Jin yan zi

Kung-fu at its innovative best and one of the finest the genre has to offer. The Shaw Brothers produced "Golden Swallow" mixes a melancholy romance with violent martial arts caught by its handsomely earthy direction and inventively novel camera placement during the excitingly expansive set-pieces. The dazzling imagery in some sequences is marvellously projected, like the vigorous fighting craftsmanship in the woods and the vivid colour plateau accompanying it. The arresting sword fights are quick, ruthless and meticulous without a drop of sweat being spilt… however blood is plentiful in its many awesome showdowns! The story's groundwork is quite simple, but well-told with its ominous edge and suitably paced… even though I did find some of the editing in between sequences to be rather jumpy. The score is kinetic, but elegantly impulsive. There are illustratively able performances from the likes of Pei-pei Cheng (who provides one strong character), Yu Wang, Lieh Lo, Hsin Yen Chao and Chia-Liang Liu. Wang is quite memorable as the unstoppably cold-blooded warrior Silver Roc that really has a bone to pick, while in the quest to find his true love.

This is the seventh film from Chang Cheh. Still finding his style, here Cheh is clearly influenced by concurrent chambara films from Japan. While there are a number of signature Cheh style scenes in this film, there many scenes that are very experimental for him especially the opening fight that's cropped in unique ways. The photography is very good, especially the outdoor shots and the composition is better then in many of his later films.

While titled, "Golden Swallow", as others have noted, it really should be called "Silver Roc" or "Iron Whip vs. Flying Swords" or something like that. The character Golden Swallow is in the film but director Cheh is more interested in the disturbed swordsman played by Wang Yu. He gets to kill scores of bad guys in numerous extended scenes while the title character is involved in four short fights at the most.

Is the film good? Well it is entertaining for the most part if a bit gory (with lots of bright red paint). The martial arts are good but many fights scenes are shot with a shaky hand-held camera much like many Japanese movies from the same time. It's effective but muddies up the choreography if that's what you're looking for. The signature zoom lens Shaw style camera work doesn't really get going until the mid seventies. Shaw director Liu Chia Liang can be seen for a second or two as a villainous swordsman.

Touted as the sequel to King Hu's Come Drink With Me starring Cheng Pei Pei, this movie is anything but. Except for the return of Pei Pei's Golden Swallow role, Chang Cheh's movie doesn't share any similarities with King Hu's original, clearly stamping his own take on his movie utilizing the lead character from Come Drink With Me, and relegating her to supporting role status.

As a fan of the original, this is downright disappointing, as I had expected to see Pei Pei kick some serious rear again as the fabled swordswoman. Instead, what we get is a story involving a love triangle of sorts, with costars Lo Lieh as Golden Whip Han Tao, a man who saved Golden Swallow from bandits and nursed her back to health, and Wang Yu as a beau from long time ago, who now calls himself The Silver Roc. The Drunken Cat, with whom Golden Swallow rode into the sunset with, is clearly forgotten and totally written out.

In actuality, this movie can be renamed The Silver Roc. The story centers on this figure, an orphan bearing a scar on the forehead similar to Harry Potter's, and is one of the fellow disciples to Golden Swallow's teachers. Disappearing one night to seek revenge on his family's murderers, he resurfaces to look for Golden Swallow, and does so by killing villains in her name, in an attempt to lure her out of seclusion. Being the self-proclaimed number one swordsman with an attitude helps too, and not before long, our trio will meet, with Golden Swallow being indecisive about both alpha males, that they have to duke it out to settle scores.

In Chang Cheh's signature ketchup blood style, this movie doesn't lack in the gore department, with really bloody scenarios, dismembered bodies, slashes to face and an inspiration to Indiana Jones and the Temple of Doom, albeit done in a more straightforward manner. But some of the kung fu moves seemed recycled from One Armed Swordsman, especially Wang Yu's Silver Roc, who holds his sword akimbo similar to his One Armed days. And his much revered "Coup De Grace" killer move was never seen until the finale, and that too was too weakly executed and laughable. I wondered too about numerous scenes where characters liked to leap out of windows, clearly to a mat at the bottom, out of the screen. But one thing's a bonus, and that's having plenty of outdoor shots versus indoor studio ones, which boosts production values a little.

Still, it's a decent martial arts flick, but one which could have been miles better. With Wang Yu hogging too much of the limelight with his character in this movie, it suffers by neglecting the other leading characters by Lo Lieh, and especially Cheng Pei Pei, because the movie, after all, is named after her Golden Swallow, or in the original English title, it's the Girl with the Thunderbolt Kick (apparently it's a misnomer, she doesn't have that skill, nor executed any recognizable kicking moves).

If anything, watch out for a young Wu Ma as Hu Zhen, a supporting character and friend of Golden Swallow and Han Tao. Nothing memorable, but just a getting a kick out of recognizing a star (to me at least) in his earlier youthful looking days.

I first saw this movie when I was 16 years old back in the 1970's during the kung fu craze. Our local cinema in Swindon showed a Kung Fu movie every Sunday and me and my mates used to go down and sneak in the back door and watch the latest flick.

I remember this movies as "Girl with the thunderbolt kick", but that's a terrible title as she doesn't have much of a kick, and most of the film centers around the male lead rather than "Golden Swallow".

Nevertheless the film is truly magnificent, with wonderful panoramic shots, excellent fight sequences and a story that is easy to follow.

After searching high and low for the film years ago, I gave up, but luckily for me Celestrial Pictures purchased the whole of the Shaw Brothers Back catalogue and has now started to release these great Kung Fu movies that were thought gone for ever. A search on Ebay discovered "Golden Swallow" was available, and a week later I am watching a fully restored, digitally enhanced DVD with a crystal clear 1:235 widescreen classic.

The quality looks like it was filmed in the last couple of years, not the mid 1960's.

Grab yourself a copy, get a beer out of the fridge, sit back and have 100 great minutes of entertainment.

Nominally a sequel to "Come Drink with Me," this film does bring back Cheng Pei-pei as the title swordswoman Golden Swallow...but, aside from that, it bears little apparent resemblance to King Hu's 1966 classic. "Golden Swallow" was one of those learning-as-you-go films for Chang Cheh, who went on to become the elder statesman of Hong Kong martial arts cinema. Chang hadn't quite realized his vision, but was finding his way.

Wang Yu plays a thoroughly unlikable antihero, Silver Roc, who's out for revenge against the murderer of his parents. (Or his teacher. Or something.) Golden Swallow and another woman are in love with Silver Roc; an upstanding warrior called Iron Whip (Lo Lieh) has the hots for Golden Swallow, but can see that he's losing out to Silver Roc. Yang Chih-ching (Wang Yu's nemesis from the previous year's hit "The One-Armed Swordsman") portrays the lead villain, Poison Dragon. With smoother choreography, the limitations of the dreary soap opera-style plot might have been easier to overlook, but the scenes of combat prove unsatisfactory. There are lots of fights, certainly, but they're awkwardly choreographed and filmed. Chang Cheh knew that he wanted to create long, bloody fight scenes with a lone hero facing virtually impossible odds, and from here on out he began to fine-tune his approach. Beginning with "The Return of the One-Armed Swordsman" (1969), the fights got better and better.

"Golden Swallow" was filmed in Japan, and the film's gorgeous outdoor photography may be its strongest feature. It's a necessary step in the development of Chang Cheh's directorial style, but will be of interest primarily to Wang Yu/Shaw Brothers completists.