Viva! Viva Villa!

First time I saw this movie I thought it was excellent, I was about twelve then. I still have a fondness for it, and will watch it whenever I find it on t.v.

I am not a student of Mexican history, nor do I pretend to be, but I enjoyed it, and will watch it again all over. If you are looking for a life changing event then this is not it,(really if you want to change your life then get off of the couch, movies are not life, not even a substitute, go out, meet someone, have a fling, live a LIFE) if you want an amusing hour and a half, then this should do the job for you.

What more can you you want from a movie?

This is an exciting historical film about the famous Mexican patriot bandit containing a succession of fights , shootouts , pursuits , raids and breathtaking frames . The film chronicles the title role , the Mexican bandit and guerrilla leader who flourished in the early part of the XX Century with broadened focus on the filming his feats and actual war . As Mexican rebel Pancho Villa (Yul Brynner) leads a revolution against the ¨Colorados¨ commanded by Orozco ; being helped by an American aviator (Robert Mitchum) imprisoned in Mexico . Later on , when President Madero (Alexander Knox) is overthrown , they fight against dictator General Huertas (Herbert Lom).

This vibrant movie is an uneven rehash of Pancho Villa's legend including epic battles , explosions , chases , spectacular scenes and resulting to be a feast of action for the eyes . Interesting screenplay written by prestigious Robert Towne and Sam Peckinpah , based on the novel ¨Pancho Villa¨ by Douglas Lamford . Sam Peckinpah wrote the original script and was set to direct, but Yul Brynner didn't love the screenplay because it became Pancho Villa - a man who had given strict orders to shoot in cold blood all prisoners - "look like a bad guy" ; as Peckinpah was fired and his script was rewritten by Robert Towne to conform to Brynner's idea of what Villa was like . Yul Brynner plays nicely the notorious and rowdy bandit turned military leader , as he is almost-perfect in title role . While Robert Mitchum is the flying gunrunner who reluctantly aids Francisco Villa's revolutionary Mexican campaign . And Charles Bronson giving one of the last of his sadistic two-fisted guy portrayal with his trademark mustache , before being promoted to tough and box-office big-star . Remainder casting is frankly welll : Maria Gracia Buzzela as a seducer Mexican woman , Herbert Lom as General Huertas , Frank Wolff as Ramirez , John Ireland and Jill Ireland , this was the first movie to star real-life husband and wife Charles Bronson to be subsequently continued a large number of films . Being shot in Spain , there appears great secondaries , some important Spanish actors such as : Fernando Rey , Xan Das Bolas , Julio Peña , Jose Canalejas , Jose Maria Prada and seductive Diana Lorys who holds one of the highlights of the movie , when she dances a tempting dance with Yul Brynner . Colorful cinematography by Jack Hildyard , David Lean's usual , and assisted by outstanding cameramen as Ricardo Navarrete and John Cabrera. Shot on Spanish location in Casar De Talamanca (Guadalajara) and Colmenar Viejo (Madrid). Rousing and thrilling musical score by Maurice Jarre , the musician to milk the maxim impact from a lively leitmotif . Considering the talent involved plenty of magnificent actors and excellent technicians results in a good movie . Big-budgeted film by producer Ted Richmond with hundreds of extras , a lot of riders , and using trains , planes , helicopter for his filming . Sergio Leone was offered to direct but the turned down , as it was well directed by Buzz Kulik supported by Jose Maria Ochoa , Carlos Gil and Eduardo Garcia Maroto as direction assistants . Kulik was an expert filmmaker of TV movies and occasionally for cinema . He directed notorious series and TV films (The Lindberg kidnapping case , Pioneer woman , Brian's song , Riot , Rage of Angela) and adapted famous films for TV (From here to eternity with Natalie Wood , Women of valor) . Furthermore , he filmed some vehicles for famed actors as Burt Reynods (Shamus) , Lee Marvin (Sergeant Ryker) , Steve McQueen (The hunter) and Pierce Brosnan (Around the world in 80 days) .

Other films about Pancho Villa are the following ones : the classic ¨Viva Villa¨ by Jack Conway with Wallace Beery who forever belongs this role ; ¨Villa¨ with Rodolfo Hoyos and Brian Keith ; ¨Pancho Villa¨ by Eugenio Martin with Telly Savalas and Clint Walker and ¨Starring Pancho Villa as himself¨ by Bruce Beresford with Antonio Banderas .

The picture is based on true events , thus : Pancho Villa born in Chihuahua with the name Doroteo Arango, from his peasant upbringing he became an outlaw in his youth and adopted the name Francisco Villa from another outlaw . He played a leading role in the Mexican Revolution (1910-1920) , winning many victories (as Torreon battle narrated in the film). For a time Villa, who seemed in line for leadership of Mexico, enjoyed the agreeable interest of the United States government, but William Randolph Hearsts media empire's press campaign against him and USA authorities then dropped Villa and supported his rival, Carranza. Villa's resentment resulted in the revenge raid on Columbus . Rating 7/10. Decent Villa/Zapata Western.

Mexican bandit and revolutionary Pancho Villa has been portrayed in films before, most notably by Wallace Beery in 1934's "Viva Villa!". Beery bore an uncanny resemblance to the real Pancho Villa, and by all accounts his portrayal is historically quite accurate, although the movie itself isn't. While overall this film is better than Beery's, the miscasting of Yul Brynner as Villa is difficult to overcome, and Robert Mitchum's sleepwalking through his role as an American soldier of fortune caught up in the Mexican revolution doesn't help, either. The two best performances in the film are Charles Bronson as Villa's right-hand man and chief executioner Rodolfo Fierro (Bronson accurately plays him as a man who can murder dozens of people with almost no thought about it; the real Fierro was even more of a butcher than he's shown to be here, and is known to have personally murdered hundreds of people) and Herbert Lom as the murderous Gen. Victoriano Huerta, and although Lom plays him as a sophisticated James Bond-ish Eurotrash villain than the semi-literate Indian and psychopathic killer that Huerta really was, it's still an effective job. The action set pieces are extremely well done and exciting, especially a rebel charge through a marsh against a heavily fortified federale position and, as has been previously mentioned, the film's soundtrack is truly outstanding. So even though Brynner may not be anyone's idea of Pancho Villa, the movie overall is worth a watch.

Villa Rides is directed by Buzz Kulik and adapted to screenplay by Robert Towne and Sam Peckinpah from the biography of Pancho Villa written by William Douglas Lansford. It stars Yul Brynner, Robert Mitchum, Charles Bronson, Herbert Lom, Maria Grazia Buccella, Robert Viharo and Frank Wolff. Music is scored by Maurice Jarre and cinematography by Jack Hildyard.

Film is a fictionalised telling of a period in Pancho Villa's (Brynner) life, primarily his famous involvement in the Mexican Revolution at the start of the 20th Century.

The film that should have been a Peckinpah classic!? Maybe? There is no doubting that had Peckinpah been allowed to direct his own screenplay we would have got a far better, more brutal, Pancho Villa film. In fact if we just had Peckinpah's original screenplay intact and someone like Robert Aldrich to direct, then that surely would have given us a mean and moody biography of one José Doroteo Arango Arámbula (AKA: Francisco Villa or Pancho Villa)? Film history tells us that star Yul Brynner was most displeased with the portrayal of Villa as written on Bloody Sam's page. Brynner wanted, and got eventually, his Villa to be an heroic Robin Hood type man of the people, a romanticised revolutionary as it were. Not the driven bastardo prone to acts of horror and sneak tactics that Peckinpah envisaged for the film.

La Cucaracha.

Brynner laughably cited Peckinpah's lack of Mexican knowledge as reason for getting him off the film, laughable because Peckinpah was married to a Mexican and visited the country regularly! So Peckinpah was off, sold his screenplay to the producers, which was remodelled considerably by Robert Towne & Brynner, and he took much of the ideas from the writing for Villa Rides to craft his masterpiece a year later, The Wild Bunch. In to the director's chair came Buzz Kulik and Brynner got to don a toupee and portray Villa the way he wanted. Although, thankfully, Peckinpah's edginess does manage to flit in and out of the finished product.

Viva Villa! You can't fight for the revolution if you are dead.

What remains for viewing is far better than some would have you believe. True, it's no Western/War classic, some of the politico posturings fail to make a mark because they are not expanded on, and one yearns at times for some Peckinpah grit, grue and grim machinations. There's also casting issues, for although I actually don't mind Brynner as Villa because he attacks the role with fanciful relish, he is generally miscast, while Mitchum manages to get by on laconic charm rather than have a character worthy of putting effort into. But if you can forgive the obvious missteps then it's a good two hours of rip-snorting entertainment.

It's always a question of money with you Gringo.

Kulik (Sergeant Ryker) keeps things lively and proves adept at action directing. The battles scenes are high on quality, particularly for the engagement at Conejos, where stunt men and horses are flung around the place, explosions puncture the air, the artillery on show resplendent as it deals out damage. Hundreds of costumed extras cut a swathe through each other, a plane and a train impact greatly on proceedings, while potent scenes involving the bad things that men do add fuel to the loud expressive fire. Jarre's score is fabulous, Latino flavours mix with high energy thunder to bounce off the burning sun with aural pleasure, while Hildyard keeps the Spanish locales vibrant in colours. Then there's Bronson stealing the movie with his portrayal of Rodolfo Fierro, a man who enjoys killing and tormenting the enemy, with dark humour also etched into his make-up.

Fanciful, fun and fiery, with flaws enough for sure, but still a good time to be had for the genre faithful. 7/10

"Villa Rides" is the tale of the legendary Pancho Villa, key player in the Mexican Revolution who was a bandit, to be sure, but also undeniably a true leader deeply committed to his cause. However, the tale mostly focuses on Lee Arnold (Robert Mitchum), the American pilot who is captured by Villa's forces and eventually, reluctantly becomes caught up in their mission. Yul Brynner, sporting a full head of hair for once, is thought by some to be miscast as Villa, but in any event this reviewer does feel that his screen presence is still powerful. Mitchum, admittedly, isn't at his best and in fact looks rather disinterested throughout this thing, which is not good considering how much screen time is given to his character. Herbert Lom does well in the key role of a dubious Mexican general, and Maria Grazia Buccella is appealing and lovely in the underwritten role of Lee's love interest. The performer here who truly stands out is Charles Bronson, sporting his familiar moustache for the first time here, as Villa's associate Fierro, and the actor does capture this person's essential ruthlessness, although in real life Fierro was supposed to be an even more bloodthirsty individual. Also appearing are Bronson's wife Jill Ireland, in the first of the films that they did together, although she doesn't show up until near the end, as well as Robert Viharo, Frank Wolff, Alexander Knox, Fernando Rey, and John Ireland in a brief, uncredited bit. The screenplay is courtesy of Robert Towne and Sam Peckinpah, but it never really gives us much insight into Villa. There are some great moments of well staged action, but overall the pacing is a little sluggish. TV veteran Buzz Kuliks' direction is basically competent, although one has to wonder what might have been had Peckinpah been allowed to direct his own original screenplay, which wouldn't have romanticized Villa quite so much. Undeniably effective is the photography of some beautiful scenery and Maurice Jarres' eclectic score. This film does have its moments, such as Lee lobbing bombs as he flies his plane, but it could and should have been more interesting. As it is, it's decent entertainment but it doesn't ever quite take off. Six out of 10.