VALUTAZIONE IMDb
5,5/10
425
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaWhen hot-headed Dan out-drives the thoroughly vicious Tony in a motorcycle race and wins a brand new bike, he sets in motion a chain of events that includes one blazing gas station and a dis... Leggi tuttoWhen hot-headed Dan out-drives the thoroughly vicious Tony in a motorcycle race and wins a brand new bike, he sets in motion a chain of events that includes one blazing gas station and a disastrous rock slide.When hot-headed Dan out-drives the thoroughly vicious Tony in a motorcycle race and wins a brand new bike, he sets in motion a chain of events that includes one blazing gas station and a disastrous rock slide.
- Regia
- Sceneggiatura
- Star
Ronnie Dayton
- Barney
- (as Ronn Dayton)
Henry Kendrick
- Gas Station Attendant
- (as Henry M. Kendrick)
Recensioni in evidenza
This is one hell of a fun movie, and probably the best motorcycle flick of the '60s after Easy Rider. The is actually an update of the old Jimmy Stewart movie Winchester '73, except a motorcycle is used in place of the rifle. Jeremy Slate, always great in these '60s flicks, is the lead and is supported by a wonderful exploitation movie cast. Les Baxter's score, next to that of Easy Rider is about the best heard in a biker flick, a perfect artifact of the period, and lots of fun.
The late-60's biker sub-genre take on the James Stewart Western, WINCHESTER '73, which is about a cherished gun, won in a contest then stolen from the winner before winding up in several different hands...
Only here it's a motorcycle that modern cowboy type Jeremy Slate loses the night of the race by his jealous rival, who then loses it to the token gang led by sixties' biker staple Adam Roarke, fresh from HELL'S ANGELS ON WHEELS and THE SAVAGE SEVEN...
So Roarke (with bulky sidekick William Lucking) is as comfortable in a biker flick as director Maury Dexter is at Westerns, since, earlier in the decade, he turned out a bunch for 20th Century Fox along with Neo Noir thrillers, and, like those entertaining and economical programmers, he moves an otherwise plodding exploitation decently enough for the viewer to remain semi-intrigued throughout...
But the true scene-stealer is the extremely gorgeous Jocelyn Lane, who Roarke trades Slate for the stolen vehicle and that he doesn't want (God knows why), and the title HELL'S BELLES is misleading since it's not about the other biker molls, all but passive commentators on their men, fighting with fists instead guns and riding bikes instead of horses, while Slate eventually thaws out from his initially reluctant relationship with Lane... Who wouldn't?
Only here it's a motorcycle that modern cowboy type Jeremy Slate loses the night of the race by his jealous rival, who then loses it to the token gang led by sixties' biker staple Adam Roarke, fresh from HELL'S ANGELS ON WHEELS and THE SAVAGE SEVEN...
So Roarke (with bulky sidekick William Lucking) is as comfortable in a biker flick as director Maury Dexter is at Westerns, since, earlier in the decade, he turned out a bunch for 20th Century Fox along with Neo Noir thrillers, and, like those entertaining and economical programmers, he moves an otherwise plodding exploitation decently enough for the viewer to remain semi-intrigued throughout...
But the true scene-stealer is the extremely gorgeous Jocelyn Lane, who Roarke trades Slate for the stolen vehicle and that he doesn't want (God knows why), and the title HELL'S BELLES is misleading since it's not about the other biker molls, all but passive commentators on their men, fighting with fists instead guns and riding bikes instead of horses, while Slate eventually thaws out from his initially reluctant relationship with Lane... Who wouldn't?
If you're a guy, you watch this for Jocelyn Lane's "Cathy".
All of the biker guys treat her like garbage. They're too concerned with their dumb motorcycles. If just one of them showed some genuine kindness towards Cathy, she would've been been very affectionate & devoted to them.
How dumb do you have to be to care more for a machine than an insanely sexy woman?
Is it any wonder she has such an attitude towards the men?
The story & acting aren't that bad.
This could've been much better ...or worse. Depending upon your point of view.
The humor is okay at times.
Jocelyn Lane looks like she had the potential to be a huge star, if not for acting, then as a magazine cover girl.
Yes, she is THAT beautiful.
All of the biker guys treat her like garbage. They're too concerned with their dumb motorcycles. If just one of them showed some genuine kindness towards Cathy, she would've been been very affectionate & devoted to them.
How dumb do you have to be to care more for a machine than an insanely sexy woman?
Is it any wonder she has such an attitude towards the men?
The story & acting aren't that bad.
This could've been much better ...or worse. Depending upon your point of view.
The humor is okay at times.
Jocelyn Lane looks like she had the potential to be a huge star, if not for acting, then as a magazine cover girl.
Yes, she is THAT beautiful.
Quasi-comedy biker flick with western-genre elements has motocross champ Jeremy Slate (as the one decent character, and convincingly so) plotting his vengeance on the Arizona biker gang who stole his prized cycle. He catches up to them but is beaten badly, and for compensation the scurrilous pack leaves him scowling chopper chick Jocelyn Lane (an attractive cross between Nancy Sinatra and a post-teenage Hayley Mills, but a bit too refined for this kind of movie). "Hell's Belles" isn't much, nor does it strive to be, but the desert locales are interesting, Les Baxter's score is campy, and the performances aren't bad. Adam Roarke, a fine actor who made more than his share of groaners, plays the leader with admirable finesse, and the growing relationship between Slate and Lane is intriguing. The final showdown is well done, as is the closing scene. American International Pictures, having had huge success with "The Wild Angels" in 1966, had a tough time getting out of the biker rut, and by 1970 it was all starting to look like rehashed goods, but this entry has some modest surprises up its sleeve, and leaves you with more than just a quick biker fix. ** from ****
After a grueling race with the grand prize being a beautiful motorcycle, one of the losers named "Tony" (Michael Walker) decides he is going to get that bike not matter what it takes. So that night he sets up a trap on the road which the winning racer, "Danny" (Jeremy Slate) has to take on his way home. Sure enough, as Danny gets to a certain point Tony and his friends ambush him and proceed to beat him into unconsciousness. A little later Danny wakes up and finds that his new motorcycle has been substituted for the one driven by Tony. But as it so happens, Tony makes a big mistake that same night when he drives up to a gas station where a motorcycle gang just happens to be frequenting. They beat up Tony and the leader of the gang by the name of "Tampa" (Adam Roarke) takes the motorcycle. Not long afterward Danny drives up and discovers from Tony what happened. Danny then proceeds to drive out to where the motorcycle gang is camping and then gets caught while attempting to steal it. After beating him up the Tampa decides to reimburse Danny by giving him one of their women in exchange--and subsequently knocks him out again. When he regains consciousness he finds the woman named "Cathy" (Jocelyn Lane) sitting around and the two of them set out to find the bikers. Now rather than reveal any more I will just say that, although it certainly had some good action here and there, it lacked the necessary realism for me to take it that seriously. Likewise, I didn't especially care for the ending that much either. For those reasons I have rated it accordingly. Average.
Lo sapevi?
- QuizIn 1969, American International Pictures distributed this film on a double bill with L'occhio selvaggio (1967) (English title: "The Wild Eye").
- BlooperThe shadow of the crew on top of the roof is visible on the ground as Tampa's biker gang rides off after stealing the prize bike.
- ConnessioniFeatured in American Grindhouse (2010)
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Dettagli
- Tempo di esecuzione
- 1h 35min(95 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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