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Le ragazze

Titolo originale: Flickorna
  • 1968
  • Not Rated
  • 1h 40min
VALUTAZIONE IMDb
6,7/10
1104
LA TUA VALUTAZIONE
Le ragazze (1968)
CommediaDramma

Aggiungi una trama nella tua linguaThree Swedish stage actresses give differing interpretations of the classic Aristophanes play "Lysistrata."Three Swedish stage actresses give differing interpretations of the classic Aristophanes play "Lysistrata."Three Swedish stage actresses give differing interpretations of the classic Aristophanes play "Lysistrata."

  • Regia
    • Mai Zetterling
  • Sceneggiatura
    • Mai Zetterling
    • David Hughes
    • Aristophanes
  • Star
    • Bibi Andersson
    • Harriet Andersson
    • Gunnel Lindblom
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,7/10
    1104
    LA TUA VALUTAZIONE
    • Regia
      • Mai Zetterling
    • Sceneggiatura
      • Mai Zetterling
      • David Hughes
      • Aristophanes
    • Star
      • Bibi Andersson
      • Harriet Andersson
      • Gunnel Lindblom
    • 14Recensioni degli utenti
    • 16Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto67

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    Interpreti principali31

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    Bibi Andersson
    Bibi Andersson
    • Liz Lindstrand
    Harriet Andersson
    Harriet Andersson
    • Marianne
    Gunnel Lindblom
    Gunnel Lindblom
    • Gunilla
    Gunnar Björnstrand
    Gunnar Björnstrand
    • Hugo
    Erland Josephson
    Erland Josephson
    • Carl
    Frank Sundström
    Frank Sundström
    • Marianne's Lover
    Åke Lindström
    Åke Lindström
    • Bengt
    Stig Engström
    Stig Engström
    • Thommy
    Margreth Weivers
    Margreth Weivers
    • Tourist Manager's Wife
    • (as Margaret Weivers)
    Leif Liljeroth
    • Tourist Manager Kiruna
    Ulf Palme
    Ulf Palme
    • Director
    Ingvar Kjellson
    Ingvar Kjellson
    • Olle
    Signe Enwall
    • Choir Member
    • (as Signe Envall)
    Bellan Roos
    Bellan Roos
    • Choir Member
    Chris Wahlström
    • Choir Member
    Brita Öberg
    Brita Öberg
    • Choir Member
    Manne Grünberger
    • Choir Member
    Per Grevér
    • TV Reporter
    • Regia
      • Mai Zetterling
    • Sceneggiatura
      • Mai Zetterling
      • David Hughes
      • Aristophanes
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti14

    6,71.1K
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    Recensioni in evidenza

    7boblipton

    Among The Problems With Modernizing LYSISTRATA....

    Harriet Andersson, Bibi Andersson, and Gunnel Lindblom go on tour with LYSISTRATA and become radicalized into political agency by the play and the reactions -- or lack of reactions -- to it.

    Mai Zetterling's film disappeared from the theaters after three weeks of awful receipts. The critics -- men, of course -- didn't care for this tale of how these women's real lives bonded with their stage lives to create a third life, part dream, part hallucination, with the men reduced to indistinguishable, impotent actors driven simply by their lusts for sex and dull normality.

    The movie has gained respect over the years, with feminists acclaiming it. But were the critics of the time so wrong? Aristophanes' play has often often attracted the attention of modern writers and producers. They've made modern-dress novels, and plays and movies, and they seem to have a uniformly poor reception. Perhaps the attraction of the source material to Ms Zetterling was it was one of the few works of classic literature in which women had agency. Whereas Aristophanes intended this as mockery of the new, more democratic spirit of Athens that he so despised, offering peace as so obvious that even women could see it, and men being such brutes that they'd do anything for sexual release. He was not making an argument for extending the franchise to women; he wanted a return to the Good Old Days, when aristocrats with names like Aristophanes were in charge.

    Perhaps the failing here is Ms Zetterling's honesty. Like Spike Jones, in his gloss on the play, CHI-RAQ, she points out the hypocrisy of the class she argues for, their cowardice in refusing to accept responsibility. That's one of the risks of satire. Once you've offended everyone, there aren't going to be many fans.
    adri-11

    Relevance to terrorist attack on New York

    I've just seen this film today, 19 Sept., and couldn't help but think of the New York terrorist attack. I read a letter to the editor about the attack and it said that if women were ruling the world the attacks would never have happened. However, this prescient film shows that that ain't necessarily so.

    What's so good about this film is the fair treatment it gives of women, showing their frivolous and silly side as well as the struggle to deal with their roles in their world. I liked the fight between the women, and the pathetic attempt Liz made to stir her audience into speaking, without any thought for who it was she addressed.

    Thirty-three years after it was made, the film is relevant and moving.
    10joaquimmsl

    An amazing underrated movie.

    This is an amazing underrated movie. It' funny, intelligent and deals critically with gender issues and with the difficulty in reaching out to people and producing change. Of course, if you're really sexist this film is not for you, you surely won't agree with me. There are many things I liked about this movie, but I'd like to point out two.

    First, about it's form. It's not a traditional movie, it has some non realist (metaphorical or surreal) scenes, it mixes the reality of the film with the memories, desires and imagination of the characters, it mixes the Swedish life of it's time with Aristophanes play Lysistrata and keeps jumping from one to the other. So you have to think actively to interpret the meaning of these jumps. If you don't like this kind of direction and prefer a more traditional one, perhaps you won't like this movie as much as me (or you will end up thinking the film doesn't have a plot just because you couldn't follow it like some other reviewers). But be assured that this is not confusing nor formalist. It always has meaning and is always related to reality. And this is incredible in a time that most of the art that tries to reach beyond traditional forms looses meaning and relation to reality becoming formalist and sometimes even irrationalist.

    Second, about the gender issues. I also liked a lot that it's not a plain movie in which the protagonists give a speech about women freedom and the women rise in a revolt. Actually one may say that this movie is more about trying to reach out and hitting a wall. About women not being taken seriously in a sexist society no matter how hard and seriously they try. Not even by most of the other women. And in this sense, the choice of Lysistrata as a mean to produce change is very good, because the women's revolt in this play was meant to be a joke and not taken seriously. In ancient Athens women were not allowed in the comedies, only in the tragedies, so this play was written by a man, to be represented by a cast of men for an audience of men and not to reach out to women. The critical power of the play, if you may say so, is in the fact that it was an anti-war play, it was meant to help to increase support for a peace treaty with Sparta, but not to really deal with gender issues in the sexist ancient Greece.

    All in all this was an avant-garde movie way ahead of it's time. And I disagree with the reviews that state that this is a dated movie. Of course it bears the marks of it's time (like every movie), but perhaps it may even be better appreciated now than when it was filmed.

    If you liked this movie you may want to check out Älskande par (Loving Couples), another movie of Mai Zetterling that touch gender issues, but not in such a direct way and with a less innovative and experimental directorial style.
    5MartinTeller

    The Girls

    I had high hopes for this, featuring a trio of Bergman's greatest actresses (Bibi Andersson, Harriet Andersson, Gunnel Lindblom) in the leads and a pair of his greatest actors (Gunnar Bjornstrand, Erland Josephson) in supporting roles. Unfortunately, Mai Zetterling (whose LOVING COUPLES I somewhat enjoyed) goes way over-the-top with the experimental flourishes. The story involves a production of Aristophanes' classic sex satire "Lysistrata", with the play, reality, and fantasy bleeding into each other in a series of obvious juxtapositions, half-baked metaphors and heavy-handed social commentary. Subtlety is not to be found here, and the film's divebomb approach to the battle of the sexes is often grating and tedious. These actors are usually a joy to watch, and they give it their all, but they just can't overcome the material, which comes off as another naive product of 60's progressiveness. The heart's in the right place, but the execution is too irritating. Nice photography and a strong cast aren't enough.
    8peter-rinaldi

    Very Interesting Film

    I was prompted to write a little bit about this film because i think the other review on this page is absolutely ridiculous. And, as this is a rather obscure film, i didn't want that to be the only word on this great film.

    I just want to say that from the way this film tells it's story right on through the way it is performed and on to what it ultimately says not only HOLDS UP through time, it is most definitely relevant in today's gender climate. I was absolutely blown away by the ballsy film-making and the fearless way in which it presents its ideas. Very much ahead of it's time.

    Everyone should see this film, especially men. and of all men, especially men who think and write like the other reviewer on this page. SEE THIS MOVIE!

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    Trama

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    • Quiz
      Underwent a digital restoration from the original 35mm negative in 2016 by the Swedish Film Institute.
    • Citazioni

      TV Reporter: Could you tell us more precisely what it's about?

      Gunilla: Well, it's rather hard to explain. It's about how things stand... now.

      Liz Lindstrand: To be a bit more precise, it's about... women and war.

      Marianne: I thought it was about girls and boys.

    • Connessioni
      Featured in Stjärnbilder (1996)

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    Dettagli

    Modifica
    • Data di uscita
      • 16 settembre 1968 (Svezia)
    • Paese di origine
      • Svezia
    • Lingua
      • Svedese
    • Celebre anche come
      • The Girls
    • Luoghi delle riprese
      • Enköping, Uppsala län, Svezia
    • Azienda produttrice
      • Sandrews
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 40 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.66 : 1

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