Costretto a scambiare le sue preziose pellicce per uno schiavo fuggito ben istruito, un robusto cacciatore di pelli giura di recuperare le pelli dagli indiani e in seguito dai rinnegati che ... Leggi tuttoCostretto a scambiare le sue preziose pellicce per uno schiavo fuggito ben istruito, un robusto cacciatore di pelli giura di recuperare le pelli dagli indiani e in seguito dai rinnegati che li hanno uccisi.Costretto a scambiare le sue preziose pellicce per uno schiavo fuggito ben istruito, un robusto cacciatore di pelli giura di recuperare le pelli dagli indiani e in seguito dai rinnegati che li hanno uccisi.
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- Scalphunter
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- Kiowa
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- Scalphunter's woman
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Recensioni in evidenza
What's notable about "The Scalphunters" (1968), besides the cast, is that the entire story takes place in the Southwest wilderness. There are no towns, buildings or teepees in sight. But there's some gorgeous location photography.
While there are entertaining comedic bits, don't expect anything outrageous like "Blazing Saddles" (1974). This is more in the mode of contemporaneous Westerns like "Bandoleros" (1968), "The War Wagon" (1967) and "The Undefeated" (1969). It's not as great as the first or as good as the second, but it's about on par with the latter.
The film runs 1 hour and 42 minutes and was shot in Arizona (Quartzsite, Parker & Harquahala Mountains) and Mexico (Barranca del Cobre, Chihuahua, Durango & Sierra de Organos).
GRADE: B-
It's a rollicking good mixture of comedy with some very serious themes involved. It's also the last time Lancaster did any really athletic roles as he was 55 when making The Scalphunters. We all bow to old age at some point.
Sydney Pollack actually started his association with Burt Lancaster on the set of The Young Savages where he was an acting coach to some of the street kids who were playing gang members. It was his first introduction into motion pictures, he had previously directed and acted in a number of television productions.
Burt is fur trapper Joe Bass who gets an offer from the Kiowa Indians he can't refuse. They'll relieve him of his year's trappings in beaver pelts and he'll get an educated house slave in Ossie Davis. Davis seems born to be a slave, he escapes it from the south, then he's captured by the Comanches who then trade him to the Kiowas and then he's forced on Lancaster.
Lancaster is planning to get his pelts back, but a murderous gang of Scalphunters beat him to it and massacre almost the whole band and take Lancaster's furs along with horses and scalps that bring a good bounty. Burt's Joe Bass is not exactly a boy scout, but this crowd truly nauseates him.
The Scalphunters are headed by Telly Savalas and his cigar smoking refugee from a bordello of a woman, Shelley Winters. Winters has the best performance in the film, this is her third film with Lancaster with whom she had a self documented fling back in the day. Later on Davis gets captured by The Scalphunters and he has to use his wits to survive among them. But they're going to Mexico where slavery has been abolished.
The laughs are mixed in with some serious racial issues all around. Lancaster can't quite accept Davis as an equal, Davis is perfectly willing to go along with The Scalphunters and their genocidal war on the Indians if he'll obtain his freedom through them. And Savalas and his crowd are as mean a bunch as you'll ever see in a film, yet some of the funniest bits in the film involve Winters and Savalas.
The Scalphunters is a really funny western that if you think about it teaches some good lessons we could all use.
I gave ******** out of 10 stars.
Burt Lancaster is at his cynical best, poking fun at everything the Hollywood Western and Burt Lancaster ever imagined themselves to be. Ossie Davis performs the nearly impossible task of playing a highly intelligent black slave on the lam without loosing perspective on the comic genius of the script. Tully Savallas plays the odious (And we suspect odorous) oaf with style and dignity (if that's possible) and Shelley Winters does the same for his female counterpart. And the Indians, the long-suffering, patient, bemused Indians dutifully dying and then returning to fight again just as often as the miraculous movie 6-shooters can get off 20 rounds or so.
In command of all this chaos is the unmistakably sure and steady hand of Sidny Pollick with his comic genius to rely on and a smart, literate script to form the framework. Perhaps this movie should be titled "'The Crimson Pirate' meets 'Toostie'".
If you've got a sense of humor and are able to suspend you disbelief for a couple of hours or so, "The Scalphunters" will give you a good evenings entertainment. If you enjoy it, try "There was a Crooked Man" with Henry Fonda and Kurt Douglas.
An amusing enough liberal comedy western that has its fun moments , entertainment , action and some violence . Enjoyable as well as amiable screenplay by William Norton , it is exciting enough and glosses both the interdependence among protagonists and their racial antagonism . This plot about a peculiar conflict between a rough , illiterate trapper and a cultured slave is well worked through a chronic circular premise . Very good acting by the great Burt Lancaster as a fur trapper who sets out in pursuit the robbers . Sympathetic Ossie Davis as Joseph Lee , a slave who helps Lancaster to fight enemies and retrieve the pelts . Perfect Telly Savalas as leader of a gang of Scalphunters who has appropriated the furs . Secondary cast is frankly nice such as Shelley Winters as Kate , Dabney Coleman as Jed , Dan Vadis as Yuma , Armando Silvestre as Two Crows and the Lancaster's best friend , Nick Cravat , as Yancy . Splendid cinematography in Panavision and glimmer Technicolor by Duke Callagham and Richard Moore as is reflected on spectacular outdoors filmed in sighting , gorgeous natural landscapes. As it was shot on location in wonderful natural parks from Durango , Mexico . Lively and rousing musical score by the maestro Elmer Bernstein composing one of his best soundtrack .
Professionally produced by a great production company formed by Arnold Laven , Jules Levy and Arthur Gardner . The first Levy-Gardner-Laven movie was 1952's "Without Warning"'; in the decades since, they have produced and directed dozens of additional features and especially Westerns . They are experts on Western genre as cinema as television as they produced and directed several TV series including "The Rifleman," "Law of the Plainsman," , "The Big Valley" . The motion picture was well directed by the recently deceased Sidney Pollack with a thankfully light hand . Sydney was an excellent director , producer and secondary actor with several hits on all kind of genres as ¨The Interpreter¨ , ¨The firm¨ , ¨Out of Africa¨ , ¨Tootsie¨, ¨Yakuza¨ and directed two magnificent Westerns , ¨Jeremiah Johnson¨ and this ¨Scalphunters¨ . Rating : Good , better than average and worthwhile watching . The flick will appeal to Burt Lancaster fans and Western buffs .
Lo sapevi?
- QuizBurt Lancaster had met Ossie Davis on the historic Martin Luther King "Civil Rights March on Washington" on Aug. 28, 1963. This chance meeting led to the talented Davis being cast as "Joseph Winfield Lee", the runaway slave who uses his clever, resourceful ways to manipulate fur trapper "Joe Bass" (Lancaster) in the film. Lancaster also stated that first time screenwriter William W. Norton submitted such a unique, clever script, that he just had to do the film.
- BlooperSet in 1860, Joseph mentions the planet Pluto, discovered in 1930.
- Citazioni
Joseph Lee: [walking behind Joe Bass and his horse] What about me, sir?
Joe Bass: I'll just sell you to the highest bidder.
Joseph Lee: Could you mske that to a Comanche, sir?
Joe Bass: You seem to have an uncommon prejudice against service to the white-skinned race!
Joseph Lee: I don't mean to be narrow in my attitude. Could I ask you what's your name, sir?
Joe Bass: Joe Bass.
Joseph Lee: Well, Mr. Bass, couldn't you kind of consider me a captured Comanche?
Joe Bass: [both Joe Bass and his horse turn around and do a 'take']
Joseph Lee: I came on my own two feet as far as those Comanches. It was my intent to circle south as far as Mexico. The Mexicans have a law against the slavery trade, and since those Indians captured me from other Indians. I have now got full Indian citizenship.
Joe Bass: Joseph Lee, you ever study the law?
Joseph Lee: No, sir.
Joe Bass: Well, neither did I, but you ain't got a chance in hell of calling yerself an Indian! You're an African slave by employment, black by color!
- ConnessioniFeatured in Film Review: Burt Lancaster (1968)
- Colonne sonoreIn Our Lovely Deseret
(uncredited)
Lyrics by Eliza R. Snow
Music by George Frederick Root
Performed by Shelley Winters
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Dettagli
- Tempo di esecuzione1 ora 42 minuti
- Colore
- Proporzioni
- 2.35 : 1