Settore tortura

The "Torture Zone" version of this film released by Rhino has between 10-15 minutes cut from the Mexican version. No significant scenes are missing (except for the original credits which have a live-action background); most of the cuts are trims to existing scenes. However, the English-language version does feature Karloff's own voice, which is a bonus.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Juan Ibanez and Jack Hill; Produced by Luis Enrique Vergara, for Azteca Films, released in America by Columbia Pictures. Screenplay by Luis Enrique Vergara and Jack Hill; Photography by Raul Dominguez and Austin McKinney; Edited by Felipe Marino; Music by Enrico Cabiati; Dialogue Director: Stillman Segar. Starring: Boris Karloff, Julissa, Isela Vega, Carlos East, Sandra Chavez and Eva Muller.

Silly sci-fi/horror exploitation film, integrating some of Karloff's last live-action footage into an incredible plot. Vega plays a fellow mad scientist who with big K is feeding a living volcanic rock blood from busty young women after scaring them in the title area. Oddly, Vega's famous frame is kept under wraps until her finale, being fed to the rock herself. Wide-angle lenses and flashy lighting effects do not hide the absence of development in the subplot of rocks from the center of the earth trying to learn to survive on the surface and take over.

Do not know HOW this page has been screwed up royal but it has. Snake People IS a B K movie title but this ain't it. Nor is "Isle of the Snake People" either as THAT one is just "Snake People" and this one is "Fear Chamber" or "Torture Zone" or original Mexican title "La Camara del Terror" and I see a third of the cast /character listings are jumbled. Went to youtube to get proper ones but have found edited/missing videos and channels that had to do with this film gone, only ones remaining on it are from a "Fear Chamber" from early 2000 "00's" movie that has nothing whatsoever to do with this one, merely a psycho murderer versus police flick.

Five days ago, House of Evil replaced The Invisible Menace as Boris Karloff's worst film. Today, House of Evil was just replaced by Fear Chamber(viewings of The Snake People and The Invisible Invasion are pending as of now, hoping they are a little better). The only halfway decent thing about Fear Chamber is Boris Karloff, he doesn't have a lot to work with but he still delivers with conviction and dignity which is more than the material deserved. The rest of the acting is atrocious, especially from Isela Vega and Yerye Beirute, the latter bringing unintentional humour to his part. The production values are amateurish, the photography really does look as though it was shot in a matter of days, the effects are slipshod and the sets look like the film was shot in a basement. The music is at best shrill, though a marginal improvement over the music for House of Evil, at least it isn't as annoying. The biggest failings are the script and story. The script often doesn't make sense and written and delivered in such a wooden, stilted way. The story is just as incoherent, laboriously paced and more uncomfortably weird than creepy or suspenseful(and there was me thinking The Incredibly Strange Creatures Who Stopped Living and Became Zombies was weird). All in all, love and have a lot of respect for Karloff but Fear Chamber was just awful. 1/10 Bethany Cox

One of those dreary Mexican productions that Boris Karloff made toward the end of his career, "The Fear Chamber"'s only attraction for the great but now aged and ailing star must have been the paycheck. The plot, already described elsewhere, is ludicrous, the set looks like somebody's basement, and the effects are cheap.

It's always worth seeing Karloff, but otherwise the only attraction is the supporting cast which includes various beautiful women, including Isele Vega (best known for "Bring Me the Head of Alfredo Garcia"), who are called upon to add some sex to the mix. The lesbian scenes make no sense within the context of the story, but they may at least prevent you from fast-forwarding to the conclusion.