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David Holzman's Diary

  • 1967
  • Not Rated
  • 1h 14min
VALUTAZIONE IMDb
6,5/10
1951
LA TUA VALUTAZIONE
David Holzman's Diary (1967)
David Holzman's Diary: Ignore The Camera
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CommediaDrammaMockumentarySatira

Aggiungi una trama nella tua linguaA young filmmaker decides to make a movie of his life.A young filmmaker decides to make a movie of his life.A young filmmaker decides to make a movie of his life.

  • Regia
    • Jim McBride
  • Sceneggiatura
    • Jim McBride
  • Star
    • L.M. Kit Carson
    • Eileen Dietz
    • Louise Levine
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,5/10
    1951
    LA TUA VALUTAZIONE
    • Regia
      • Jim McBride
    • Sceneggiatura
      • Jim McBride
    • Star
      • L.M. Kit Carson
      • Eileen Dietz
      • Louise Levine
    • 24Recensioni degli utenti
    • 40Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie totali

    Video1

    David Holzman's Diary: Ignore The Camera
    Clip 2:28
    David Holzman's Diary: Ignore The Camera

    Foto9

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    Interpreti principali8

    Modifica
    L.M. Kit Carson
    L.M. Kit Carson
    • David Holzman
    Eileen Dietz
    Eileen Dietz
    • Penny Wohl
    • (as Penny Wohl)
    Louise Levine
    • Sandra
    Lorenzo Mans
    • Pepe
    Fern McBride
    • Girl on the subway
    Mike Levine
    • Sandra's Boy Friend
    • (as Michel Lévine)
    Robert Lesser
    Robert Lesser
    • Max, Penny's agent
    • (as Bob Lesser)
    Jack Baran
    • Cop
    • Regia
      • Jim McBride
    • Sceneggiatura
      • Jim McBride
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti24

    6,51.9K
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    Recensioni in evidenza

    xx_JOE_xx

    Underrated classic...

    I first saw this film on public TV of all places, at about 2:30 am. Not knowing why(or anything about the film),I grabbed a blank tape and recorded it. What followed was a film that grabbed my attention from the opening shot of David with the camera to the end scene where the only thing left is some still shots and David's voice. Being that this is shot on a hand held,it gives it great atmostphere (especially the shots on the street and in Central Park). I recommend this to any future filmmaker and watch with awe.

    ***1/2
    bowlsmaclean

    Brilliant!

    This film grabs you in from the get go, and takes you into the mind of a hapless young filmmaker. A true historic masterpiece! It's something completely different and unique from any other moviegoing experience you will ever have. Don't miss a chance to pass this up. A true step forward in filmmaking.
    9Quinoa1984

    a true indie, a wicked shoe-string satire at 24 fps

    David Holzman's Diary comes close to the "dream" of what was possible in the ideal of the American independent cinema of the 1960s. Taking the lessons of John Cassavetes with Shadows and French new wave filmmakers, specifically Godard and Truffaut, Jim McBride decided that shooting a narrative with a documentary approach- following the characters hand-held, without the artifice of a constricting studio- wasn't quite enough to get at a really personal cinema. At the same time his film is something of a cunning, if not always obvious, attack on "personal docu-style" essay movies. The idea that anyone can get a camera and make a movie or something on film about their lives has now mutated into something else with reality TV (True Life on MTV is like a professional extension of David Holzman's Diary), but at the time this was something extraordinary to attempt. And even today, it still shows.

    This doesn't mean David Holzman's Diary is perfect, but then how could it ever be? Or would anyone in their right mind think it should be? It's imperfections are part of its... I won't say charm, since the film isn't exactly "charming", but it's got a certain something to it by having some longer takes, some shots or moments that are extended on David Holzman going on and on to the camera about his life, or what little there is of it. It's got that randomness of a diary, of anything popping into one's head put down on record. And that aspect, about film being "truth 24 frames a second, is one of the strongest things about it. It's message is both clear and hard to take: film is something that creates a reality of its own, as the male interviewee says, that a person can't have their own reality because of an aesthetic addition or distraction to it.

    This won't be news to anyone who's seen docu-horror films like Blair Witch Project or Diary of the Dead, but the difference here is that of high-minded artistic aspirations. David Holzman is a filmmaker already, so to make a film about himself, mostly with him in his apartment pondering things like Vincente Minelli or Truffaut's comment on a woman's flicking of a wrist like Debbie Reynolds, it's bound to be pretentious. The trick is to know that McBride is mocking this particular high-and-mighty artist who does have some good intentions, while at the same time making a very personal kind of film. Seeing McBride and Michael Wadleigh's camera going down a block, put to the local radio station, then going past old people's faces in close-up in a park or going by a cop who may or may not know a "film" is being shot, is incredible on-the-fly material. That or just Holzman shooting out of the window as a voyeur on another woman in an apartment reveals as much about the character as the filmmaker making the film within the film. Did I mention that Holzman, long before the semi-tragic ending, shoots the television at night one frame every single cut and then puts all the frames together? It's awe-inspiring and breathtaking.

    Might sound confusing, but it's worth it to take the experience if you know what you're getting, which is an experiment as much as a essay-style narrative. This doesn't mean all the performances are very good (I liked the woman in the car very much, the girl playing Penny or the male guy being interviewed not so much), but some moments, some truly cinematic experiences come out of it. 9.5/10
    8lastliberal-853-253708

    It stops being your life and starts being a work of art, a bad work of art

    Jim McBride's mockumentary is a delightful satire about the filmmaker's compulsion to capture everything on camera, and also a wry character study of one young man who uses his "art" as a pretext for complete self-absorption. This film from the sixties eerily forecasts our present absorption with social media.

    As played by L.M. Kit Carson, David is on an irreconcilable mission: to at once understand a world in chaos, and cocoon himself from it in his own cinematic world.

    He is lucky that his girlfriend ( Eileen Dietz) didn't chuck his camera when he filmed her sleeping nude.

    One thing I found fascinating is the "Observer Effect" as defined by David. Once you start filming, you cease to have reality as you change in response to the film. It is not real life, it is a movie. One would wonder here, if you wore a GoPro Hero all day would you record a normal day, or would you look for the abnormal?

    With irritation, alienation, a sex-hungry lady sitting in a car in the middle of traffic, and a few bloody noses, this one "Diary" worth peeking into.
    9zzz05

    An early faux documentary film school classic

    If you liked the Blair Witch Project, this is where they probably got the idea. Every film school shows this as an example of a completely fictional documentary, that works. Done in cinema verite style, the fictional angst filled life of a documentary maker falls apart, as he chronicles its disintegration, largely caused by his obsession with filming it as it crumbles. Like watching a train wreck.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      Shot on a budget of only $2,500.
    • Blooper
      Holzman shows a montage of TV he says he watched on a Tuesday night in July 1967. He was wrong about the night. Although it's hard to date the Huntley/Brinkley Report newscast or the Joey Bishop Show late-night talk show, neither Batman, Star Trek or the Dean Martin Show aired on a Tuesday night. In July 1967, Batman aired on Wednesday and Thursday nights and Star Trek and the Dean Martin Show aired on Thursday nights. The montage is from a Thursday night.
    • Citazioni

      David Holzman: It was like rooms everything is so perfect, that everything is so perfect that they have to be kept, that because this random particular accidental state so meaningful, so, so touching, it's so touching, it's so beautiful.

    • Connessioni
      Edited into 365 days, also known as a Year (2019)
    • Colonne sonore
      I'm a Man
      Written by Jimmy Miller and Steve Winwood

      Performed by The Spencer Davis

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    Dettagli

    Modifica
    • Data di uscita
      • 29 gennaio 1975 (Francia)
    • Paese di origine
      • Stati Uniti
    • Lingua
      • Inglese
    • Celebre anche come
      • David Holzmans Tagebuch
    • Luoghi delle riprese
      • New York, New York, Stati Uniti
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 14 minuti
    • Colore
      • Black and White
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.37 : 1

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