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IMDbPro

Funny Girl

  • 1968
  • T
  • 2h 31min
VALUTAZIONE IMDb
7,4/10
26.459
LA TUA VALUTAZIONE
Barbra Streisand and Omar Sharif in Funny Girl (1968)
The life of Fanny Brice, famed comedienne and entertainer of the early 1900s. We see her rise to fame as a Ziegfeld girl, subsequent career, and her personal life, particularly her relationship with Nick Arnstein.
Riproduci trailer1: 29
2 video
99+ foto
Classic MusicalSlapstickBiographyComedyDramaMusicalRomance

Segui la vita di Fanny Brice, famosa comica e intrattenitrice dei primi anni del 1900, la sua ascesa alla fama come ragazza Ziegfeld, la sua successiva carriera e la sua vita personale, in p... Leggi tuttoSegui la vita di Fanny Brice, famosa comica e intrattenitrice dei primi anni del 1900, la sua ascesa alla fama come ragazza Ziegfeld, la sua successiva carriera e la sua vita personale, in particolare il suo rapporto con Nick Arnstein.Segui la vita di Fanny Brice, famosa comica e intrattenitrice dei primi anni del 1900, la sua ascesa alla fama come ragazza Ziegfeld, la sua successiva carriera e la sua vita personale, in particolare il suo rapporto con Nick Arnstein.

  • Regia
    • William Wyler
  • Sceneggiatura
    • Isobel Lennart
  • Star
    • Barbra Streisand
    • Omar Sharif
    • Kay Medford
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,4/10
    26.459
    LA TUA VALUTAZIONE
    • Regia
      • William Wyler
    • Sceneggiatura
      • Isobel Lennart
    • Star
      • Barbra Streisand
      • Omar Sharif
      • Kay Medford
    • 128Recensioni degli utenti
    • 68Recensioni della critica
    • 88Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 8 vittorie e 16 candidature totali

    Video2

    Official Trailer
    Trailer 1:29
    Official Trailer
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    Video 1:29
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    Foto151

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    Interpreti principali99+

    Modifica
    Barbra Streisand
    Barbra Streisand
    • Fanny Brice
    Omar Sharif
    Omar Sharif
    • Nick Arnstein
    Kay Medford
    Kay Medford
    • Rose Brice
    Anne Francis
    Anne Francis
    • Georgia James
    Walter Pidgeon
    Walter Pidgeon
    • Florenz Ziegfeld
    Lee Allen
    • Eddie Ryan
    Mae Questel
    Mae Questel
    • Mrs. Strakosh
    Gerald Mohr
    Gerald Mohr
    • Branca
    Frank Faylen
    Frank Faylen
    • Keeney
    Mittie Lawrence
    • Emma
    Gertrude Flynn
    Gertrude Flynn
    • Mrs. O'Malley
    Penny Santon
    Penny Santon
    • Mrs. Meeker
    John Harmon
    • Company Manager
    Thordis Brandt
    Thordis Brandt
    • Ziegfeld Girl
    Bettina Brenna
    • Ziegfeld Girl
    Virginia Ann Ford
    • Ziegfeld Girl
    Alena Johnston
    • Ziegfeld Girl
    Karen Stride
    • Ziegfeld Girl
    • (as Karen Lee)
    • Regia
      • William Wyler
    • Sceneggiatura
      • Isobel Lennart
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti128

    7,426.4K
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    Recensioni in evidenza

    8moonspinner55

    "When a person's a stranger...they should act a little strange."

    Tour-de-force for Barbra Streisand, reprising her Broadway triumph and taking over the screen as 1930s Ziegfeld singer/comedienne Fanny Brice. Streisand's incredible self-assurance and clowning poise was enough to win her the Best Actress Oscar AND tick off most of Hollywood (few in the business were prepared for someone like Streisand in 1968, except maybe those familiar with her TV work, but the results here show she didn't care what anyone thought of her). The sets look phony, the script is contrived, and Omar Sharif is somewhat miscast as husband Nick Arnstein (Sharif is wonderful in the early stages, but his wet, red eyes and mincing baby-talk grow incredibly weary); however most of the song numbers are fabulous, and Barbra is at her best when delivering a high-powered number. She's tough and unyielding even while doing a comedic bit, but during an emotional song she lets her guard drop a little (not enough to become truly vulnerable, just enough to let us share her pain). The film doesn't exhaust one the way some musical extravaganzas can; the camera-work is uneven and some sequences are overlit, but it has lots of spirit and dazzle. Most importantly, it's a film that remembers it is about a woman and a man, and never allows the show-biz glitter to suffocate the characters. *** from ****
    10gbrumburgh

    A Funny Girl Happened on the Way to the Follies.

    There are not enough superlatives in the world to bestow on Barbra Streisand for her rags-to-riches portrayal of 20s Ziegfeld Follies star Fanny Brice. To say she gives the single most triumphant musical performance ever showcased on the silver screen could be close. I am constantly bowled over with each viewing at how the 26-year-old Brooklyn novice ever pulled off this incredible stunt. Cinderella playing Cinderella. Even the finicky Hollywood powers-that-be, who NEVER use untried screen talent for such a weighty role (Julie Andrews and "My Fair Lady" come to mind), knew that nobody but Barbra could inhabit this part. She won the Oscar, naturally, and it was befitting that the newcomer should share this honor with perhaps the greatest screen legend ever, Katharine Hepburn.

    Barbra's Fanny Brice first conquered Broadway where she lost the Tony award to another irrepressible talent, Carol Channing, for "Hello Dolly!" She got her revenge of sorts years later when she won the coveted screen role of Dolly due strictly to her auspicious debut in "Funny Girl." Transferred to celluloid, the movie loosens its bustles quite a bit and grants more breathing room for Barbra to expand her natural comic and dramatic talents both keenly and intimately amid the elaborate sets and costumes.

    The timing of this film couldn't have been better for Streisand. The late 60s ushered in a new legion of stars. The rash of talent coming to the forefront purposely lacked the super-model good looks and incredibly-sculpted physiques of their predecessors. Audiences now clamored for realism...human imperfection. What less attractive guys like Dustin Hoffman and Al Pacino did for the men, Barbra did for the distaff side. She dragged out her own Cinderella version, making a virtue of her odd looks and gawky gait while laying out her two big trump cards -- she was a supreme song stylist and a gifted, self-deprecating cut-up.

    Hardly ever off screen, Streisand totally immerses herself in the role of chorus clown-turned-Ziegfeld headliner, weaving a spell around each and every song she touches. From the stubbornly optimistic "I'm the Greatest Star" to the profoundly touching "My Man", the actress matures Brice into the glowing swan of her own dreams, while exposing a deep, personal vulnerability she never recaptured (or allowed) again on screen -- to her detriment.

    Despite heavy critical lambasting, I still say exotically handsome Omar Sharif was indeed the consummate choice to play wanderlust husband and card shark Nicky Arnstein. Polished, prideful and totally in his element as the global-gambling playboy, one can believe the ungainly Fanny (or Streisand, for that matter) placing this glossy god on a pedestal. It may not appear to be much of a stretch (in real life, Sharif was a world-class bridge player), but he owns the part as much as delightful Kay Medford does as Brice's droll Jewish mama. Everyone else, however, is pretty expendable. It's been said that Anne Francis blamed Streisand for her supposedly top featured role being butchered. If it's true, she has an open-and-shut case. Francis was left with a nothing part.

    Highly fictionalized and weak as biography, Streisand champions above the sometimes grandiose material from the moment she utters her first classic words: "Hello, gorgeous!" And so she is.
    8Tommy-92

    Great, and Barbra is gorgeous, magnificent, like buttah!

    Wow, was Barbra ever great in this one! The delivery of the songs, in which she often gets so intoxicated with the great music and lyrics that she starts swaying. The acting, which certainly is none too bad, either. The sheer beauty of her performance is indescribable. Really, I am not exaggerating. She is radiant in just about every frame of the film that she appears in; she practically glows! She is gorgeous, she really is! You cannot help but love this kid from the moment she steps onto the screen. She is funny, she is touching, she is electric, she is wonderful, and she is so many other things.

    Omar Sharif certainly is suave as her leading man (And you know exactly how he feels, because you love her, too!), and Kay Medford is also good as her mother. William Wyler's direction is right on the money. And those costumes and sets! But, of course, the film belongs to Barbra. It may drag quite a bit near the end, but she pulls it through. This was her first film, before the egomania, (evident in only her second film, Hello, Dolly!), before the sappy stuff. This was made when she was a fresh young talent who had "so much to offer." And boy, did she deliver the goods in this one! If you see this, you can certainly consider yourself one of the luckiest people in the world.
    TJBNYC

    The Greatest Star?...

    ...Perhaps not. But for nearly 2 1/2 hours in "Funny Girl," Barbra Streisand at least makes a convincing case for herself.

    Forget about the television airings you've seen. Throw away your old video cassette copy. Instead, see the restored, widescreen, road show version now in limited theatrical release. It is the ONLY way to truly appreciate the talents of Ms. Streisand and, more notably, the film's brilliant director, William Wyler.

    Movies today no longer look like movies. The highest compliment one can pay "Funny Girl" is that it is a grand, glorious MOVIE in the truest sense. Wyler's brilliance is never more evident than in his glorious treatment of the "Don't Rain on My Parade" sequence, the stunning camerawork of "The Swan," and the incredibly effective set-up of the "My Man" finale.

    Ms. Streisand doesn't really give a performance; she simply is Barbra. Every "Barbra-ism" that we have come to know, love and hate over the years is already crystallized at this point. Her brashness can be off-putting, but by the end of the movie, one is completely won over by the sheer enormity of her talent and presence. Yes, you can see the beginnings of the blind egomania that has marred her performances for the last 20-odd years (to be generous); but you cannot deny her brilliance, either. And to see her extraordinary face in full-screen close up is breathtaking. Kudos to the director, lighting director, and make-up artist for making Streisand appear so wonderful in this.

    From the sweepingly orchestrated titles to the high-drama impact of the showstopping finale, this is Entertainment with a capital E. About 20 minutes could have been trimmed, and exactly why Omar Sharif was cast remains a mystery; but at the end of the picture, these quibbles are trivial. Did I laugh? Yes. Did I cry? Yes. Was I thrilled, excited, entertained? You betcha.
    9bkoganbing

    A Lot Of Fanny, But All Barbra

    There are two important things to remember about Funny Girl when writing about it or discussing it. The first is Nicky Arnstein was still alive in 1964 when it debuted on Broadway, he died the following year. The second is that Ray Stark, the producer of Funny Girl on stage and on the screen is the son-in-law of Fanny Brice and Nicky Arnstein. So off the bat you know you're going to get a sanitized version.

    Not that what they created was bad, how could it be for giving Barbra Streisand the role that made her a star on both stage and screen. Fanny Brice didn't do too bad out of it either, unlike a lot of her contemporaries she lives on through the artistry and interpretation of an icon in a future age.

    But was Fanny's story ever given the literary dry process cleaning. Eliminated was her brief marriage to a first husband. Changed is the fact that she knew exactly who at what Arnstein was before she married him. Arnstein was a big time con artist who had no shame whatsoever in using his famous wife's name as a come on. Fanny herself though was never involved in any of his schemes. Arnstein did in fact take the fall and never squealed on any of the ones behind him who certainly were more than capable of reprisals against him and possibly against Fanny Brice.

    Jule Styne and Bob Merrill wrote the original songs for the Broadway score and added one song, Funny Girl, for the film. But still the two standouts are Barbra Streisand's classic People and Don't Rain On My Parade, a couple of standards she's made almost exclusively her own. I don't think anyone else would attempt to sing them.

    Added to the film are a couple of contemporary songs that Fanny Brice made famous that Barbra reinterpreted, the classic My Man, a song she sang before Nicky Arnstein went to the joint, but still is identified as her lament for her husband in stir. She also sang Second Hand Rose, a really great comedy song, emphasizing Brice's Jewish heritage. I wish a couple of others had gotten in there. I've got Brice recordings of Cooking Breakfast For The One I Love and I'm An Indian. That last one is especially hysterical, Brice did it one of the Ziegfeld Follies dressed as an indigenous person to this continent with the last line being "I'm a Yiddishe Squaw". It's great to hear and must have been fabulous to see.

    Funny Girl got seven nominations which included Best Picture, Best Sound, Best Song, Best Musical Scoring, Best Editing, Best Cinematography and a Best Supporting Actress nomination for Kay Medford, the only other player from Broadway besides Streisand to be in the film. But the only Oscar it got was a shared one when Barbra Streisand tied for Best Actress with Katharine Hepburn. One of the very few times someone got an Oscar for their very first big screen effort.

    Of course two things helped Barbra greatly. One was a role she had made her own and the second was direction by William Wyler who has won Best Director three times in his career and directed more players to Academy Awards than any other. Barbra was his last. Oddly enough he wasn't nominated for Best Director.

    Those who are interested in seeing Fanny Brice as she really was can see her in The Great Ziegfeld, The Ziegfeld Follies, and Everybody Sing all of which are out on DVD and/or VHS. I think Barbra channeled more of Fanny into Funny Girl than the sequel Funny Lady, but I'll let you the viewer be the judge of that.

    You can't go wrong seeing and hearing Barbra Streisand do some of the best material ever written for her in both films.

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    Trama

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    Lo sapevi?

    Modifica
    • Quiz
      William Wyler was asked by a friend whether Barbra Streisand had been hard to work with. He replied, "No, not too hard, considering it was the first movie she ever directed."
    • Blooper
      After Nick's release from prison in 1927, he and Fanny did not sadly but amicably part. Instead, Nick rewarded Fanny's years of support by almost immediately starting a series of affairs. Fanny demanded he give her grounds for divorce and even had their children's last name legally changed to Brice. Although he and Fanny would meet again several years later, he never attempted to see his children again.
    • Citazioni

      Fannie Brice: I'm a bagel on a plate full of onion rolls!

    • Versioni alternative
      The original theatrical version included an additional overture before the opening credits, an intermission after "Don't Rain On My Parade," and exit music after the end credits. These additional music pieces have been restored for the DVD release.
    • Connessioni
      Featured in This Is Streisand (1968)
    • Colonne sonore
      Overture
      (uncredited)

      Music by Jule Styne

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    Dettagli

    Modifica
    • Data di uscita
      • 13 febbraio 1969 (Italia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • Funny Girl: Chica rara
    • Luoghi delle riprese
      • Jersey Central Railway Station, Jersey City, New Jersey, Stati Uniti('Don't Rain On My Parade' sequence)
    • Aziende produttrici
      • Columbia Pictures
      • Rastar Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

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    • Budget
      • 14.100.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 52.223.306 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 65.560 USD
      • 3 set 2001
    • Lordo in tutto il mondo
      • 52.225.786 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      2 ore 31 minuti
    • Colore
      • Color
    • Proporzioni
      • 2.35 : 1

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