VALUTAZIONE IMDb
6,4/10
1642
LA TUA VALUTAZIONE
Una donna e due bambini vengono rapiti dagli Apache. Il marito della donna catturata chiede aiuto al vicino per rintracciarli e liberare la sua famiglia.Una donna e due bambini vengono rapiti dagli Apache. Il marito della donna catturata chiede aiuto al vicino per rintracciarli e liberare la sua famiglia.Una donna e due bambini vengono rapiti dagli Apache. Il marito della donna catturata chiede aiuto al vicino per rintracciarli e liberare la sua famiglia.
- Regia
- Sceneggiatura
- Star
Harry Dean Stanton
- Sergeant Parker
- (as Dean Stanton)
José Chávez
- Padre
- (non citato nei titoli originali)
Jaime Fernández
- Addis' Indian Scout
- (non citato nei titoli originali)
Peter Ford
- Bearded Union Deserter
- (non citato nei titoli originali)
Jane Geffrey
- Olive Warfield
- (non citato nei titoli originali)
Jorge Martínez de Hoyos
- Guillermo - DeLeon's Second in Command
- (non citato nei titoli originali)
Recensioni in evidenza
Ford's performance as Warfield anticipated by nearly a decade the western anti-heroes of Sam Peckinpah. It is a gripping and surprisingly well-produced oater (considering its modest budget). It really succeeds in evoking the terror of man alone against the wilderness. The villains - of which there are a number - appear two-dimensional and even sympathetic; e.g., Captain Addis and his men, reduced by massacre and desertion, perform almost heroically in their desperation (watch for Harry Dean Stanton's understated role as a cavalry sergeant). The Apaches are seen as brutal, but no more so than their white enemies or the surrounding deserts and moutains, which are haughtingly evoked in this first-rate western. Highly recommended.
I like Glen FORD and consider this western a minor classic. Pretty unknown and still waiting to be recognized even by movie buffs this little gem has definitely not yet the reputation it deserves.
"Directed with lazy assurance" as the TIME OUT FILM GUIDE correctly writes, by veteran director Jerry Thorpe, and played with laid back gusto by all involved, this western offers a very grim and dark view on the "old west", more influenced by the Italo-western (which was in full bloom in the later 60ies) than the classic US-flick. Gunfighter FORD, aged, bored, tired and with "have-seen-it-all" eyes, comes back home just to find his wife and 2 small daughter carried away by Apaches. Arthur KENNEDY claims his wife was about to marry him and after an incredibly tough fist-fight they team up (unwillingly) to rescue them.
What follows is an odyssey through some very bizarre situations, staged with the aforementioned lazy assurance, situations, which one does not happen to see in many other US-western: everything is dark, depressing, cynical and void of any sympathy. Whereas THE SEARCHERS had some hope underneath, this is more than 10 years later and the characters, scripted by veteran scriptwriter Charles Marquis Warren, are driven by the urge to do what has to be done, but equipped with little hope. FORD plays the "lost character" in an old west with dark cynical humor, one of his best later performances. Kennedy is fine, too, and also very worth mentioning is the character played by Nico Minardos, whom you would more expect to find in any Quentin Tarantino movie than in a B-western from the later 60ies. Great rough music by Jeff Alexander! All in all a very watchable outing, made by experts, each of whom must have had a dozen or more western to his credit at the time, when they teamed up to put DAY OF THE EVIL GUN on celluloid.
Watch out for this and don't miss it, it's very well worth a viewing !
"Directed with lazy assurance" as the TIME OUT FILM GUIDE correctly writes, by veteran director Jerry Thorpe, and played with laid back gusto by all involved, this western offers a very grim and dark view on the "old west", more influenced by the Italo-western (which was in full bloom in the later 60ies) than the classic US-flick. Gunfighter FORD, aged, bored, tired and with "have-seen-it-all" eyes, comes back home just to find his wife and 2 small daughter carried away by Apaches. Arthur KENNEDY claims his wife was about to marry him and after an incredibly tough fist-fight they team up (unwillingly) to rescue them.
What follows is an odyssey through some very bizarre situations, staged with the aforementioned lazy assurance, situations, which one does not happen to see in many other US-western: everything is dark, depressing, cynical and void of any sympathy. Whereas THE SEARCHERS had some hope underneath, this is more than 10 years later and the characters, scripted by veteran scriptwriter Charles Marquis Warren, are driven by the urge to do what has to be done, but equipped with little hope. FORD plays the "lost character" in an old west with dark cynical humor, one of his best later performances. Kennedy is fine, too, and also very worth mentioning is the character played by Nico Minardos, whom you would more expect to find in any Quentin Tarantino movie than in a B-western from the later 60ies. Great rough music by Jeff Alexander! All in all a very watchable outing, made by experts, each of whom must have had a dozen or more western to his credit at the time, when they teamed up to put DAY OF THE EVIL GUN on celluloid.
Watch out for this and don't miss it, it's very well worth a viewing !
Make movie available on DVD as you can't buy this excellent movie on any format. Anyone who likes westerns should not miss this one. The psychological roles that Ford and Kennedy play make this movie definitely different and spellbinding for the viewer. What's interesting about this movie is the apparent role changes that take place between Glenn Ford and Arthur Kennedy. They switch from Ford as a reforming gunslinger to Kennedy a mild family man turning the opposite direction. The movie lived up to my expectations of both actors. I missed this movie when it was first released in 1968 and can not find it available in any format. So far, catch it on TV if you can in your area.
It is not credited as such but this is essentially a retread of The Searchers ,and the two movies share a common plot -the hunt for relatives stolen by Indians Glenn Ford plays a noted gunman trying to turn his back on his former violent profession and who joins his neighbour ,Arthur Kennedy ,in the hunt for Kennedy's wife and two children who have been taken by Apaches.Complicating the matter is the fact that both men are in love with the woman in question. They are helped in their quest by a demented Indian trader -played by Dean Jagger in a way that seems to be a conscious tip of the hat to Hank Worden's performance in a similar role in The Searchers .The mission proves a fraught one -they are tortured by bandits ,encounter renegades and endure Indian raids en route to finding the people they seek
The men undergo personality changes as the trek unfolds ,with the previously peaceable Kennedy displaying a new found relish for the killing fields and events build to a personal confrontation between the two men Performances are superlative ,the script by Charles Marquis Warren and Eric Bercovi is pointed and candid .Jerry Thorpe directs capably if somewhat anonymously
This was designed for TV but wisely was given a cinema release .I urge all western lovers to see it
The men undergo personality changes as the trek unfolds ,with the previously peaceable Kennedy displaying a new found relish for the killing fields and events build to a personal confrontation between the two men Performances are superlative ,the script by Charles Marquis Warren and Eric Bercovi is pointed and candid .Jerry Thorpe directs capably if somewhat anonymously
This was designed for TV but wisely was given a cinema release .I urge all western lovers to see it
Since the first time that l'd watched this picture in early 80' l found it a real classic western on a low budge, but strong enough to put it in a high ground, Ford and Kennedy are fantastic in great shape if consider their ages, deserve a look in the river's fight sequence, Dean Jagger's role of an insany man is outrageous fine, the desert's scene when Nico Minardos come out is another unforgetable scene and quite unique in this genre, the desert landscape became another wall to be overcame, without forget Anderson & Stanton soldier's renegades on the desert's border town, the official release stop a long waiting for this charismatic picture!!
Resume:
First watch: 1981 / How many: 6 / Source: TV-Cable TV -DVD / Rating: 8.
Resume:
First watch: 1981 / How many: 6 / Source: TV-Cable TV -DVD / Rating: 8.
Lo sapevi?
- QuizGlenn Ford and his son Peter Ford had a difficult relationship during the shooting of the film. His son later confessed that it was a bitter time for both of them. Ford had just gotten a difficult divorce and behaved in a strange way with his son: one day he was friendly and the other, nasty. Glenn Ford's son compared his father to Dr Jekyll and Mr Hyde.
- BlooperDuring the fight with the Apaches in the Mormon ghost town, Forbes shoots out of a window with his pistol right next to his face. In actuality, the recoil of the weapon would have carried it right back into his nose like a punch. In the same scene, Captain Addis shoots a shotgun from a window in a similar fashion, a weapon with even more recoil that, in reality, would have slammed into his face and probably given him a black eye.
- Citazioni
[during an cholera epidemic]
Dr. Eli Prather: Don't talk to me, I'm busy killin' people.
- ConnessioniReferenced in Sandra: The Making of a Woman (1970)
- Colonne sonoreCome Wander With Me
(uncredited)
[theme reuses from the Twilight Zone's episode]
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Day of the Evil Gun?Powered by Alexa
Dettagli
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Tempo di esecuzione1 ora 35 minuti
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti
Divario superiore
What is the French language plot outline for L'ultimo colpo in canna (1968)?
Rispondi