","My Three Sons","The Doris Day Show",and later with "The Dukes Of Hazzard".

The children fantasy-adventure series "H.R. Pufnstuf" had all the standard tricks associated with the production company,including fantastic costumes,brightly colored and outrageous noisy comedy. The action centered on prepubescent Jimmy,the only human seen on the show,who sail out one day with his talking flute Freddy in his shirt pocket. The evil and menacing and ugly Witchiepoo,however,who coveted the magic flute puts a spell on Jimmy's boat causing it to crash on Living Island. Once there,Jimmy is rescued by the island's leading citizen,an amiable dragon named H.R. Pufnstuf and is adopted by the other adorable denizens of the island including Blinky the wise owl,Cling and Clang,the midget cops,and Four Winds,a breeze with a human visage. All of them worked to keep Jimmy and his high-pitched nervous flute out of the clutches of the evil and diabolical Witchiepoo. However,Witchiepoo's plans constantly ran afoul of her incompetent help. On the plus side was her Vroom-Broom,a gandy contraption featuring a umbrella-shaded seat for the witch and a bathtub sidecar for her goofy vulture sidekick Orson. Unfortunately,Orson was part of Witchiepoo's problem as were Seymour the yellow spider and Stupid Bat. The fearsome(and sometimes frightening)looking Evil Trees and the Mushrooms were supposed to be the scary part of the show,but in turn was very effective in producing a scare tactic not only for little kids,but older teenagers in mind who were watching the show.

As for the show itself,the series "H.R. Pufnstuf" made a superstar out of British actor Jack Wild--who in turn before his television debut was see as the "Artful Dodger",who in turn was magnificent in his singing and acting talents in Carol Reed's 1968 Oscar-winning musical "Oliver",based on the characters from Charles Dickens' great novel. On the show however,you got to see some of the great musical talent that Jack Wild had and it shows with his singing and dancing abilities as well as his acting techniques. Not bad for a child actor though. Also mentioned here is the talents of Billie Hayes as the evil Witchiepoo. Her character was not only menacing but absolutely hilarious to boot,and it shows in some of the episodes. One funny lady. Bit of trivia about the show--"H.R. Pufnstuf"-only actors Jack Wild and Billie Hayes were the only human characters on the show--the rest of them were actors in costumes and their acting abilities were supplied by voice characterizations namely from the talents of Lennie Weinrib(who was one of the head writers for the show),Walker Edminston and Frank Welker.

When "H.R. Pufnstuf",made its premiere on NBC-TV on September 6,1969, the show became an immediate hit with not only with kids,but adults as well. The series lasted three seasons on the network until the final episode on September 4, 1971. Only the first season had original episodes. Seasons two and three were repeated episodes from the first season. During the height of the 1969-1970 season,"H.R. Pufnstuf", was a ratings winner and a smash hit with its audience--mainly with the audiences that consisted of children and its connection with the Saturday Morning audience. The show scored the highest ratings ever in the history of the network,and ousted the competition of other shows airing in the same slot on ABC and CBS. "H.R. Pufnstuf",was the most successful Saturday Morning series on NBC,and the only show besides the animated "The Pink Panther Show" and the live-action adventure series "Skippy:The Bush Kangaroo",to do so during the 1969-1970 season.

Only 21 episodes were produced for this series. After the phenomenal success of the show,Sid and Marty Krofft took "H.R. Pufnstuf",to the next level,and in 1970 Universal Pictures produced a feature length film version called "Pufnstuf",with Jack Wild,Billie Hayes,and Cass Elliott. After the show was cancelled in 1971,repeated episodes of the series were shown on Saturday Mornings on ABC-TV from September 16,1972 to September 1,1973 and from there moved to Sunday Mornings from September 9,1973 until the last repeated telecast on September 1,1974.

After the success of the show,actor Jack Wild went into oblivion never to be heard from since,with a exception for several appearances of children's shows during the remainder of the 1970's and 1980's. He is longer with us. A great talent on a great show.

Anyone who didn't grow up in the 70's who sees this show just sits there in stunned amazement. But, if you saw this show back in its heyday, you probably loved it.

The Kroft shows were a surreal breed. They were puppeteers, but the puppets in these shows were, generally, people in elaborate costumes. The colors were bright and psychedelic. The names were a mixture of puns and silly jokes. There were plenty of songs and hijinxs galore. The stories were silly and lame, but they had a spirit and warmth to them. Loyalty and honesty were always at the heart of the characters and good values always triumphed.

Jack Wild made a name for himself in Oliver and stared as Jimmy. He is marooned on the Living Island by Witchipoo, who covets his Magic Flute. Jimmy is rescued by the mayor of Living Island, H.R. Pufnstuf. Each week, Witchiepoo would concoct another wild scheme to steal Magic Flute; and, each week, her scheme would backfire, thanks to her inept henchmen and her own stupidity.

The one thing that cemented a love of this show, for me, was Billie Hayes as Witchiepoo. Billie was a great comedian and gave her all to Witchiepoo. I was easily scared as a kid, but she was never frightening. Witchiepoo was too much of a screw-up to pose a real threat. She had a charm that made you want to come back. Plus, she had a cool, souped-up broom! And, from all accounts, she was a heck of a nice lady.

I've heard the drug jokes about this and other shows (i.e. H.R. Pufnstuf Hand Rolled Pufnstuf) from the Krofts. Yeah, they're weird and look like the product of a demented or medicated mind, but the writers weren't that young and were pretty straight-laced. Maybe it was just something in the air back then.

I cannot recommend this show highly enough! It is a major reason that I grew up with the wild imagination I still have to this day! Along with Lidsville and Sigmund and the Seamonsters, Pufnstuf was a staple of my Saturday morning. I taught a group of high school kids last year. A few of them somehow found out about the show. We started talking and then one of them came back the next day with the DVD set! He bought all the episodes and a new generation was exposed to the big goofy dinosaur. They loved it! Now I need to show it to some younger kids and get them influenced early by Pufnstuf, Witchiepoo, Freddy, Jimmy, and the rest! HR Pufnstuf is a classic. Pufnstuf even went on stage with the Brady Kids at one of their cheesy concerts at the Hollywood Bowl ! The late 60's early 70's were a great time to be a kid. A big dinosaur puppet became a teen idol !