La notte dei morti viventi

A film that has influenced so much, there's nothing new to be said about it that can be meaningfully added here. Coming so late to it, it's clear how it has cast its shadow over so much I've seen before this. I was deeply struck - in the context of 2019's political situation - how radical it must have been to have had a black character take positive control of the situation, to become the most level-headed and able person in the crisis. Let down by some poor supporting performances; but essential and classic nonetheless.

A wave of mass murder sweeps across America as the recently dead return to life to kill and feast on their victims. A group of people board themselves up in an abandoned house to try and hold out against a small army of the undead. This is the classic low-budget horror film that is the model for recent hits such as the Evil Dead and The Blair Witch Project. George Romero stages a national disaster but reduces it to a single house for greater effect. The story focuses on the weaknesses of each of the characters in the house - their cowardice, their greedy, their stupidity etc. This makes the drama inside the house almost as palatable as the danger from outside and makes the characters more believable and important.

The undead are not huge works of special effects, nor are they anything other than lumbering beasts. But the threat they pose is well demonstrated - the film makes them feel unstoppable and relentless and makes their lingering presence more menacing and less comical than it could have been. The use of an unknown cast also makes it more realistic as none of them have any baggage. Duane Jones is the standout actor as Ben - who is not without flaws himself.

The downbeat, realistic atmosphere to the film gives it a greater sense of tension and continues right through to the very depressing conclusion. An excellent flagship for low budget horrors.

The Shining, The Exorcist and The Omen are all films that owe some of their stylistic approach to this film. This is the film that re-wrote the rules of the horror genre as it went along, whilst acting as both social critique and fond homage to 'The Birds' as well.

Romero set in place a steady breakdown of all our assumptions of the horror film, which he then utilised to full effect through the rest of this film and the two superb sequels that followed.

This is perhaps one of the greatest low budget cult movies ever made, certainly one of the most influential, and in its brutally harrowing documentary style conclusion a harsh statement on American racial attitudes. A statement which is as relevant today as it was over thirty years ago.

The budget was low.The actors were not the top of the heap,yet Night of the Living Dead is a very effective horror film.It was the film that no doubt set the standard for horror films of today.The whole idea of freshly dead corpses returning from the grave to feed on the living makes my hair stand up,even without the movie.I find myself comparing this film with 1999's The Blair Witch Project.They are similar,not in what they are about,but in how they were made.Both films took very little money to make,used no big name actors,and were very successful and effective in presenting their respective stories.Night does get rather gory and disgusting in places,but overall is worthy of the title of "classic".

This landmark 1968 horror-shocker is a great example of what can be done with a limited budget, a simple idea, and some dedicated and talented participants. Very nicely shot, mostly well acted, NOTLD grabs your attention from the very beginning to the very end - and what a classic end it is.

The story begins with Barbara (Judith O'Dea) and her brother visiting the grave of a friend of their mother, and takes off almost immediately, as they are attacked by a horde of cannibalistic zombies. Narrowly escaping, but losing her emotional balance in the process, Barbara escapes to a house a bit farther down the road where she meets Ben (Duane Jones), the hero of the film. They discover a family with a sick little girl and a young couple in the basement of the house and they all get to work barricading themselves in and preparing weapons and other defenses. The rest of the story concerns the group dynamics between these survivors as the dead close in on their refuge, the story of what is going on in the rest of the USA - revealed through TV reportage and radio broadcasts, and sheer survival. The human side of this film is an interesting and accurate character study concerning what happens to people whose very lives are threatened.

The horror of this film is, unlike a lot of its recent descendants, less a matter of blood and gore than a matter of the real active horror of realistically depicted scenes of murder, death and cannibalism. Though the black and white footage involving blood and gore is certainly effective, there may not be quite enough of it for today's average horror fan. The photographic techniques of this film are innovative and powerful - showing just enough of the sheer hideousness of the film's basic concepts to disturb viewers, but not enough to allow them to detach from the film's protagonists.

I strongly recommend this film to anybody interested in the art of film making, and to those who enjoy the horror genre, though it is hard to imagine any serious horror fan who hasn't already seen this.