L'urlo del silenzio

I'm 55, and have seen countless movies in my day, from silents to computerized re-makes of classics. I won't repeat all the wonderful things said about this movie by others, but only endorse their views and feelings: The filming, the setting, the story, the casting, the music....combined they add up to make this movie stand out a bit above all others. I saw "Lonely Hunter" when it came out, and perhaps 2 or 3 times since then, and it has certainly stood the test of time. I don't see how you could find a more moving, sensitive, and thought-provoking production. Only recently have I read the book, and, despite one viewer's comments, believe the film to be a wonderfully compact and visual interpretation of same; a joy to behold, and one that has positively influenced my life in many ways. Would just like to add that the latest movie to have such an effect on me, although not necessarily for the positive(!), has been "American Beauty". "The Heart" surely rates a 10/10!

Reading the book is giving me an incredible introduction to the substance of the story. I am seeing some profound insights to individuals that gives understanding to people I know. Especially religious people are portrayed so I understand the religious mind so much better. One element of the movie that is missing in the reviews I've read so far is the musical score. Composed by Dave Grusin the theme sends a chill into my psyche when I hear it years after viewing the movie. Mick seems to be a surprisingly deep person; considering her environment. Her love of classical music exposes a mind that rises well above her simple life. This is the nature of genius and is probably part of Carson McCuller's own persona. I would believe she writes from memories of her own childhood.

now i would like to say this is one of the best movies i have ever seen. and in being the best, it is also the saddest. I would like to say i cried for an hour at least on this movie, and not how my life relates to it, but on the actually movie and how bad I felt about their lives. and i cried hard. not cried.. i wept.. i wept like a baby. i wept so much and hard that my stomach muscles hurt me. wow. good movie. go see it.

I have been fascinated by the work of Carson McCullers ever since I read THIALH. I have never visited America, and I find her depiction of small town life very evocative. Her writing style is weird to say the least and her life sounds even stranger. This story is without doubt her masterpiece. I read Reflections in A Golden Eye and The Ballad of the Sad Cafe. How did she come up with such wonderful titles? Anyway, The Heart .... is her best. This film captures the book perfectly in my opinion. OK, the story is not perfect. It doesn't fully deal with the adolescent development of the girl, or her relationship and sexual encounter with the gangly youth (remembering names is not my speciality). Also the Stacey Keach character doesn't really go anywhere. I know that Singer (really smart use of irony in his name) is the main character, and that everyone feeds off him (cf Paul Newman in Cool Hand Luke), and I think it is Alan Arkin's performance which really makes the film. What happened to Arkin anyway? After Catch 22 (also excellent) he didn't seem to do much else. Anyway, I have rarely seen a better film, and I am disappointed that it seems to be difficult to get the video, certainly in this country. Some people might say that it is rather soppy and over-sentimentalised, and I can see this myself, but it still makes my heart dissolve -I can't help it.

I cannot forget the theme music of "The Heart Is a Lonely Hunter" by Dave Grusin. There's a certain pervading peacefulness listening to its strains. Watching the film again on cable reminded me how impressed I was when I first saw it. Ever since, I kept an eye on movies with Alan Arkin in it -- his performance as John Singer, a deaf-mute, was sensitively delivered and commanded respect. It was Sondra Locke's debut appearance. She was young and slim, perfect for the role of "Mick", who learned to accept his disability and was able to share her love of music with him.

Along this life's journey of Singer, his friends included Chuck McCann as the plump fellow deaf-mute, who's playful and loved chocolates; Stacy Keach as the recovering alcoholic and new found chess mate; Percy Rodriguez as the self-righteous black Doctor who has his strife and discords with his daughter Portia, portrayed by a young Cicely Tyson. Lessons in diversity and tolerance are subtly evident as the story progresses. The ending is certainly not of Hollywood standard. Cinematographer James Wong Howe certainly tied in hope through his lens on the final shot with Mick (Sondra Locke) in it.

This film about reaching out and touching someone, irrespective of one's ability to verbally communicate or via signs, of one's race, color, or background, still rings true.