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Per favore, non toccate le vecchiette

Titolo originale: The Producers
  • 1967
  • T
  • 1h 28min
VALUTAZIONE IMDb
7,5/10
63.121
LA TUA VALUTAZIONE
POPOLARITÀ
3796
2626
Per favore, non toccate le vecchiette (1967)
Trailer for The Producers: Collectors Edition: Blu-Ray And DVD Combo Pack
Riproduci trailer1: 48
5 video
99+ foto
FarceComedyMusic

Due impresari teatrali escogitano una truffa ai danni dei finanziatori di una commedia destinata ad essere un fiasco.Due impresari teatrali escogitano una truffa ai danni dei finanziatori di una commedia destinata ad essere un fiasco.Due impresari teatrali escogitano una truffa ai danni dei finanziatori di una commedia destinata ad essere un fiasco.

  • Regia
    • Mel Brooks
  • Sceneggiatura
    • Mel Brooks
  • Star
    • Zero Mostel
    • Gene Wilder
    • Dick Shawn
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,5/10
    63.121
    LA TUA VALUTAZIONE
    POPOLARITÀ
    3796
    2626
    • Regia
      • Mel Brooks
    • Sceneggiatura
      • Mel Brooks
    • Star
      • Zero Mostel
      • Gene Wilder
      • Dick Shawn
    • 317Recensioni degli utenti
    • 95Recensioni della critica
    • 96Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 4 vittorie e 5 candidature totali

    Video5

    The Producers
    Trailer 1:48
    The Producers
    The Producers Scene: That's A Toy?
    Clip 1:33
    The Producers Scene: That's A Toy?
    The Producers Scene: That's A Toy?
    Clip 1:33
    The Producers Scene: That's A Toy?
    The Producers Scene: You Found A Flop
    Clip 0:56
    The Producers Scene: You Found A Flop
    The Producers Scene: Theater Explosion (Deleted Scene)
    Clip 1:07
    The Producers Scene: Theater Explosion (Deleted Scene)
    The Producers Scene: I'm In Pain And I'm Wet
    Clip 1:14
    The Producers Scene: I'm In Pain And I'm Wet

    Foto127

    Visualizza poster
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    + 119
    Visualizza poster

    Interpreti principali50

    Modifica
    Zero Mostel
    Zero Mostel
    • Max Bialystock
    Gene Wilder
    Gene Wilder
    • Leo Bloom
    Dick Shawn
    Dick Shawn
    • L.S.D. - Lorenzo St. DuBois
    Kenneth Mars
    Kenneth Mars
    • Franz Liebkind
    Estelle Winwood
    Estelle Winwood
    • Hold Me Touch Me
    Christopher Hewett
    Christopher Hewett
    • Roger De Bris
    Andréas Voutsinas
    Andréas Voutsinas
    • Carmen Ghia
    • (as Andreas Voutsinas)
    Lee Meredith
    Lee Meredith
    • Ulla
    Renée Taylor
    Renée Taylor
    • Eva Braun
    • (as Renee Taylor)
    Michael Davis
    • Production Tenor
    John Zoller
    • Drama Critic
    Madelyn Cates
    • Concierge
    • (as Madlyn Cates)
    Frank Campanella
    Frank Campanella
    • The Bartender
    Arthur Rubin
    • Auditioning Hitler
    Zale Kessler
    • Jason Green
    Bernie Allen
    Bernie Allen
    • Auditioning Hitler
    Rusty Blitz
    • Auditioning Hitler
    Anthony Gardell
    • Auditioning Hitler
    • Regia
      • Mel Brooks
    • Sceneggiatura
      • Mel Brooks
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti317

    7,563.1K
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    Recensioni in evidenza

    nigel-bourne

    A gay romp through a great film

    This is a marvellous piece - a combination of utter farce, black humour, Jewish schtick and high camp, "The Producers" remains a truly wonderful film.

    From the opening sequences, where Theatre agent Max is a despairing old fool trying to avoid tax, through the "little old lady seduction" scenes, to the gorgeous rooftop scene where a mad German pigeon fancier tries to remain within the bounds of sanity and fails, via the meeting with "top" Hollywood director Roger" we're not alone" de Bris, the film traces the hapless and eponymous producers who devise a foolproof scheme to make money out of a flop. They employ a Nazi writer to script the musical "Springtime for Hitler", which is guaranteed to be a flopperoony. Of course, they manage to totally miss the mood of the day and the projected flop is a huge hit - whereupon they have to pay back the 16,000 percent of the cost that they acquired....

    Wild, manic, joyous and deeply perceptive, this is Mel Brooks at his finest - Jewish gags abound, but never alienate, accountants get the mickey taken (cheers all round!) and the final production - well, if you haven't seen this film, where have you been living? One of the greats.
    doned88

    A Classic!

    This is a classic film with wonderful performances all around (although I didn't take to Dick Shawn's as much as the others). Zero Mostel and Gene Wilder were perfect casting as was Christopher Hewitt (later to be known as TV's "Mr. Belvedere"). What's even more impressive are the various elements of truth that are beneath the histerical if not obsurbed storyline. The current Broadway hit doesn't compete with this film. The performances are good on stage but not as wonderful as here. Due to long term business problems this film wasn't released for home video and cable until much later then it should have been. Outright broad comedy and silliness belong in our daily lives and this film offers them very well. EVERYONE should see this film!
    10Gazzer-2

    Before Broadway, There Was The Movie

    A down-on-his-luck Broadway producer, Max Biolystock (Zero Mostel), is reduced to funding his shows by romancing old ladies for cash. Enter neurotic accountant Leo Bloom (Gene Wilder), arriving at Biolystock's apartment to do his books. Upon discovering that Biolystock had extorted $2000.00 from his last Broadway flop, Bloom, simply on a whim, mentions to Biolystock that he could've made a fortune on the flop if he'd only gotten more money from the old ladies. Needless to say, this revelation gets Max's mind working---get the old ladies to invest $1,000,000 on what Biolystock knows will be a surefire flop, then run off with the excess cash! Max convinces the gullible Leo to join him on the scheme, and off the two men go, on a crusade to produce the biggest disaster Broadway has ever seen. They come across a god-awful work written by a former Nazi (Kenneth Mars) called "Springtime For Hitler," and decide to produce it. If it's a flop, Max & Leo will become rich. But if it's a hit, they'll go to jail....

    If you're one of the infinite many who've been unable to secure any of those scorching-hot tickets to Mel Brooks' current Broadway phenomenon, "The Producers," there's always this, the original 1968 movie version to watch & enjoy. This Oscar-winner for Best Screenplay is a comedy classic, and easily Mel Brooks' masterpiece, a brilliantly funny film that hasn't aged a bit. Zero Mostel & Gene Wilder are hilarious & perfectly cast as the con-artist producers, with terrific chemistry between them (just their opening scene together, including the great bits about Leo's blue blanket, and Leo terrified of being jumped on by Max, is already one of the great filmed moments of comic acting). Kudos all around to the rest of the cast, too: Kenneth Mars as the deranged Nazi playwright of "Springtime For Hitler," Christopher Hewett as the no-talent gay director who only makes "Springtime" even more misguided than it already is, Dick Shawn in an outrageous performance as L.S.D., the hippie ham who lands the coveted role of Hitler (his audition song, "Love Power," is a major highlight), and the gorgeous Lee Meredith as Ulla, Max & Leo's dimwitted secretary. And then there's the "Springtime For Hitler" production number itself---yes, it's everything you've ever heard about it, a wonderfully hysterical "you gotta see it to believe it" moment in film comedy.

    Mel Brooks' direction is spot on, and his hysterical screen writing here has never been better (though his co-writing with Gene Wilder on "Young Frankenstein" comes close). His Oscar win for the screenplay was very well deserved, indeed. "The Producers" is a timeless comedy classic, and the defining moment of Mel Brooks' long illustrious film career.
    10ThomDerd

    What a film.

    Why this movie is brilliant and funny: 1-A hilarious Gene Wilder with his amazing freak-out moments. I think many actors copied his scenes from this film.

    2-Excellent satire about hitler and nazis. Many lines from this film are recognizable and became a comedy standard.

    3-Amazing performance by Dick Shaw as L. S. D and as the theatrical hitler. He is funny and subversive at the same time.

    4-Great 1on1 scenes with the main actors, especially the ones which involve heavy physical acting.

    5- It is intelligent filmmaking which shows how progressive and funny Mel Brooks was; and that was his first film...

    Just watch it, it's 1,5h and it's beautifully funny! 10/10.
    CHARLIE-89

    Mel Brooks' Masterpiece

    THE PRODUCERS might just be the funniest film ever made. It stars Zero Mostel, as a bankrupt Broadway producer, and Gene Wilder, as his emotionally-retarded accountant. Together, they figure that they could actually make more money producing a flop than a hit, so they become producers and put on "Springtime for Hitler," a sure-fire flop. However, things go horribly "right," and soon the producers find themselves in a tight spot trying to repay their investors. It is not the flop they hoped for, and they wind up in jail, with a hilarious finale.

    This is Mel Brooks' masterpiece. Brooks' won an Oscar for Best Screenplay-1968-no surprise,as this is as funny a film ever to be made! The song should've won an Oscar, as it is one of the most hilarious tunes to come out of any movie.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Mel Brooks cannot read music. "Springtime for Hitler" and "Prisoners of Love" (as were all the songs Brooks writes for his films) were hummed into a tape recorder and transcribed by an expert. When Brooks adapted the movie into a stage musical, he wrote the entire score by himself using the same method.
    • Blooper
      In LSD's number "Love Power", his musical ensemble consists of a guitarist, keyboardist, and sax player; however, the music heard clearly has flute, bass guitar, drums, and other instruments not represented, but no saxophone.
    • Citazioni

      Leo Bloom: I'm hysterical! I'm having hysterics. I'm hysterical. I can't stop when I get like this. I can't stop. I'm hysterical.

      [Max throws a glass of water on him]

      Leo Bloom: I'm wet! I'm wet! I'm hysterical, and I'm wet!

      [Max slaps him]

      Leo Bloom: I'm in pain! And I'm wet! And I'm still hysterical!

    • Curiosità sui crediti
      The closing credits are in reverse order, acting like curtain calls, which lead up to the star actor.
    • Versioni alternative
      Some prints eliminate the opening "Embassy Pictures" logo, as well as a few seconds of footage in the bar scene, including the drunk's dialogue "Let's have a toast...to toast! I love toast..." and the beginning of the song "By the Light of the Silvery Moon". Most prints just cut into the scene in the middle of the song verse.
    • Connessioni
      Featured in The Dick Cavett Show: Robert Altman/Mel Brooks/Peter Bogdanovich/Frank Capra (1972)
    • Colonne sonore
      The Producers
      (uncredited)

      John Morris and M. Goode

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    Dettagli

    Modifica
    • Data di uscita
      • 2 gennaio 1971 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Tedesco
    • Celebre anche come
      • Los productores
    • Luoghi delle riprese
      • Broadway Theatre - 1681 Broadway, Manhattan, New York, New York, Stati Uniti
    • Aziende produttrici
      • Crossbow Productions
      • Springtime Productions
      • U-M Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 941.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 328.673 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 6091 USD
      • 9 giu 2002
    • Lordo in tutto il mondo
      • 375.524 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 28 minuti
    • Mix di suoni
      • Mono

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