VALUTAZIONE IMDb
6,7/10
1890
LA TUA VALUTAZIONE
Una donna siciliana, "disonorata" dal suo amante, va in Inghilterra con una pistola con l'intenzione di ucciderlo.Una donna siciliana, "disonorata" dal suo amante, va in Inghilterra con una pistola con l'intenzione di ucciderlo.Una donna siciliana, "disonorata" dal suo amante, va in Inghilterra con una pistola con l'intenzione di ucciderlo.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 6 vittorie e 2 candidature totali
Nicolina Papetti
- Concetta the cousin of Assunta
- (as Nicolina Verrelli)
Giovanni Ivan Scratuglia
- Salvatore
- (as Ivan Scratuglia)
John Barrett
- Hospital Porter
- (non citato nei titoli originali)
Janet Brandes
- Nurse
- (non citato nei titoli originali)
Johnny Briggs
- Man John fights at dance
- (non citato nei titoli originali)
Paddy Carpenter
- Scotsman at Party
- (non citato nei titoli originali)
Catherine Feller
- Rosina
- (non citato nei titoli originali)
Natasha Harwood
- Tom's Mother
- (non citato nei titoli originali)
Recensioni in evidenza
A typically fanciful late-sixties Italian sex comedy with a Hammond organ score and obviously post-synced dialogue in which director Mario Monicelli bounds along in hot pursuit with a zoom lens of Monica Vitti (wearing a variety of wigs and vulger sixties outfits, including a shiny black PVC coat buttoned up to the throat) as she scampers from Sicily through exotic British locations like Edinburgh, Sheffield, Bath, Elephant & Castle and finally Brighton, encountering a quirky succession of British men (Anthony Booth, Stanley Baker, Corin Redgrave) along the way.
Britain as seen through Carlo Di Palma's lens seems a cold, wintry place; none more wintry than poor old Sheffield, disposed of as usual as a hideous concrete jungle (the location scouts again ignoring it's many parks and the Yorkshire Dales within easy reach).
Britain as seen through Carlo Di Palma's lens seems a cold, wintry place; none more wintry than poor old Sheffield, disposed of as usual as a hideous concrete jungle (the location scouts again ignoring it's many parks and the Yorkshire Dales within easy reach).
The first 15 minutes of this are just classic, with Vitti being 'kidnapped' - and a little too ready for seduction, even as she moans "I am cold as marble, you are kissing a dead woman!" The rest of the film has several fine comedic sequences, with Vitti ready to call out every 'putana'who does not meet her strict moral code as she searches for the man who betrayed her. I gave it 8 stars as I had such a good time watching it!
As my review needs more lines, I can mention that La Vitti won a few awards for her performance, and that the film itself was nominated for Best Foreign Film. So while the costumes and concepts make this something of a period piece, don't think it is not make worthy of viewing. Very enjoyable!
As my review needs more lines, I can mention that La Vitti won a few awards for her performance, and that the film itself was nominated for Best Foreign Film. So while the costumes and concepts make this something of a period piece, don't think it is not make worthy of viewing. Very enjoyable!
I had the honour to appear in this film posing as a ban the bomb demonstrator but I have never had the chance to see it. If anyone could point me in the right direction where I could get my hands on a copy or just see. It is be very grateful
Is this a comedy, that's the question. After watching this film I suppose it is of sorts. Essentially Monica Vitti looking very glamorous in different British locations trying to kill the man who ruined her reputation in Sicily. Enjoyable for Vitti's comedy and small parts from Tony Booth and Stanley Baker.
This comedy features perhaps the most Italian acting performance ever, in the form of Monica Vitti acting extremely Italian at all times and delivering her English lines in an accent so heavy, its often an incomprehensible sweet sound (I watched it in English dub). In it she is the girl with a pistol who chases a no good lover from her home in Sicily to the UK. Her Latin exotic nature is merely emphasised further as she goes to Edinburgh(!), Sheffield(!), Bath(!) and Brighton(!), as well as London. I have to admit, it was something of a novelty to see screen goddess Vitti kicking about in Waverly Station and up the Royal Mile. The story is knockabout and silly and similarly casual in the story-telling department as Modesty Blaise, which was Vitti's first English language film, however, I do always enjoy a bit of Monica, I loved the scenes of 60's Edinburgh and appreciated the manic theme tune 'Girl With a Gun!'
Lo sapevi?
- QuizYutte Stensgaard's debut.
- BlooperAssunta is implied to be boarding a BR car ferry (blue hull, red funnel) rear car ramp. But the ship seen passing the end of the harbor looks more elegant, is all white and has no rear car ramp.
- Citazioni
Assunta Patanè: No! Where are you taking me? Where are we going? No! No, not the bed! I feel nothing. I'm like a piece of ice! Then, yes! Ruin me! My Vincenzo, all the nights I dreamt of you. All the nights!
- ConnessioniEdited into Lo schermo a tre punte (1995)
- Colonne sonoreIn due
Written by Sergio Bardotti (as Bardotti), Peppino De Luca (as De Luca) and Vito Di Tommaso (as Tommaso)
Performed by Mal e The Primitives
Courtesy of RCA Italiana
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Girl with a Pistol
- Luoghi delle riprese
- Edinburgh Waverley railway station, Edimburgo, Scozia, Regno Unito(Assunta arrives in Edinburgh)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 43min(103 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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