VALUTAZIONE IMDb
7,4/10
45.889
LA TUA VALUTAZIONE
Un errore di segreteria fa sì che un maldestro attore indiano venga invitato a una festa esclusiva ad Hollywood invece di essere licenziato.Un errore di segreteria fa sì che un maldestro attore indiano venga invitato a una festa esclusiva ad Hollywood invece di essere licenziato.Un errore di segreteria fa sì che un maldestro attore indiano venga invitato a una festa esclusiva ad Hollywood invece di essere licenziato.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Frances Taylor
- Maid
- (as Frances Davis)
Danielle De Metz
- Stella D'Angelo
- (as Danielle de Metz)
Herbert Ellis
- Director
- (as Herb Ellis)
Recensioni in evidenza
Legendary Peter Sellers improvised his role using only Director Blake Edwards' 50 page film outline with no set scripted dialogue. Sellers is left to devise and improvise each scene. This required assembling a highly competent ensemble of supporting actors capable of keeping up with Peter, and they pulled it off very well. Larry David uses this same approach in his 'Curb Your Enthusiasm' in case you did not know.
The film's scenes were largely shot in sequence to preserve the comic flow, allowing Sellers to figure out what astoundingly destructive comic mess his character Hrundi Bakshi (the character being an actor brought in from India to lend authenticity to a period film) would innocently create next for his Hollywood producer boss while shooting the film on location, and the "big man" president of the studio, whose Beverly Hills VIP party Bakshi inadvertently gets an invite to attend.
Truly hilarious deadpanned slapstick scenes abound - one of the most memorable being the "Birdie Num Nums" bit.
This movie has captured an ever growing number of fans over the years, myself included.
One may be offended by the cliche' India culture stereotyping Sellers applies via his character's mannerisms and accent, but If you want to be compelled to laugh out-loud, this may be just the ticket.
The film's scenes were largely shot in sequence to preserve the comic flow, allowing Sellers to figure out what astoundingly destructive comic mess his character Hrundi Bakshi (the character being an actor brought in from India to lend authenticity to a period film) would innocently create next for his Hollywood producer boss while shooting the film on location, and the "big man" president of the studio, whose Beverly Hills VIP party Bakshi inadvertently gets an invite to attend.
Truly hilarious deadpanned slapstick scenes abound - one of the most memorable being the "Birdie Num Nums" bit.
This movie has captured an ever growing number of fans over the years, myself included.
One may be offended by the cliche' India culture stereotyping Sellers applies via his character's mannerisms and accent, but If you want to be compelled to laugh out-loud, this may be just the ticket.
`The Party' is one of the few comedies that I can watch repeatedly and still enjoy, to a great extent due to the charm of the character Peter Sellers creates. Hrundi V. Bakshi urgently needs to be appropriate and polite (he absolutely CANNOT be impolite), but his natural curiosity and unfamiliarity with his surroundings wreak havoc. He's really quite an admirable fellow, though. He's unfailingly considerate and reasonable, but brave and resourceful when coming to the aid of another, as in the case of producer C.S. Divot's (Gavin MacLeod) exploitation of Michelle Monet (Claudine Longet). I find it hard to accept the notion that the characterization is racist, as some contend, unless you consider the very act of a white person playing an Indian in dark makeup racist. It can't be denied that many westerners find the accent amusing (see Baboo in `Seinfeld,' or Apu in `The Simpsons'). Still, Sellers' characterization of Bakshi is no stereotype, and I don't feel that his portrayal brings discredit to anyone.
That aside, this is one damned funny film! As `anonymous' from Chicago has pointed out below, there are interesting aspects there for your consideration, if you choose to look for them. More than just a series of pratfalls and sight gags, `The Party' is a multi-faceted creation, as is its central character. If you haven't seen it, pour yourself a heaping bowl of birdie num-nums and give it a look. It's on DVD now, collectors.
I need only add that I am not your sugar.
That aside, this is one damned funny film! As `anonymous' from Chicago has pointed out below, there are interesting aspects there for your consideration, if you choose to look for them. More than just a series of pratfalls and sight gags, `The Party' is a multi-faceted creation, as is its central character. If you haven't seen it, pour yourself a heaping bowl of birdie num-nums and give it a look. It's on DVD now, collectors.
I need only add that I am not your sugar.
This film has to be regarded as a hilarious one-man-act by Peter Sellers. I saw it on its first run UK cinema release in 1969 and I've seen it at least a dozen times since. I would gladly watch it another dozen times; it always makes me laugh. The supporting cast perform adequately but Peter Sellers does all the work. He is simply one of the all-time greatest masters of great comedy timing. I was surprised to read so many negative comments on this site in association with this film. I can only surmise that they have come from a younger generation who have had their sense of humour surgically removed due to a force fed diet of unamusing US sitcoms. If you can't laugh at this film you must be birdie-num-num!
I'm sorry, but if you don't laugh, until you cry or your sides ache, at something, hell, at everything in this movie then you'd better check yourself for a pulse. The first four or five times I viewed The Party, I did just that. This is a gut aching, side splitting, fall on the floor, laugh a minute comedy, from start to finish! The scene where the Cornish game hen 'flies' across the dinner table and lands on the tiara of one of the party 'goers' is literally one of the funniest scenes of all time. And it's not just the outrageously funny bumbling physical comedy of Peter Sellers. There is also a subtleness with which Sellers portrays his Indian character that is very visible in his many facial expressions as well as with the 'body language' he uses, that's just as funny. If you even like comedy just a little, you'll love this movie. I give it 4 stars, to infinity!
Finally, after months of searching, I find a copy of the DVD and I realize how truly worthwhile this search was! This film is hysterical! I've read that The Great Race is supposed to be Blake Edwards' tribute to Laurel & Hardy, but Hrundi V. Bakshi is Stan Laurel's hindustani soul mate. Probably Peter Sellers' single funniest performance ever! He's always well meaning and gracious, but just naive enough to cause chaos everywhere he goes. Much of the business about the wait staff is also straight out of the L&H book of comic situations. Though the ending involving a baby elephant looks to me as if they simply ran out of ideas, the rest of this movie more than makes up for it. Have another "Birdy Num Num".
Lo sapevi?
- QuizThis film was improvised from a 56-page outline. Each scene was shot in sequence and built upon the previous scene. To aid in this experiment, the film's producers had a video-camera tube attached to the Panavision camera and connected to an Ampex studio videotape machine, allowing the actors and crew to review what they had just filmed. According to a contemporary article in Daily Variety this was one of the first productions to use a video camera in this manner. This eliminated the time and expense of developing the film and showing the "rushes" the following day. The cost of this new technology was $1100 per day, but director Blake Edwards said the system saved the production many times that amount by avoiding costly resets and re-shoots on following days.
- BlooperAt the dinner party, Hrundi's red wine glass disappears and reappears.
- Citazioni
C. S. Divot: Who do you think you are?
Hrundi V. Bakshi: In India, we don't think who we are. We know who we are.
- ConnessioniEdited into Männerherzen... und die ganz ganz große Liebe (2011)
- Colonne sonoreNothing to Lose
Lyrics by Don Black
Music by Henry Mancini
Performed by Claudine Longet (uncredited)
[Michele sings the song at the party]
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- The Party
- Luoghi delle riprese
- 9271 Robin Drive, Los Angeles, California, Stati Uniti(Mr. Clutterbuck's House)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.900.000 USD (previsto)
- Lordo in tutto il mondo
- 10.786 USD
- Tempo di esecuzione
- 1h 39min(99 min)
- Colore
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti