Per favore, non toccate le vecchiette

Why this movie is brilliant and funny: 1-A hilarious Gene Wilder with his amazing freak-out moments. I think many actors copied his scenes from this film.

2-Excellent satire about hitler and nazis. Many lines from this film are recognizable and became a comedy standard.

3-Amazing performance by Dick Shaw as L. S. D and as the theatrical hitler. He is funny and subversive at the same time.

4-Great 1on1 scenes with the main actors, especially the ones which involve heavy physical acting.

5- It is intelligent filmmaking which shows how progressive and funny Mel Brooks was; and that was his first film...

Just watch it, it's 1,5h and it's beautifully funny! 10/10.

THE PRODUCERS might just be the funniest film ever made. It stars Zero Mostel, as a bankrupt Broadway producer, and Gene Wilder, as his emotionally-retarded accountant. Together, they figure that they could actually make more money producing a flop than a hit, so they become producers and put on "Springtime for Hitler," a sure-fire flop. However, things go horribly "right," and soon the producers find themselves in a tight spot trying to repay their investors. It is not the flop they hoped for, and they wind up in jail, with a hilarious finale.

This is Mel Brooks' masterpiece. Brooks' won an Oscar for Best Screenplay-1968-no surprise,as this is as funny a film ever to be made! The song should've won an Oscar, as it is one of the most hilarious tunes to come out of any movie.

When you see a movie once and think it's hilarious, that's a good sign. When you see a movie about a half-dozen times and think it's still hilarious, that's more than a good sign. That means that not only can you put up with seeing it multiple times, but you also find new things that you didn't see before. Plus, there are some scenes that are too hilarious not to laugh at! The chemistry between stars doesn't hurt, either. What movie am I talking about? Mel Brooks' The Producers, his most sustained and inspired piece of lunacy!

Gene Wilder and Zero Mostel have amazing chemistry as meek accountant Leo Bloom and scheming Broadway producer Max Bialystock. Max seduces little old ladies for checks, and when Leo comes into his office one day, he finds that a producer can make more money with a flop instead of a hit. They decide to do his ploy, and create the world's worst play, Springtime for Hitler (a gay romp with Adolf and Eva), and meet interesting characters, including author Franz Liebkind (Kenneth Mars), director Roger DeBris (Christopher Hewett), and their Hitler, Lorenzo St.DuBois, aka L.S.D. (Dick Shawn).

What makes this comedy such a gem is its mixture of types of comedy. There is slapstick, there's satire, there's bad taste, and everything but the kitchen sink! The scenes I have seen so many times, but what makes me love them is how they, mainly Wilder, play their roles. Wilder is somewhat crazy, and relies on his blanket to calm himself down. Not only does he have comic perfection, he's a darned good actor to boot! Mostel is great as the would-be sleazy loser-producer, with eye movements that put Silent Bob to shame and a great voice.

The songs in it are great, also. Two of them were written by Brooks himself, `Springtime for Hitler' (with which I have auditioned for a role in a musical with) and `Prisoners of Love'. They're both very funny (real Brooks-ian) (note to Merriam-Webster: include that word right next to `bling-bling'). It's not exactly a musical, but The Producers is in a class of its own. Long live The Producers!

My rating: 9/10

Rated PG for bad taste and homosexual themes.

This is a marvellous piece - a combination of utter farce, black humour, Jewish schtick and high camp, "The Producers" remains a truly wonderful film.

From the opening sequences, where Theatre agent Max is a despairing old fool trying to avoid tax, through the "little old lady seduction" scenes, to the gorgeous rooftop scene where a mad German pigeon fancier tries to remain within the bounds of sanity and fails, via the meeting with "top" Hollywood director Roger" we're not alone" de Bris, the film traces the hapless and eponymous producers who devise a foolproof scheme to make money out of a flop. They employ a Nazi writer to script the musical "Springtime for Hitler", which is guaranteed to be a flopperoony. Of course, they manage to totally miss the mood of the day and the projected flop is a huge hit - whereupon they have to pay back the 16,000 percent of the cost that they acquired....

Wild, manic, joyous and deeply perceptive, this is Mel Brooks at his finest - Jewish gags abound, but never alienate, accountants get the mickey taken (cheers all round!) and the final production - well, if you haven't seen this film, where have you been living? One of the greats.

Mel brooks' first attempt at directing is this film " The Producers, " originally entitled "Spring Time For Hitler." It's the story of down and out producer Max Bialystock (Zero Mostel), once known as the 'King of Broadway' who can't believe his incredible streak of bad luck. Once when the Moon of his Fortune rode high, he had Six shows running at once. However now-a-days he's so poor, he wears a Cardboard belt. Into his life arrives a timid little man named Leo Bloom (Gene Wilder). As an accountant, he makes a startling discovery. In his last play Max, raised more money to produce his show than he needed. As a result, Leo speculates Max could make more money with a flop, than with a hit. Max demands to know how and a crooked scheme develops. Max decides to find the worse play ever written. He will then hire the worse, director, the worse actors and then raise a $1,000.000 for a flop of a play which is sure to close the first night, allowing Max to keep all the rest of the money. This then is the plot and with Bloom becoming his partner, the pair plans on keeping the fortune. The movie which also casts Dick Shawn as 'L.S.D.' or Lorenzo St. DuBois, Kenneth Mars as Franz Liebkind, Christopher Hewett and Roger De Bris all combine to create a wonderful masterpiece of hysterical madcap comedy. It is with little wonder this film began as an unwanted idea and ended up becoming the surprise hit of the decade. A milestone for Mel Brooks, but a Classic for any audience. ****