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Uffa papà quanto rompi

Titolo originale: How Sweet It Is!
  • 1968
  • Not Rated
  • 1h 39min
VALUTAZIONE IMDb
5,9/10
825
LA TUA VALUTAZIONE
Uffa papà quanto rompi (1968)
Commedia

Aggiungi una trama nella tua linguaPhotographer Grif, wife Jenny, and son Davey travel to Paris. Jenny inadvertently rents a French lawyer's home. Grif and Jenny face romantic temptations while navigating the awkward living s... Leggi tuttoPhotographer Grif, wife Jenny, and son Davey travel to Paris. Jenny inadvertently rents a French lawyer's home. Grif and Jenny face romantic temptations while navigating the awkward living situation, testing their commitment to each other.Photographer Grif, wife Jenny, and son Davey travel to Paris. Jenny inadvertently rents a French lawyer's home. Grif and Jenny face romantic temptations while navigating the awkward living situation, testing their commitment to each other.

  • Regia
    • Jerry Paris
  • Sceneggiatura
    • Garry Marshall
    • Jerry Belson
    • Muriel Resnik
  • Star
    • James Garner
    • Debbie Reynolds
    • Maurice Ronet
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,9/10
    825
    LA TUA VALUTAZIONE
    • Regia
      • Jerry Paris
    • Sceneggiatura
      • Garry Marshall
      • Jerry Belson
      • Muriel Resnik
    • Star
      • James Garner
      • Debbie Reynolds
      • Maurice Ronet
    • 21Recensioni degli utenti
    • 10Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto29

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    Interpreti principali79

    Modifica
    James Garner
    James Garner
    • Grif
    Debbie Reynolds
    Debbie Reynolds
    • Jenny
    Maurice Ronet
    Maurice Ronet
    • Phillipe
    Terry-Thomas
    Terry-Thomas
    • Gilbert Tilly
    Paul Lynde
    Paul Lynde
    • The Purser
    Marcel Dalio
    Marcel Dalio
    • Louis
    Gino Conforti
    Gino Conforti
    • Agatzi
    Donald Losby
    • Davey
    Hilarie Thompson
    Hilarie Thompson
    • Bootsie
    Alexandra Hay
    Alexandra Hay
    • Gloria
    Mary Michael
    Mary Michael
    • Nancy Leigh
    Walter Brooke
    Walter Brooke
    • Haskell Wax
    Elena Verdugo
    Elena Verdugo
    • Vera Wax
    Ann Morgan Guilbert
    Ann Morgan Guilbert
    • Bibi
    • (as Ann M. Guilbert)
    Patty Regan
    Patty Regan
    • Midge
    Vito Scotti
    Vito Scotti
    • Cook
    Christopher Ross
    • Paul
    Larry Hankin
    Larry Hankin
    • 1st Policeman
    • Regia
      • Jerry Paris
    • Sceneggiatura
      • Garry Marshall
      • Jerry Belson
      • Muriel Resnik
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti21

    5,9825
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    Recensioni in evidenza

    7richard-1787

    One of the good movies tv gave us when it was a threat to Hollywood

    The advent of tv in the 1950s and 60s caused a steep decline in movie ticket sales. The Hollywood studios didn't like that, of course, but it convinced them, out of desperation, to make movies that did things Americans couldn't see on tv, and that was often liberating. We got spectacular color, because tv was still b&w. We got exotic locales shot in wide-screen format - the most famous example was Around the World in Eighty Days - because tvs had small screens and focused on live programming from the States.

    And we got sex. Lots of sex. Because, of course, there was no talk of sex on tv then.

    Keep that in mind when you watch this sex comedy - because that's what it is - played very well by James Garner and a very attractive Debbie Reynolds, who doesn't look like she could have been the mother of a horny adolescent but in fact was. (She still doesn't look her age.)

    The plot is very obvious. Garner, a Hemingway-like photographer of big game who is always talking about "being a man", is sent to photograph a high school girls tour of Paris. His wife, Reynolds, gets to go along, as does their son, who is in love with one of the girls. (That story, thankfully, gets almost no screentime. This is not a movie about teenagers for teenagers.) Garner gets hit on repeatedly by the attractive tour guide, but clearly is not interested. Reynolds becomes the object of interest of the very handsome owner of the very luxurious villa in the south of France that she thinks, mistakenly, she has rented for herself and Garner when he finishes his assignment in Paris. Romantic complications ensue.

    This isn't much of a travelogue, unlike An American in Paris, or Gentlemen Prefer Blondes, or Gigi. We see little of either Paris or southern France, not even as reproduced on the back lot of a Hollywood studio. (This was not a major studio production. They probably didn't have the budget for that.) The scene inside the Louvre where Garner shoots the students standing next to - yes, right next to - the Mona Lisa may have been fantasy even then. (I don't recall being able to get that close when I was there three years later in 1971.)

    What I liked about this movie - and I liked it a lot - was the comedy between Garner and Reynolds. It's adult comedy. This is a middle-aged couple who are clearly still very much in love, and very active sexually. (Contrast that with Ozzie and Harriet or Father Knows Best or Leave it to Beaver and you'll understand what made that so different from the tv of that era. Contrast that also with modern Hollywood movies in which, other than Harrison Ford, middle-aged people are no longer shown as having any sex drive, or are made fun of if they do.) Their attempts to have sex are constantly thwarted, however, both on the ship across the Atlantic and once they get to France, so much of the comedy, as in a classic French farce, results from the obstacles that keep them apart from what we are sure would be a great time in bed. And from the misunderstandings when each finds out about the other's pursuer.

    I suppose some people might have quibbles with this or that. Paul Lynde plays his usual catty effeminate character, but it is made clear that he is interested in women after all. (It was 1968, after all, and not 1982, when Garner would appear in Victor/Victoria, which dealt with homosexuality in a relatively compassionate way.) Garner and Reynolds' characters are constantly on fire sexually, but never seem tempted by the attractive people who keep hitting on them while they are separated from each other. But even that is presented without moralistic overtones.

    One of the best things about this movie is the opening, which I can't describe here without spoiling it for you. Suffice it to say that it is the perfect start to a bedroom farce, with a surprise at the end that I certainly didn't see coming but that showed right off the bat this was a movie we would need to stay sharp to enjoy.

    Which I did.
    mangoman1

    hokey, pokey, & could have been a lot funnier

    I give this 6 based solely on the fact that it had Reynolds, Garner, & Scotti in it. It was hokey & saccharine 47 years ago, & it's 4.7 times that now. As the saying goes, "Man, I was there then." The thing was written as though it was 1958, not '68. Compare "Boys' Night Out" (also with Garner), done 6 years earlier, & with a similar plot -- vastly superior.

    A lot of the humor is weak & sadly forced. The pseudo-psychedelic artwork & intro don't help much, either. I understand & sympathize with those (presumably also of my generation) who like it, but objectively speaking, this just doesn't go higher than about halfway up the scale. :\
    6kz917-1

    Peace, Love, and Misunderstanding

    Debbie Reynolds and James Garner star as a couple that L-O-V-E each other passionately but maybe don't trust each other as much as they say they do. Both get propositioned while in Europe and jealousy takes hold. What follows is hilarity and sexual tension that oozes off the screen. Bonus points if you can spot the cameo by Penny Marshall!
    8dgordon-1

    How Sixties It Is! :o)

    This movie has always been a favourite of mine for as long as I can remember. I had not seen it on TV for a while, so I decided to buy the video. It was well worth purchasing this movie because I watch it on a regular basis, like once every 6 to 8 months. Everything from the opening credits with the mannequins & psychedelic background, to the storyline and the variety of characters make this a fun movie to watch. My fave part of this movie is the part when Griff & his son take pictures of the girls trying to smile like the Mona Lisa. This is classic '60s movie making at it's finest! If you like movies from the late '60s like "Yours, Mine & Ours" & "The Impossible Years", then you will really appreciate the humour and storyline of this classic '60s romance/comedy.
    8linze

    witnessing the shooting of "How sweet it is"

    I had many laughs watching this film, however I had a valid reason for that. A great part of the shooting took place on board the cruise-ship s.s. Statendam of the Holland-America Lines. Actually I was a steward on this ship in real life but I also played a very tiny role in this movie. The only thing I had to do was running down the stairs with a life-vest on. It was really a thrill to observe world famous actors like Debby Reynolds and James Garner that close. Shooting took place in 1967 while cruising between Los Angeles and Acapulco(Mexico)I earned US$ 80,- for my (very small)part.I since then followed the career of James Garner, especially the TV-series like the mini-series "Space"(Michener) and Space Cowboys (2000) and the series of Jim Rockford, the P.I.starting in the seventies.

    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      Hit songwriter Jimmy Webb composed two songs for the soundtrack of this film, the title track, "How Sweet It Is," and "Montage," which appears at the midway point, when both Penny Marshall and Heather Menzies-Urich make their appearances below a portrait of the Mona Lisa. Both songs were performed by The Picardy Singers, neither became a hit.
    • Blooper
      When Grif is congratulated on his photos of lions chasing antelope, he corrects the man by saying "Those were gazelles." Gazelles are a type of antelope.
    • Citazioni

      Davey: Love's all over the world dad. It protects us all.

      Grif Henderson: Well, I've been all over the world son. Take a gun.

    • Versioni alternative
      Network-TV version in the USA has opening credits with different artwork than the regular version (stills of aparrel-store mannequins without clothes) so as to look less offensive, in spite of its G-rating.
    • Connessioni
      Featured in Hollywood: The Gift of Laughter (1982)
    • Colonne sonore
      How Sweet It Is
      Written by Jimmy Webb (as Jim Webb)

      Performed by Picardy

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    Dettagli

    Modifica
    • Data di uscita
      • 25 settembre 1968 (Svezia)
    • Paese di origine
      • Stati Uniti
    • Lingue
      • Inglese
      • Italiano
      • Francese
    • Celebre anche come
      • How Sweet It Is!
    • Luoghi delle riprese
      • Samuel Goldwyn Studios - 7200 Santa Monica Boulevard, West Hollywood, California, Stati Uniti(Studio)
    • Azienda produttrice
      • Cherokee Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 39min(99 min)
    • Proporzioni
      • 2.35 : 1

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