Oggi a me... domani a te!

Dario Argento… Italian horror-specialist?! Well one of them anyway. Yep Argento co-penned this highly enjoyable spaghetti western that had a strong ensemble cast of interesting names to boot. Featuring Brett Halsey, Bud Spencer, William Berger and quite a memorable Tatsuya Nakadai… with a machete! Not only fun and absorbing, but one of the better entries of the long-listed and wide-ranged spaghetti sub-genre. The story is your basic revenge formula, but the script is sharp, unsparing and riddled with well-judged humour that never takes away from the gradual build-up to a thrilling, if offbeat standoff in swampy woodland terrain. These final passages are very well delivered by director Tonino Cervi, by pulling out an atmospheric tone together with the bold violence. But before even leading up to all of this, are some reliably creative and gusty set-pieces that aren't out of place. The brisk style is evident, and music composer Angelo Francesco Lavagnino's flamboyant score randomly punctuates some uncanny sounds. While, the formidably cunning camera-work of Sergio D'Offizi adds to the intensity. Japanese actor Nakadai is stupendous, and had me transfixed with his vibrant expressions as the shady, clever weasel-like villain. He stole every shot he was in. Halsey basically just looked good in black, and stared you down with that steely glance in a fitting performance as the revenge seeking heroine. Spencer bombards the screen with his robust personality and stature. The pacing stays tight, and pretty dry with little in the way of lapses.

My first positive review for a while, and it's for this little Western potboiler. A guy who has spent five years in prison for the murder of his wife which he was not responsible for organises a band of the meanest hombres around and goes to kill the real culprit of the crime. The murderer happens to be the leader of a bunch of merciless gangsters who hold up stagecoaches and dispose of anyone who gets in their way, so our hero and his desperadoes have their work cut out for them. But where there's a will..

Lacking the technical expertise of Clint Eatwood's finest, this is still a thoroughly engaging spectacle. So what if the dead bodies sometimes move, and the fists obviously never make contact with skin? Thanks to robust characterisations, lashings of wit, enthusiastic gun battles and an infinitely hissable villain this is well worth catching at the wee crack of dawn when you can't sleep. In fact, it's so entertaining I am postponing my own bedtime at 2.30 a.m to recommend it to everyone. Now that's commitment. YAWN. 6/10.... ZZZZZZZZZ *Head collapses on Z key*

Yes, it is true, giallo master Dario Argento helped write this speghetti western from the late 60s. I have never been a big fan of western movies, but my love of Italian horror cinema has taken me into this genre. They just don't make

westerns, or any genre for that matter, like this anymore.

This film has all the great makings of what a good western movie should be.

You have the duels, the horse chases, and the classic saloon card game. The

fact that this is a low budget film is what attracts me. The sometimes badly

dubbed in english also humors me. But put those things a side and you have a

pretty good story. The way the final "duel" comes together is classic.

Overall, this is may not be "the one" when it comes to speghetti westerns, I am by no means a connoseur of Italian western film. But I walked away pleased.

Now I have to go and watch a few more Italian cowboy flicks to compare.

I'm sure this title has been broadcast on Italian TV many times over the years but, only after renting it on DVD along with many another Spaghetti Western, did I bother to check out whether it was any good – and I was surprised to see it receive a *** rating on the "Cult Filmz" website! As it turned out, I found myself agreeing with that assessment – which makes the film one of the better (if largely unsung) entries in this profuse, eclectic and erratic genre.

An interesting name in the credits is that of co-screenwriter Dario Argento; actually, early in his career the soon-to-be horrormeister worked on several such efforts in this capacity (including the ultimate genre masterpiece, Sergio Leone's ONCE UPON A TIME IN THE WEST [1968]). Similarly, director/co-screenwriter Cervi started out as a producer on films by such Italian art-house heavyweights as Antonioni, Bertolucci, Bolognini, De Sica, Fellini, Lattuada, Monicelli and Visconti, etc. – though, later, he even dabbled in nunsploitation flicks!

Anyway, as I said, this is a pretty good Spaghetti Western – albeit saddled with a catchpenny (and meaningless) title – involving a typical revenge plot: leading man Brett Halsey (appearing, unnecessarily, under the amusing pseudonym Montgomery Ford!) emerges from prison after five years, having been framed for the murder of his Indian squaw bride (shown in sepia-toned flashback, this is pretty much a genre fixture); he rallies a compact but formidable band of gunmen/mercenaries (shades of THE MAGNIFICENT SEVEN [1960]) and sets out in pursuit of the real culprit, ex-pal Tatsuya Nakadai (the celebrated Japanese actor is given the Mexican name of Elfego, though he wields a deadly machete in the fashion of a samurai!).

Halsey appeared in a number of low-brow Spaghetti Westerns (one of them being ROY COLT AND WINCHESTER JACK [1970], incidentally an irregular – and disappointing – stint in the genre by Mario Bava, another seminal figure in Italian horror cinema) but this is most probably the best one he did. Accompanying the appropriately dour and black-clad lead, among others, are beefy Bud Spencer (a future icon of brawling comic fare – by the way, I have three more Spaghetti Westerns of his lined up for this week, one of which also credits Argento among its scriptwriters) and genre/Euro-Cult stalwart William Berger (his character is something of a fop and, furthermore, has a gambling addiction).

Nakadai's presence here, then, is a delightful surprise – which definitely works to the film's advantage (his demise, in a confrontation not unlike that in a Budd Boetticher Western, is a particular highlight); with this in mind, prolific composer Angelo Francesco Lavagnino incorporates several weird Oriental sounds into the traditional Spaghetti Western motifs – and the result is effective indeed. Sergio D'Offizi's notable cinematography, however, isn't rendered justice by the English-dubbed print utilized for the VCI DVD – which is considerably scratched and muddy (at one point, Halsey remarks that "It'll be dark soon"…but the sky, as it appears, is already pitch-black!). Needless to say, the film contains the expected set-pieces of violent action – including an admirably sustained forest ambush at the climax.

A man named Bill Kiowa (Brett Halsey) is falsely convicted for killing his spouse and is condemned to prison for several years . When Bill's released he seeks vendetta against the Comancheros's leader who killed brutally his sweetheart . He's named Bill and as his wife was a Native American , for that reason is named Bill Kiowa . He reunites a misfit band formed by four tough men , a corpulent hunk named O'Bannon (at one of his first Westerns , Bud Spencer), a gambler (William Berger : Sartana, Sabata) , a gunslinger (Wayde Preston) , all of them to go after the Pistolero who framed him . Meanwhile , the bandits led by Elfego (Tatsuya Nakadi, starring in Kagemusa, and Ran) rob a Well Fargo stagecoach . Elfego is a psycho , a sadistic wielding a machete and killing cruelly his victims.

This Spaghetti packs goods moments with gunfire and fist-play and also the visual look is nice . Reminiscent of other films , except all those other movies are much better (Magnificent seven , The Good , the Bad and The Ugly , Fistful of dollars , among them) . Good camera work by Sergio Dóffici , though shot on inappropriate Italian outdoors from the Lacio and Elios Studios . I miss the classic barren landscapes from Almeria (Spain) where were filmed hundreds of Westerns . Cool musical score by Angelo Francisco Lavagnino , Peplum's usual . Weak performance by Brett Halsey as a man released after a jail term for a crime he didn't commit and raises a two-fisted bunch . Brett was a B American actor who starred numerous Spaghetti (Kill Johnny Ringo , Wrath of God , Roy Colt and Winchester Jack , Twenty thousand dollars for seven) and spy genre , working for Ricardo Fedra and Mario Bava and later returning USA as secondary TV actor . Halsey didn't believe in this movie and opted to use a the pseudonym Montgomery Ford so people wouldn't associate him with it ; the movie ended up being his most successful ever and to this day he's credited as Montgomery Ford in Italy . Excellent acting by Tatsuya Nakadai, a prestigious Japanese actor , he puts strange faces , grimace , penetrating eyes and killer laughter . The film was middlingly directed by Tonino Cervi in his first and only Western . He has an eclectic career as writer and director of drama (Portrait of bourgeois in black), comedy (The miser) and terror (Queens of evil) . His most important activity was as a producer , as he produced for Federico Fellini(Bocaccio 70) , Antonioni(Red desert) , Vancini (Long night of 43) and Bertolucci (Grim reaper) .