Aggiungi una trama nella tua linguaDjango returns home to discover that his father has been killed by local bandits in a business deal gone wrong.Django returns home to discover that his father has been killed by local bandits in a business deal gone wrong.Django returns home to discover that his father has been killed by local bandits in a business deal gone wrong.
Ivan Rassimov
- Django Foster
- (as Sean Todd)
Ignazio Spalla
- Barrica
- (as Pedro Sanchez)
Vincenzo Musolino
- Hondo
- (as Bill Jackson)
Armando Guarnieri
- Foster Senior
- (as Armando Guarneri)
Giovanni Ivan Scratuglia
- Alvarez Henchman
- (as Ivan Scratuglia)
Remo Capitani
- Alvarez Henchman
- (non citato nei titoli originali)
Amerigo Castrighella
- Barrett
- (non citato nei titoli originali)
Nicola Di Gioia
- Hondo Henchman
- (non citato nei titoli originali)
César Ojinaga
- Navarro
- (non citato nei titoli originali)
Aysanoa Runachagua
- Hondo Henchman
- (non citato nei titoli originali)
Dino Strano
- Johnny
- (non citato nei titoli originali)
Recensioni in evidenza
10garko80
This Spaghetti Western from Mulargia is a very nice B-Movie with good actors, music and atmosphere.
The most time of the movie is placed in a little town and that is very good for the atmosphere of the movie. Ivan Rassimov is very good in the part of Django and also Petro Sanchez is a very good partner for him. Rassimov's sister plays his real sister Rada. You can also see the writer and director Vincenzo Musolino in the part of Hondo. The great score is composed by Felice Di Stefano who also composed a few other scores for Mulargia and Musolino.
All in all this Western is a great B-Movie and a must see for Spaghetti fans.
The most time of the movie is placed in a little town and that is very good for the atmosphere of the movie. Ivan Rassimov is very good in the part of Django and also Petro Sanchez is a very good partner for him. Rassimov's sister plays his real sister Rada. You can also see the writer and director Vincenzo Musolino in the part of Hondo. The great score is composed by Felice Di Stefano who also composed a few other scores for Mulargia and Musolino.
All in all this Western is a great B-Movie and a must see for Spaghetti fans.
"Don't Wait, Django...Shoot!" is a great looking movie. It has has some great colors. It almost looks like a Hammer movie. Unfortunately, the look of the movie is undermined by a weak script. There was a bunch of time where I wasn't even sure what was going on. "Don't Wait, Django...Shoot!" does scratch the spaghetti western itch but it's not very good.
Directod Eduardo Mulargio (as Edward G. Muller!) churned out a bunch of cheapie spaghetti westerns in the genre's heyday in the late 60's to early 70's. Don't Wait Django, Shoot is one of them, with Ivan Rassimov (as Sean Todd - the blue-eyed character actor mostly known for his roles as villain and psychopathic killer in gialli) in the role of Django Foster (he's got a surname too this go around!) trying to avenge the death of his father by a bunch of Mexican cut-throat extras with greasy faces. The production values are as low as you'd expect from a Django clone probably made in a week to turn in a quick buck, there's lots of non-acting going on, the dialogue is very poor and the script seems to have been conceived in one day and written in another. Entire scenes seem to exist for no other reason than to communicate a single line and the gunfighting is dime a dozen. The movie looks like it was shot 15 minutes from Rome instead of Arizona, Sonora or wherever it's suppose to take place. There are dozens more well made, more interesting, more entertaining spaghetti westerns out there and I'm not even talking about the A-list pictures of Leone, Corbucci or Sollima. This is a third-tier quickie at best and just not a good movie.
Django (played by Ivan Rassimov in this incarnation) returns home to find out that his father has been killed, by local banditos, in a business deal gone wrong . Revenge is sworn, and a mixture of lone gun men, gang members and other assorted western types get involved with the search for a pouch of money, missing from the deal.
To me this film just seems to be a poor mans Leone flick. All of the elements are there, gunslinging good guy, evil gang leader, revenge, a general lack of respect for life by everyone, a Morrcone style score and stylistic cinematography. The problem is that none of it is up to the Dollars trilogy standard. Ivan Rassimov is no Clint Eastwood (or Franco Nero for that matter, the original Django), it has neither the pace nor timing of something like The Good, The Bad and the Ugly and the music is pretty much cookie-cutter Morricone, that seems to have come out a bit misshapen.
Another problem Django Don't Wait has is that it has too many characters, all of them who have their own agenda, making it a bit difficult to follow exactly what happens. The lack of action and over abundance of talking, and just general filler, is probably one of the reasons I did not want to put the effort into following the plot line.
To me this film just seems to be a poor mans Leone flick. All of the elements are there, gunslinging good guy, evil gang leader, revenge, a general lack of respect for life by everyone, a Morrcone style score and stylistic cinematography. The problem is that none of it is up to the Dollars trilogy standard. Ivan Rassimov is no Clint Eastwood (or Franco Nero for that matter, the original Django), it has neither the pace nor timing of something like The Good, The Bad and the Ugly and the music is pretty much cookie-cutter Morricone, that seems to have come out a bit misshapen.
Another problem Django Don't Wait has is that it has too many characters, all of them who have their own agenda, making it a bit difficult to follow exactly what happens. The lack of action and over abundance of talking, and just general filler, is probably one of the reasons I did not want to put the effort into following the plot line.
I recently watched Don't Wait Django...Shoot (1967) on Tubi. The storyline revolves around Django's father getting killed in a business deal gone wrong. When Django returns home, chaos ensues.
Directed by Edoardo Mulargia (Shango) and featuring Ivan Rassimov (The Humanoid), Ignazio Spalla (Sabata), Rada Rassimov (The Good, The Bad and The Ugly), and Marisa Traversi (Flashman).
The film offers a classic Django experience complemented by an excellent Italian spaghetti western soundtrack. The settings, attire, and props were meticulously chosen, creating a visually immersive experience. The shootouts and action scenes were well-executed, contributing to the film's solid appeal. While the storyline is somewhat cliché, it remains enjoyable to watch unfold.
In conclusion, Don't Wait Django...Shoot is an average to slightly above-average addition to the western genre. I would give it a 5.5/10 and strongly recommend it for fans of the Django series.
Directed by Edoardo Mulargia (Shango) and featuring Ivan Rassimov (The Humanoid), Ignazio Spalla (Sabata), Rada Rassimov (The Good, The Bad and The Ugly), and Marisa Traversi (Flashman).
The film offers a classic Django experience complemented by an excellent Italian spaghetti western soundtrack. The settings, attire, and props were meticulously chosen, creating a visually immersive experience. The shootouts and action scenes were well-executed, contributing to the film's solid appeal. While the storyline is somewhat cliché, it remains enjoyable to watch unfold.
In conclusion, Don't Wait Django...Shoot is an average to slightly above-average addition to the western genre. I would give it a 5.5/10 and strongly recommend it for fans of the Django series.
Lo sapevi?
- ConnessioniReferenced in Django: The One and Only (2003)
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- Don't Wait, Django... Shoot!
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- Cinecittà Studios, Cinecittà, Roma, Lazio, Italia(studio: shot in)
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By what name was Non aspettare Django, spara (1967) officially released in Canada in English?
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