La grande avventura del piccolo principe Valiant

Was this the start of anime as we know it? I'm not versed enough in the history of Japanese animation to make such a bold statement, however what I can tell you is that with the creation of this film we have derived many classic, awe inspiring and moving stories from Studio Ghibli. As some may say with no Akira there would have been no Matrix, without The Little Norse Prince, there would have been no Nausicaa, Laputa, Princess Mononoke, Grave Of The Fireflies, Spirited Away and many more. While The Little Norse Prince may not be as grand as the fore-mentioned it is an emotionally captivating fairytale whose importance transcends the 81 minutes it runs for.

Set within the medieval ages of Nordic Europe, The Little Norse Prince tells the tale of a young boy named Hols embarking on a journey to find his kinsmen and restore peace to a land taken by a devious sorcerer named Grunwald. Isao Takahata's film is an innocent telling, yet harbours some severely darker moments (for the younger viewer), as our hero ventures through a blend of myth, legend, swords and magic, showing the courage and bravery that have become the hallmark for the protagonists at Studio Ghibli.

While Disney were creating gimmicky films like The Sword In The Stone, Takahada filled his film with the truest essence of humanity, as Hols must not only fight The Frost King, but must also deal with peoples misconceptions, stubborn attitudes and discriminatory views. The Little Norse Prince is deeper than fighting shape changing witches and squirrel romances, and in its purity is so awe inspiring. It has the ability to turn you into a child again, and view it with the eyes of an innocent as he manages to remind us what is noble about humanity and what we sometimes lack in ourselves. The Little Norse Prince is by no means a classic in the grand sense of cinema, but has an undeniable ability to transport us to a time and space when the world seemed a better place and life was worth fighting for.

Takahada laid the foundations with The Little Norse Prince for some remarkable and simply brilliant films, and it is quite easy to see how he and Miyazaki (who was an animator on this production) found the inspiration to be able to take the essence of Norse Prince, elaborate and expand on the settings and morals. One of the notable aspects is how exceptionally refined the imagination of Takahada is, as this film just exudes originality and feels completely different and fresh next to its contemporaries, and indeed the same can be said of the more recent Ghibli films compared to talking fish and super hero families. The Little Norse Prince may not be the greatest anime ever created, but it certainly is true to itself and the messages it wishes to deliver us as an audience and can only be praised as an effective means of emotive story telling which can and does not only appeal to all ages, but speak to all ages.

It's impressive what this guys managed to create 1968. Only Disney movies have been on a similar level back then. The drawings have been beautiful, it was full of amazing action, great characters (especially Hilda impressed me) and a captivating story. Also worth mentioning is the music. The music was totally unusual and impressive.

Sadly the story doesn't make fully sense. Some characters aren't designed as well as they could have been. Especially the evil demon didn't look impressive at all - not even slightly scary. Also the drawings lacked detail all together. But that is all understandable, since "Anime" has been in it's children's shoes.

I don't know why, but Isao Takahata movies are the emotionally most touching movies for me. Hotaru no haka (Grave of the Fireflies) has been the most extreme cinematic experience for me. I am almost crying remembering this movie. And it's almost 10 years ago since I watched it the last time. Horus is different. It's not a sad movie, like Grave of the Fireflies is. I'ts quite cheerful and optimistic. It's one of the movies that is so warmhearted, that it makes you feel like a child again.

excerpt, more at my location - Developed and created in 1968, Isao Takahata's first feature-length outing fuses Japanese and Norse philosophies and mythologies into the charmingly grown-up children's tale that is The Little Norse Prince.

While the impact of The Little Norse Prince resonates even in today's modern anime, as an individual film, it is a triumphant hallmark of sublime animation and an adult story with genuine heart, warmth, danger and menace that the talking squirrels of Disney's preceding '60s sword film (The Sword In The Stone) could only dream of achieving.

The originality that The Little Norse Prince exudes is nothing short of impressive, as his anti-aging formula transports us back in time to makes us feel young and vulnerable. While it may not be the greatest anime of all time, it is nothing short of being the most important.

I first saw this film in the mid-1970's and I really enjoyed it. It came at the time I was first introduced to such Japanese exports as Speed Racer and Kimba, as well as all the Godzilla films. The thing that really made me enjoy it was the story about the young protagonist's quest to free the village of his birth from the evil wizard and his love for the young girl that turned out to be the wizard's daughter. It is just too bad that this film has never been released on DVD. Not only would I enjoy watching it once again, but I think that this film would be enjoyed by younger kids as well. In fact, this film is probably a good introduction for younger viewers to the world of Japanese anime.

I can only imagine how hard it was to do an animation such as this in 1968. At the time Disney was doing Mickey Mouse animation (the squeaky voice ones) and Yellow Submarine was released.

However, as in most Isao Takahata animes the focus is not on the animation, but on the script. People battle against the forces of evil using their most powerful weapon: will power. Evil comes in the form of bad luck, misfortune, direct attacks and sneaky social manipulation. Good's champion is a boy that has come to fulfill his dying father's last wish. You can find love, betrayal, anger, violence, marital ceremonies, friendship, all the hallmarks of good Japanese anime.

OK, the animation is not great. There are whole scenes of static images that are filmed , for example. Also, there is a plague that Disney is just now getting rid of, the plague of group songs in the middle of the film. But there are a lot of good things that overcome by far the bad parts. It's like a battle of good versus evil in its own :)

Doesn't hurt to mention Hayao Miyazaki, which is humbly placed somewhere in the middle of the crew list, as an animator and scene designer. As far as I know this is his first work, but you already find a lot of elements that will appear in all his work from then on.

Any anime fanatic must watch this. Children or very young people might get slightly bored.