Segni di vita

Signs of Life is Werner Herzog's very first feature film and also one of his best. The script may have even inspired Stephen King's novel The Shining. In Signs of Life we have an injured soldier and his wife working as the caretakers of a military fortress on a Greek island. The soldier eventually goes mad with boredom and tries to kill his wife and everyone else.

Werner Herzog wrote the award winning script in 1964 and made the film in 1967 with only $20,000 at age twenty-five with a stolen 35mm movie camera. Herzog's script is amazing and all of the actors perform flawlessly. Signs of Life has great photography and a great use of Greek music and has Herzog's distinctive slow pace which may seem like torture to the average viewer who's been forced-fed a steady diet of fast food images.

Werner Herzog's debut feature tells the story of a wounded German paratrooper Stroszek (Peter Brogle) who is transported to the Greek island of Kos to recover physically and mentally. Already there are fellow soldiers Meinhard (Wolfgang Reichmann) and Becker (Wolfgang Von Ungern-Sterngberg), who are taking life easy in the sun with little to nothing to do. Stroszek sets them to work, but soon, as the work begins to dry up, he becomes more and more unstable in the isolation and loneliness.

Nobody really knows what goes through Herzog's head, but it is clear he is a film-making genius and has one of the finest eyes for visuals in cinema. Signs of Life explores themes that Herzog would later become engrossed and almost obsessed with - isolation, obsession and madness. While he would later employ Klaus Kinski as the face of wide-eyed insanity, here the tone is quiet, contemplative and often very funny. The opening half of the film concentrates mainly on the three soldiers trying to find things to do. Meinhard becomes frustrated with the presence of cockroaches in their apartment and builds a trap to catch them. The feeling of being trapped appears throughout the film, usually using animals - the soldiers are given a strange toy that seems to move on its own, until they open it and find out that it's full of trapped flies; and we are shown how a hen is hypnotised.

But the comedy is soon put aside as Stroszek begins his descent into madness, holding himself up in the 14th century fortress where the soldiers are stationed with a horde of ammunition. It's in the second half that Herzog shows us the images he can conjure. It's breathtaking what he achieves with a stolen 35mm camera and a micro-budget. Amongst other things, we see a seemingly endless field of windmills, and fireworks set off into the night sky. The grainy black-and-white imagery gives the whole thing a fresh beauty. This is far from the greatest debut in cinema, but a very clear indication of a director's raw skill, and of course, Herzog would go on to make many fine films.

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into a strange culture, in this case WW II German soldiers occupying a Greek island, three of them recuperating in an ancient fortress while a Nazi garrison is billeted in the town below. Herzog captures the exotic setting with brilliant photography, and at the same time the strangeness not only of culture clash but ultimately of the war itself. Intense Greek music on the soundtrack and the crystalline sunlight bring a sharp focus on the madness that comes to inhabit Stroszek's mind, the madness of seeing through what has been done in the name of the fatherland. Herzog's first major film is as much political meditation as it is psychological travelogue.

I first saw this film in 1969 in Bangalore (India) in a German film festival. The film was unheralded, being the first feature from an unknown director. However, the film made an everlasting impression on me, and I considered it among 2 or 3 of the best films I had seen till then. I kept track of Werner Herzog films ever since, and have been seeing them all I could lay my hands on. Even today, I'll put it as among the 10 best films I have ever seen, and it remains my favorite Herzog movie. The film is sheer poetry. It's a film about 3 characters'(2 soldiers and wife of one of them) boredom in an isolated Greek island, and how each one handles it. While one of the soldiers snaps up at the end, and tries to destroy everything in his impotent fury - managing only to kill a donkey ultimately - the second soldier keeps himself and first soldier's wife sane by just being raucously funny. I found the story, direction, camera-work and acting fascinating,and far from boring, as suggested by some reviews. I believe, Herzog has been influenced by India's Satyajit Ray in his style of presentation. He is one of the 3 most uncompromising film directors of the world in last 50 years, the other 2 being Ingmar Bergman and Robert Bresson, and his first feature is among his best.

A wounded German paratrooper named Stroszek (Peter Brogle) is sent to the quiet island of Kos with his wife Nora (Athina Zacharopoulou), a Greek nurse, and two other soldiers recovering from minor wounds.

The fortress which gives the film's main setting is a real 14th-century fortress built by the Knights Hospitaller. Herzog's grandfather, Rudolf Herzog, lived and worked for several years as an archaeologist at this site, and published translations of the ancient Greek engravings which appear in the film. The old Turkish man who appears in the film with a written translation was the last surviving worker from Rudolf Herzog's archaeological project.

I am not as crazy about Herzog as some people. Some of his movies I like, and I actually tend to prefer his documentaries. This film was alright and quite good for a first feature. I love the fact he took his father's work and translated it to a film. That is so cool to keep that connection. Somewhere I heard a rumor that this film influenced "The Shining". I don't see it... and I can't seem to be able to confirm it. How strange if true.