Mash: la guerra privata del Sgt. O'Farrell

I have never expected a great deal from Bob Hope's comedies and know perfectly well that his films were meant to amuse their audiences in a lighthearted, unpretentious way. Hope was always the same as an actor but even his sameness was somewhat brilliant and I tend to like him. I remember having had lots of fun seeing THE PALEFACE, Paris HOLIDAY, BACHELOR IN PARADISE and other of his films. THE PRIVATE NAVY OF SGT. O'FARRELL is just an average effort. Frank Tashlin was an excellent director but this is not one of his major comedies. The plot could have resulted in a more substantial screenplay, in better devised and more entertaining comic scenes. The film has an obvious 60's look and no effort was made to give it a more authentic 40's atmosphere. Hope and Diller are their usual selves, and occasionally make one laugh. Gina Lollobrigida is as beautiful as ever but has very little to do. As usual, she is merely seen as a decorative presence. She could be so much more, as we know from films such as COME September, HOTEL PARADISO and BUONA SERA, MRS. CAMPBELL. Mylène Demongeot does a sort of cameo. It would have been to the film's advantage to give her more screen time.

"The Private Navy of Sgt. O'Farrell" is a solid 1960's comedy. This may be my favorite Bob Hope movie. It's a very funny movie. The jokes are great. The story is a great comedy plot. The supporting cast is very strong. All around "The Private Navy of Sgt. O'Farrell" is a great way to spend 90 minutes. It's a lot of fun. Honorable Mention: a very dreamy Gina Lollobrigida.

Many people cannot stand Bob Hope and his mannerisms, and, to be honest, I am one of them. Most of his films are little more than an extended stand-up routine of his with mostly rather predictable jokes.

But sometimes he pulled off a better film, like his Paleface movies, and this one here is even better - it must surely be the best film of his career, although most critics failed to notice it. Apart from having better jokes and a better cast than the usual Hope effort, this film even comes with a message. It is anti-racism and anti-war but it does not wear this attitude on its sleeves, it merely subverts it under the cover of slapstick comedy into the mind of the viewer. I'll be hard pushed to name another anti-war movie which brings across its message so effectively, and this is an amazing thing to say about a Bob Hope flick, given the stiff and famous competition in this field.

Arguably Bob Hope's worst comedy (and that includes some heavy competition). Stuck on an island with sailors, Hope's Sgt. O'Farrell dreams aloud of being in a bathtub with a geisha girl "steering his ship." Somebody certainly steered this Hope-hackery over the cliff, as it features Phyllis Diller and Gina Lollobrigida and still can't work up any laughs or excitement. Frank Tashlin is to blame for the lax direction (he also had a hand in the screenplay, though I have no idea why he wanted the credit). Alan Stensvold's cinematography is an eyesore, and Hope has never seemed so square and bland. Where's Bing Crosby when you need him? NO STARS from ****

I'm a big fan of Bob Hope's movies. Some of his earliest works are superior to even his Road films with old what's his name. By the time this movie came around, you could tell he was running out of material. With a nod from the series, McHale's Navy, he plays a sergeant who just about runs his own military base, but when a state of prohibition hits the island, he takes it upon himself to get beer to his buddies with the help of a Japanese deserter hiding out on the island. Now that the men have beer, they start looking for another male vice: women. With another nod to Paint Your Wagon, they lure several female nurses to an island along with Phyllis Diller who pursues Hope like a love-sick school girl. It's an underestimated comedy as he tries to stay ahead of his superior and love-starved Diller. The movie drags a bit in some places, but I'm sure only die-hard fans of Bob Hope will enjoy it.