Aggiungi una trama nella tua linguaHolland. Spring 1945. Two armies face each other in the final confrontation of World War II. On the one hand are the powerful forces of the Allies, on the other, all that remains of the Thir... Leggi tuttoHolland. Spring 1945. Two armies face each other in the final confrontation of World War II. On the one hand are the powerful forces of the Allies, on the other, all that remains of the Third Reich. -Leigh ThomasHolland. Spring 1945. Two armies face each other in the final confrontation of World War II. On the one hand are the powerful forces of the Allies, on the other, all that remains of the Third Reich. -Leigh Thomas
- Regia
- Sceneggiatura
- Star
Fajda Nicol
- Martha
- (as Faida Nichols)
Anthony Dawson
- American Colonel
- (as Antony Dawson)
John Bartha
- Hassler's Subordinate
- (non citato nei titoli originali)
Jean-Pierre Clarain
- Hassler's Ordonnance
- (non citato nei titoli originali)
William Conroy
- German Officer
- (non citato nei titoli originali)
Tom Felleghy
- American N.C.O.
- (non citato nei titoli originali)
Hans Thorner
- Nazi Officer
- (non citato nei titoli originali)
Michele Titov
- Nazi Officer
- (non citato nei titoli originali)
Recensioni in evidenza
Just watched this offering on movies4men.
I'm not sure if the first poster was watching the same film as the rest of us!
An unbelievable plot (or lack of it), dreadful script, wooden acting even from stars like Curt Jurgens, awful sets with absolutely no basis on historical reality, comic book Nazis, and so on.
This film was so embarrassingly bad it was captivating viewing. I found myself gasping in amazement at the awful cinematography, poor editing and the final clichéd romantic scene was just ....
Sorry (gulp) I can't take any more.
I'm not sure if the first poster was watching the same film as the rest of us!
An unbelievable plot (or lack of it), dreadful script, wooden acting even from stars like Curt Jurgens, awful sets with absolutely no basis on historical reality, comic book Nazis, and so on.
This film was so embarrassingly bad it was captivating viewing. I found myself gasping in amazement at the awful cinematography, poor editing and the final clichéd romantic scene was just ....
Sorry (gulp) I can't take any more.
The script writers and produces of this movie seem to have focused on the misnomer that it was the US Armed Forces that liberated the Netherlands.
Whilst there may have been some US presents in the Amsterdam area to my knowledge it was the Canadian Armed Forces that actually liberated the Netherlands.
Canada is not the United States of America!
Whilst there may have been some US presents in the Amsterdam area to my knowledge it was the Canadian Armed Forces that actually liberated the Netherlands.
Canada is not the United States of America!
The pleasure of seeing some good and dear actors again: Daniela Bianchi, Adolfo Celi, Michel Constantin, Frederick Stafford. Curd Jürgens in the role of a good German general. Helmuth Schneider in the role of a very bad SS officer. The music signed by master Ennio Morricone with Bruno Nicolai is not great.
Embarrassingly bad, low-budget Italian-made war movie set in Holland in the dying days of WWII. A tedious, plodding storyline concerning a plot to steal some diamonds from a German HQ, awful acting and dreadful editing make this movie a prize turkey from the opening scene right through to the cringeworthy oh-so-60s `romantic' ending which will have you reaching for the puke bucket - that is if you haven't already reached for the `Off' button long before. The worst performances come from John Ireland as Captain O'Connor and the blonde female lead, whose name escapes me. She plays the `love interest' to our Rugged Leading Man. Perhaps it wasn't entirely her fault, as back then female romantic leads, especially in action movies, were often written as weak, wishy-washy, sobbing, super-sensitive emotional jellyfish. This one is no exception, and the second, supporting female character is just as bad. Simply nauseating to watch. Even the action scenes (which are few and far between, except towards the end) are boring and predictable. Most ludicrously, in the climatic battle, we have Rugged Leading Man and his two mates holed up in some sandbagged bunker and effortlessly gunning down endless attacking Germans right, left and centre. The Germans of course are all terrible shots and even seem to be eager cannon-fodder, as they make little or no effort to take cover, dying spectacularly in droves amid much flailing of arms and comic-book shouts of `AAAAARGH'. This is glorification of war at its very worst. Then suddenly - right in the middle of the battle - the resistance guy pulls up completely unmolested in a stolen German jeep and trots effortlessly along a convenient trench - which leads directly into the bunker and which somehow hundreds of Germans approaching from all sides have failed to spot - and calmly joins Our Heroes inside the bunker. Another scene of crass stupidity that really must be seen to be believed has Captain O'Connor flying over the German lines in a reconnaissance plane which, with the help of some clumsily-inserted old newsreel footage, is suddenly and miraculously transformed into a heavy bomber disgorging its massive payload from wide-open bomb bays and pulverising the Germans beneath, before once more instantaneously reverting to being a small reconnaissance plane again. The concept of an ongoing truce between the resistance fighters and the occupying German army also seems ludicrous to me, yet this is a central theme of the movie. The English title of the film was obviously inspired by `The Dirty Dozen' (which was made around the same time) but it doesn't deserve to be mentioned in the same breath. The original Italian title of this film (Dalle Ardenne all' Inferno), the sleeve notes for the English language video release are also grossly misleading. This film has absolutely NOTHING to do with the Battle of the Ardennes. The Ardennes isn't even in Holland - it's a part of Belgium - which indicates that the film-makers' knowledge of World War II events and geography was just as limited as their ability to make even a half-decent film. Don't waste two hours of your valuable time on this rubbish. One of the worst movies I've had the misfortune to sit through - and I've sat through some garbage!!
Macaroni Kombat with Hitchcock star Frederick Stafford and BAFTA AWARD nominee Curd Jürgens
In the second half of the 1960s, the Roman film industry increasingly made war films about the events of the Second World War. This is how this Italian-French-German co-production came about by Alberto De Martino (1929-2015), who will also be shooting "The Mafia Boss" and "The Man with Icy Eyes" in the near future, each with GOLDEN GLOBE nominee Antonio Sabato in the lead role. It was produced by Edmondo Amati (1920-2002), and Ennio Morricone and Bruno Nicolai contributed the music.
Two US soldiers (Frederick Stafford as Joe "Sesam" Mortimer and Howard Ross with reddish hair) manage to escape from a Nazi prisoner of war camp in the Netherlands. Their destination is the city headquarters of Amsterdam, where they suspect not only documents important to the war effort, but above all diamonds. They get support from the Dutch resistance (Adolfo Celi as partisan Luc Rollman). They are hunted by Wehrmacht General von Keist (Curd Jürgens, 1915-1982) and the SS henchman Hassler (Helmuth Schneider). The beautiful general's wife Kristina von Keist (the Bond beauty Daniela Bianchi, born in Rome in 1942), who is forced to help by Mortimer because of her past, also plays a crucial role. Of course she can't resist the attraction of the charm stud for long...
This war film, which is well worth seeing, rushes from one action to the next and wants to be both a crime thriller and a comedy. Sometimes that's asking too much, but the breathless actionism ensures that you don't have to think or get bored.
What is interesting is how differentiated the Nazi opponents are shown. While Helmuth Schneider (1920-1972), who was employed at the Deutsches Theater in Göttingen in the early 1950s, plays the brutal Nazi man, Curd Jürgens is portrayed in a much more differentiated and sympathetic manner as the general. The cast, which also includes John Ireland and Michel Constantin, is very exquisite. What's particularly great is the interaction between the main actors: Daniela Bianchi and Curd Jürgens are convincing as a married couple in difficult times, and Frederick Stafford (1928-1979) and Howard Ross (who turned 80 in January 2021) make a good buddy team.
Successful war film with an action-packed plot!
In the second half of the 1960s, the Roman film industry increasingly made war films about the events of the Second World War. This is how this Italian-French-German co-production came about by Alberto De Martino (1929-2015), who will also be shooting "The Mafia Boss" and "The Man with Icy Eyes" in the near future, each with GOLDEN GLOBE nominee Antonio Sabato in the lead role. It was produced by Edmondo Amati (1920-2002), and Ennio Morricone and Bruno Nicolai contributed the music.
Two US soldiers (Frederick Stafford as Joe "Sesam" Mortimer and Howard Ross with reddish hair) manage to escape from a Nazi prisoner of war camp in the Netherlands. Their destination is the city headquarters of Amsterdam, where they suspect not only documents important to the war effort, but above all diamonds. They get support from the Dutch resistance (Adolfo Celi as partisan Luc Rollman). They are hunted by Wehrmacht General von Keist (Curd Jürgens, 1915-1982) and the SS henchman Hassler (Helmuth Schneider). The beautiful general's wife Kristina von Keist (the Bond beauty Daniela Bianchi, born in Rome in 1942), who is forced to help by Mortimer because of her past, also plays a crucial role. Of course she can't resist the attraction of the charm stud for long...
This war film, which is well worth seeing, rushes from one action to the next and wants to be both a crime thriller and a comedy. Sometimes that's asking too much, but the breathless actionism ensures that you don't have to think or get bored.
What is interesting is how differentiated the Nazi opponents are shown. While Helmuth Schneider (1920-1972), who was employed at the Deutsches Theater in Göttingen in the early 1950s, plays the brutal Nazi man, Curd Jürgens is portrayed in a much more differentiated and sympathetic manner as the general. The cast, which also includes John Ireland and Michel Constantin, is very exquisite. What's particularly great is the interaction between the main actors: Daniela Bianchi and Curd Jürgens are convincing as a married couple in difficult times, and Frederick Stafford (1928-1979) and Howard Ross (who turned 80 in January 2021) make a good buddy team.
Successful war film with an action-packed plot!
Lo sapevi?
- QuizFirst "macaroni combat" movie (Italian WW2 flicks), in the wake of Quella sporca dozzina (1967)'s success, done in Italy. La battaglia di El Alamein (1969) and La battaglia d'Inghilterra (1969) ("multo superiore" by director Enzo G. Castellari) followed, also with Frederick Stafford.
- Versioni alternativeSome home video prints run 105 minutes, while other uncut prints run 120 minutes.
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Dettagli
- Tempo di esecuzione
- 2h 1min(121 min)
- Mix di suoni
- Proporzioni
- 2.35 : 1
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