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4,4/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA beautiful virgin inherits a castle, but when she arrives at it, she finds that the inhabitants include a strange nobleman and a bevy of beautiful women she suspects may be vampires.A beautiful virgin inherits a castle, but when she arrives at it, she finds that the inhabitants include a strange nobleman and a bevy of beautiful women she suspects may be vampires.A beautiful virgin inherits a castle, but when she arrives at it, she finds that the inhabitants include a strange nobleman and a bevy of beautiful women she suspects may be vampires.
Gianni Medici
- Dr. Piero Luciani
- (as John Hamilton)
César Benet
- Max
- (as Guy Robers)
Rosanna Yanni
- Freya Ziemsen
- (as Rosana Yanni)
Luisa De Benedictis
- Nurse at the Elisabetta Lab
- (non citato nei titoli originali)
Keith Kendal
- Villager Who Saw Bertha Alive
- (non citato nei titoli originali)
Luciano Melani
- Villager at the Inn
- (non citato nei titoli originali)
Jesús Ramón Orjales
- Villager at the Inn
- (non citato nei titoli originali)
Luis Prendes
- Villager Standing at the Inn
- (non citato nei titoli originali)
Recensioni in evidenza
Amando de Ossorio was one of the great directors of Spanish horror, and this film, also known as Malenka, occurs when he was really hitting this stride.
There are reportedly three versions of this film, and this one is the best. It is a beautiful print, and we see Swedish star Anita Ekberg (La Dolce Vita, Boccaccio '70, Killer Nun) in all her beauty.
It is a campy film, so there is no nudity or blood here. Despite the buxom women throughout, it is harmless fun.
Sometimes a vampire movie is more than blood and nudity. Sometimes, it's just a great way to kill 75 minutes.
There are reportedly three versions of this film, and this one is the best. It is a beautiful print, and we see Swedish star Anita Ekberg (La Dolce Vita, Boccaccio '70, Killer Nun) in all her beauty.
It is a campy film, so there is no nudity or blood here. Despite the buxom women throughout, it is harmless fun.
Sometimes a vampire movie is more than blood and nudity. Sometimes, it's just a great way to kill 75 minutes.
There are at least three prints of this film running loose these days ... Readers should NOT let the negative nellies dissuade them from seeking this film out -- it is a marvelous little bit of Eurotrash from one of the genre's finest directors when he was just flexing his muscles.
Most literature I have encountered on MALENKA agree that Ossorio's main inspriration was THE FEARLESS VAMPIRE KILLERS aka DANCE OF THE VAMPIRES, but he injected the film with a decidedly Medeterranian air that caught on: In many circles, it is considered classic must-have required viewing at the Academy, Mr Spock kind of stuff.
BUT, you need to select your home viewing version carefully -- of the three most common forms that exist, the most familiar to us in America is a 75 - 80m "public domain" print that used to run on TV a lot, with the vampire chasing ending in place ... we have all seen it at one time or another. Then there is a second 96 - 98 minute European cut exported from Holland in the late 1980's -- it contains some additional "scientific" scenes and other dialogue, but NOT the gag ending with the vampire chasing Rosanna Yanni. The recommended version is actually out on DVD right now at places like Amazon under the name FANGS OF THE LIVING DEAD and released by a smallish company called Retromedia who "restored" a widescreen uncut British print for their DVD; uncut meaning that some of the slower scenes trimmed from the 80m public domain print are still in place.
What makes their DVD really come to life, though, is the care that went into making the print look good again. And after so many years of dingy, sepia rotted TV prints you will be shocked at what a beautiful, HARMLESS and fun movie this is -- I'd rather watch MALENKA with my eyes held open by toothpicks than ever have to sit through garbage like INTERVIEW WITH THE VAMPIRE, DRACULA 2000 or FRANCIS FORD COPPOLA PRESENTS BRAM STOKER'S DRACULA: A FRANCIS FORD COPPOLA FILM ever again. Gawd ...
Most literature I have encountered on MALENKA agree that Ossorio's main inspriration was THE FEARLESS VAMPIRE KILLERS aka DANCE OF THE VAMPIRES, but he injected the film with a decidedly Medeterranian air that caught on: In many circles, it is considered classic must-have required viewing at the Academy, Mr Spock kind of stuff.
BUT, you need to select your home viewing version carefully -- of the three most common forms that exist, the most familiar to us in America is a 75 - 80m "public domain" print that used to run on TV a lot, with the vampire chasing ending in place ... we have all seen it at one time or another. Then there is a second 96 - 98 minute European cut exported from Holland in the late 1980's -- it contains some additional "scientific" scenes and other dialogue, but NOT the gag ending with the vampire chasing Rosanna Yanni. The recommended version is actually out on DVD right now at places like Amazon under the name FANGS OF THE LIVING DEAD and released by a smallish company called Retromedia who "restored" a widescreen uncut British print for their DVD; uncut meaning that some of the slower scenes trimmed from the 80m public domain print are still in place.
What makes their DVD really come to life, though, is the care that went into making the print look good again. And after so many years of dingy, sepia rotted TV prints you will be shocked at what a beautiful, HARMLESS and fun movie this is -- I'd rather watch MALENKA with my eyes held open by toothpicks than ever have to sit through garbage like INTERVIEW WITH THE VAMPIRE, DRACULA 2000 or FRANCIS FORD COPPOLA PRESENTS BRAM STOKER'S DRACULA: A FRANCIS FORD COPPOLA FILM ever again. Gawd ...
FANGS OF THE LIVING DEAD (1969) * Anita Ekberg, Julián Ugarte, Gianni Medici, Diana Lorys. In this 1969 film by Amando de Ossorio (Tombs of the Blind Dead) Ekberg plays an Italian fashion model who inherits a creepy Spanish castle, only to learn that her ancestors were vampires. The sets and costumes are beautiful, but can't compensate for the stiff performances, poor dubbing and slow pacing. Avoid the Retromedia DVD version. Even though it purports to be the 88-minute "Americanized" version of the film, it's only 74 minutes and appears to be an edited-for-television version.
The Spanish vampire 'classic' Malenka plays like a Mel Brooks parody of a Gothic horror movie, only much funnier. It stars the inimitable Anita Ekberg in two roles. As Italian supermodel Sylvia Morel, who (out of the blue) inherits a creepy old castle in Transylvania. As her villainous ancestress Malenka, a witch whose experiments in black magic cast a sinister shadow over the living and the undead. It seems that Malenka, in her depravity, turned most of her family into vampires. They now long for nothing more than La Ekberg to share their evil fate.
Families, eh? Without the hilarity of Ekberg's performance, Malenka would be a paltry thing indeed. The lovely Anita does not act as mere mortals do. She purrs, she pouts, she preens, she struts, she flounces. She gnaws away at her risible dialogue as though every line had been honed in her honour by Tennesee Williams or Edward Albee, at the very least. Her wardrobe is atrocious as only a 60s Bad Euro Movie wardrobe could ever be. Faced with a display of camp diva-dom this extreme, female impersonators can only hang up their wigs and admit defeat!
Not content with one Superlatively Awful Performance, Malenka also throws in Julian Ugarte as poor Sylvia's wicked uncle. Aided by two leggy vampire lovelies, he attacks his role with sneering, lip-curling sadism that would make Basil Rathbone blush for shame! This is all to the good, as Malenka grows insufferably dull whenever Ekberg or the baddies are off-screen. Director Armando de Ossorio may in fact have some flair for wide-screen composition, but my Dutch video copy is so horribly panned-and-scanned it's hard to tell.
Such minor quibbling aside, Malenka survives as an object lesson in Why We Love Bad Movies. Teamed with Ekberg's 1978 horror opus Killer Nun, it could be the comedy double bill of all time.
Families, eh? Without the hilarity of Ekberg's performance, Malenka would be a paltry thing indeed. The lovely Anita does not act as mere mortals do. She purrs, she pouts, she preens, she struts, she flounces. She gnaws away at her risible dialogue as though every line had been honed in her honour by Tennesee Williams or Edward Albee, at the very least. Her wardrobe is atrocious as only a 60s Bad Euro Movie wardrobe could ever be. Faced with a display of camp diva-dom this extreme, female impersonators can only hang up their wigs and admit defeat!
Not content with one Superlatively Awful Performance, Malenka also throws in Julian Ugarte as poor Sylvia's wicked uncle. Aided by two leggy vampire lovelies, he attacks his role with sneering, lip-curling sadism that would make Basil Rathbone blush for shame! This is all to the good, as Malenka grows insufferably dull whenever Ekberg or the baddies are off-screen. Director Armando de Ossorio may in fact have some flair for wide-screen composition, but my Dutch video copy is so horribly panned-and-scanned it's hard to tell.
Such minor quibbling aside, Malenka survives as an object lesson in Why We Love Bad Movies. Teamed with Ekberg's 1978 horror opus Killer Nun, it could be the comedy double bill of all time.
seen this one.. crazy little 60's flick. If you are a bad movie lover then you will love this one. Get a group of friends and trash on this one!
In commenting on the above comment from acidxian, I have this on dvd and it does have the ending with the vampire chasing the inn keeper lady, not sylvia. and the burning of the uncle is absolutely hilarious.. his head looks like a roasting marshmallow haha!
In commenting on the above comment from acidxian, I have this on dvd and it does have the ending with the vampire chasing the inn keeper lady, not sylvia. and the burning of the uncle is absolutely hilarious.. his head looks like a roasting marshmallow haha!
Lo sapevi?
- QuizOne of the first vampire films from Spain, it was inspired by similarly themed Italian and British vampire films that were being released during the same time period, such as Dance of the Vampires. It has been credited as being "the 1969 picture that hammered the final nail into the cinematic coffin of the bomb-shelter-era bombshell Anita Ekberg," as well as being "one of the most original gothic examples of Spanish horror."
- BlooperAs Sylvia reads the dates of birth and death from the crypt, she says "1790-1840" although the stone reads 1768-1840.
- Versioni alternativeAn English dubbed version of this film was released in the United States in 1973 as part of the "Orgy of the Living Dead" triple feature. The film was cut to approximately 75 minutes and re-titled "Fangs of the Living Dead."
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Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Fangs of the Living Dead
- Luoghi delle riprese
- Piazza Navona, Roma, Lazio, Italia(Facade of the Elisabetta lab where Dr. Piero Luciani works.)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 1h 38min(98 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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