Uomini d'amianto contro l'inferno

This COULD have been an exceptional John Wayne film, as the plot was so unusual and was based loosely on the exploits of oil fire expert Red Adair. The idea of him working as a man who travels the world to put out oil fires is pretty cool! This was a very nice change of pace for The Duke and the film had some wonderful moments. However, while the script SOMETIMES offered a lot of new and interesting moments, at other times it was very clichéd and formulaic--cheapening the exploits of Adair AND making it just another mediocre late 60s/early 70s John Wayne film. Now understand that I really like John Wayne films, but I must admit that aside from THE SHOOTIST, all his films after THE MAN WHO SHOT LIBERTY VALANCE were mediocre and formulaic--so much so that they offer nothing particularly new (even TRUE GRIT which garnered Wayne an Oscar even though he'd made many better films). Even one of his films I really liked from this era, ROOSTER COGBURN, is essentially THE African QUEEN set in the old West. And what formulaic elements do these films have in common? Well, how about a way too old Duke Wayne getting in a fist fight in all these films (and he was into his 60s), macho arguments among the manly actors about who is going to do the "selfless" act (whatever that might be), an occasional over-reliance on comedy and John walking through the film as if he's in slow-motion (which, at his age, he was). No, Wayne didn't age very well in these films and his fans watched them because they loved the actor--not because they were outstanding films. That's exactly why I watched them.

My ex-husband was a huge John Wayne fan and had me watch every JW movie over and over. This was my favorite. The acting and script are not the point of watching this movie. The attitudes, clothes(especially the women's), and the sets are Soooo Sixties. My favorite thing is the "window" in the office. If you look closely you can see it isn't a window at all, it is a miniature of a highway(like a miniature railroad), but it is supposed to look like the view out the "window". I'm sure that was state-of-the-art in the late 60's. Katherine Ross is fabulous and wears the best clothes. Jim Hutton is quite handsome. John Wayne acts like....John Wayne. If you're a JW fan you'll recognize most of the cast. Great fun!!!!

This is a very entertaining film ... co-staring Jim Hutton, Katherine Ross & Vera Miles. Some of the acting of Hutton & Ross may have been less than one would expect. But the film should be seen keeping mind that this was years before the disaster films of the early seventies like The Poseidon Adventure & The Towering Inferno. It is a fun watch as Buckman's crew travels the world putting out oil well fires while kindling a few fires of their own in the local women. It is fun to watch many of the fire-fighting scenes today and wonder how they pulled this off thirty years ago. It is very John Wayne as can be seen as some of his regulars turn up here, such as Bruce Cabot, Edward Faulkner who were part of his stable. Watch it and enjoy.

Loosely based on the exploits of Red Adair, Hellfighters is a perfect vehicle for John Wayne. The characterizations are a bit overstated, but this was standard for the era, so I allow for that. And who could have picked a more appropriate love interest for the Duke than Vera Miles as a San Francisco Department Store heiress.

I thought Jim Hutton and Katherine Ross made a good offsetting couple to JW & VM and Bruce Cabot, a long-time associate of Wayne's, an excellent comic element.

I think the thing that sold it for me was the reality of the fire scenes which I just marveled at until I saw that Red Adair was a technical adviser on the film. That and the knowledge that Wayne was all for reality as much as possible really made me a watch it anytime fan of this picture.

If one takes into account the decade in which the picture was made, it can be and is, for me at least, a very enjoyable film. I highly recommend it!

Action and romance with John Wayne as the head of a company that specializes in putting out oil well fires. An accident leads to his co-worker and friend Jim Hutton contacting Wayne's estranged daughter Katharine Ross and ex-wife Vera Miles, who left Wayne because she couldn't handle the stress of being married to a man in such a dangerous profession. Wayne and Miles are therefore stunned when Hutton and Ross fall for each other and quickly get married, insuring that the younger couple will face the same situations.

This isn't awful, and the firefighting scenes are interesting, but the melodrama aspects are tired and dull. I always like seeing Jay C. Flippen, even if this is one of his wheelchair roles after losing a leg to diabetes complications. Ross reportedly battled with Wayne throughout filming due to their contrasting views on Vietnam.