Aggiungi una trama nella tua linguaHolland. Spring 1945. Two armies face each other in the final confrontation of World War II. On the one hand are the powerful forces of the Allies, on the other, all that remains of the Thir... Leggi tuttoHolland. Spring 1945. Two armies face each other in the final confrontation of World War II. On the one hand are the powerful forces of the Allies, on the other, all that remains of the Third Reich. -Leigh ThomasHolland. Spring 1945. Two armies face each other in the final confrontation of World War II. On the one hand are the powerful forces of the Allies, on the other, all that remains of the Third Reich. -Leigh Thomas
- Regia
- Sceneggiatura
- Star
Fajda Nicol
- Martha
- (as Faida Nichols)
Anthony Dawson
- American Colonel
- (as Antony Dawson)
John Bartha
- Hassler's Subordinate
- (non citato nei titoli originali)
Jean-Pierre Clarain
- Hassler's Ordonnance
- (non citato nei titoli originali)
William Conroy
- German Officer
- (non citato nei titoli originali)
Tom Felleghy
- American N.C.O.
- (non citato nei titoli originali)
Hans Thorner
- Nazi Officer
- (non citato nei titoli originali)
Michele Titov
- Nazi Officer
- (non citato nei titoli originali)
Recensioni in evidenza
Possibly the best that I've watched of the "Euro-Cult" variations on Hollywood's war-themed spectaculars of the 1960s (ditto with respect to the films of director De Martino); that said, its overall quality is only comparable to second-tier legitimate efforts like, say, THE DEVIL'S BRIGADE (1968) or KELLY'S HEROES (1970)!
I've watched a few of these during the past year and they mostly emerged to be competent and enjoyable, but also instantly forgettable; being usually co-productions between various European countries, they still managed to attract a number of international stars. In this case, the hero is played by American Frederick Stafford (who later made BATTLE OF EL ALAMEIN [1969] and EAGLES OVER London [1969]). Interestingly, the film co-stars four James Bond alumni in leading lady Daniela Bianchi (FROM Russia, WITH LOVE [1963]), Curd Jurgens (THE SPY WHO LOVED ME [1977]), Adolfo Celi (THUNDERBALL [1965]) and Anthony Dawson (DR. NO [1962]); also on hand are Howard Ross, Michel Constantine, John Ireland and, most impressively perhaps, Helmuth Schneider as a nasty SS officer.
What's unusual about this particular title is that it throws in an elaborate diamond caper (with access to the vault gained from under water) amidst the usual Nazis-vs.-Partisans action. Of course, to complicate matters further is the budding romance between Stafford and Bianchi (she's a Jew married to high-ranking German officer Jurgens!) and, besides, virtually all those involved have their own agenda as to what to do with the loot! The action sequences are no less sweeping than those of the typical Hollywood outing, particularly during the (rather protracted) climax this is then followed by a clumsy attempt to tie up its many loose ends, thus making the whole even more overlong! As a matter of fact, in hindsight it seems that the film doesn't know whether it wants to be a straightforward war actioner, a tongue-in-cheek caper adventure or something a lot more solemn altogether, but at least it does have its moments in each of these facets.
Incidentally, this was one of the few times where composers Ennio Morricone and Bruno Nicolai shared credit for a film score (which is alternately stirring and melancholy); usually, the latter either composed alone or conducted the former's themes.
I've watched a few of these during the past year and they mostly emerged to be competent and enjoyable, but also instantly forgettable; being usually co-productions between various European countries, they still managed to attract a number of international stars. In this case, the hero is played by American Frederick Stafford (who later made BATTLE OF EL ALAMEIN [1969] and EAGLES OVER London [1969]). Interestingly, the film co-stars four James Bond alumni in leading lady Daniela Bianchi (FROM Russia, WITH LOVE [1963]), Curd Jurgens (THE SPY WHO LOVED ME [1977]), Adolfo Celi (THUNDERBALL [1965]) and Anthony Dawson (DR. NO [1962]); also on hand are Howard Ross, Michel Constantine, John Ireland and, most impressively perhaps, Helmuth Schneider as a nasty SS officer.
What's unusual about this particular title is that it throws in an elaborate diamond caper (with access to the vault gained from under water) amidst the usual Nazis-vs.-Partisans action. Of course, to complicate matters further is the budding romance between Stafford and Bianchi (she's a Jew married to high-ranking German officer Jurgens!) and, besides, virtually all those involved have their own agenda as to what to do with the loot! The action sequences are no less sweeping than those of the typical Hollywood outing, particularly during the (rather protracted) climax this is then followed by a clumsy attempt to tie up its many loose ends, thus making the whole even more overlong! As a matter of fact, in hindsight it seems that the film doesn't know whether it wants to be a straightforward war actioner, a tongue-in-cheek caper adventure or something a lot more solemn altogether, but at least it does have its moments in each of these facets.
Incidentally, this was one of the few times where composers Ennio Morricone and Bruno Nicolai shared credit for a film score (which is alternately stirring and melancholy); usually, the latter either composed alone or conducted the former's themes.
The pleasure of seeing some good and dear actors again: Daniela Bianchi, Adolfo Celi, Michel Constantin, Frederick Stafford. Curd Jürgens in the role of a good German general. Helmuth Schneider in the role of a very bad SS officer. The music signed by master Ennio Morricone with Bruno Nicolai is not great.
The film is set in Holland 1945, last days of WWII, with two armies battling , the Montgomery powerful army and the remains of the Nazi batallions . At a concentration camp or Lager occurs two protagonists , Frédéric Stafford and Howard Ross as prisoners , get escaped. They are helped by a German guard, Michael Constantine, . The group team up with a Dutch partísan , Rollman : Adolfo Celi , to rob documents about V1 , V2 rockets and a loot of Netherland diamonds from underwater through the Nazi bowels to the vault safe-box located at the Wehrmacht headquarter . As the bunch looting or loving and they play it dirty . As they fight a dozen dirty different ways . Meanwhile, Frederick Stafford falls for a gorgeous Jew , Daniela Bianchi , married to a German general , Curd Jurgens.
Average warlike movie contains thrills , breathtaking scenes , noisy explosions , busy battles , vicious Nazis, and a spectacular caper . The film is set when the defeat of third Reich is imminent , in its ending confrontation and two armies take on each other , on the one hand the Allied Army and on the other hand the tarnishing garrisons of the third Reich. It is a middling actioner with some decent scenes , a straightforward warfare movie with lots of shootouts , a love story , a diamond caper, fights , twists and turns. Displaying a great number of extras, ships , tanks, machine guns , and soldiers with acceptable production design . In spite of some flaws and gaps , the Wartime action keeps breathless, thanks to tension and intrigue . Notable widescreen scenes , which will suffer on TV small screen and including several zooms , as usual . Main cast is passable . It stars Frédéric Stafford who played Hitcock's Topaz and two war films as Battle of Alamein by Giorgio Ferroni and Eagles over London by Enzo G Castell . Along with the beautiful Daniela Bianchi and Adolfo Celi , both of whom played James Bond movies. Support cast is pretty well formed by ordinary secondaries of the 60s and 70s such as Curd Jurgens , Anthony Dawson , Howard Ross, Tom Felleghy , John Bartha , among others . Special mention for Helmut Schneider as a nasty SS officer and John Ireland as an American pilot, captain O'Connor.
It has an attractive musical score by the great Ennio Morricone , helped by his regular collaborator Bruno Nicolai . Atmospheric cinematography in Technicolor Techniscope by cameraman Giovanni Bergamini, though a perfect remastering being absolutely necessary . Adding the brilliant matte shots and visual effects from Emilio Ruiz Del Rio and Alejandro Ulloa . This is an European coproduction among various countries : Italy , Germany , Holland , France , Spain and in enough budget. The motion picture was regular but professionally directed by Alberto De Martino . Martino was a craftsman who directed all kinds of genres, getting some sucessess such as Puma man, Holocausto 2000, The antichrist , Django shoots first , Operation Lady Chaplin , Hero of Rome, Medusa against the son of Hercules , Seven Spartans , Horror , among others.
THis film titled Dirty heroes , or De las Ardenas al Infierno, or Della Ardenne all'inferno , belongs to a numerous group of European coproductions, usually Italian/Spanish , nicknamed Macarroni combat made throughout the late 1960 and beginnings 70s , imitating American ones , often directed by Enzo G Castelari ,Umberto Lenzi, José Luis Merino and León Klimovski , including old Hollywood stars as Hell brigade with Jack Palance , Eagles over London with Van Johnson, Command attack with Michael Rennie , The Legión of no return with Tab Hunter or this Dirty Heroes with John Ireland . All of them were supported by the Italian or Spanish army that lent tanks , weapons, soldiers to make these films.
Average warlike movie contains thrills , breathtaking scenes , noisy explosions , busy battles , vicious Nazis, and a spectacular caper . The film is set when the defeat of third Reich is imminent , in its ending confrontation and two armies take on each other , on the one hand the Allied Army and on the other hand the tarnishing garrisons of the third Reich. It is a middling actioner with some decent scenes , a straightforward warfare movie with lots of shootouts , a love story , a diamond caper, fights , twists and turns. Displaying a great number of extras, ships , tanks, machine guns , and soldiers with acceptable production design . In spite of some flaws and gaps , the Wartime action keeps breathless, thanks to tension and intrigue . Notable widescreen scenes , which will suffer on TV small screen and including several zooms , as usual . Main cast is passable . It stars Frédéric Stafford who played Hitcock's Topaz and two war films as Battle of Alamein by Giorgio Ferroni and Eagles over London by Enzo G Castell . Along with the beautiful Daniela Bianchi and Adolfo Celi , both of whom played James Bond movies. Support cast is pretty well formed by ordinary secondaries of the 60s and 70s such as Curd Jurgens , Anthony Dawson , Howard Ross, Tom Felleghy , John Bartha , among others . Special mention for Helmut Schneider as a nasty SS officer and John Ireland as an American pilot, captain O'Connor.
It has an attractive musical score by the great Ennio Morricone , helped by his regular collaborator Bruno Nicolai . Atmospheric cinematography in Technicolor Techniscope by cameraman Giovanni Bergamini, though a perfect remastering being absolutely necessary . Adding the brilliant matte shots and visual effects from Emilio Ruiz Del Rio and Alejandro Ulloa . This is an European coproduction among various countries : Italy , Germany , Holland , France , Spain and in enough budget. The motion picture was regular but professionally directed by Alberto De Martino . Martino was a craftsman who directed all kinds of genres, getting some sucessess such as Puma man, Holocausto 2000, The antichrist , Django shoots first , Operation Lady Chaplin , Hero of Rome, Medusa against the son of Hercules , Seven Spartans , Horror , among others.
THis film titled Dirty heroes , or De las Ardenas al Infierno, or Della Ardenne all'inferno , belongs to a numerous group of European coproductions, usually Italian/Spanish , nicknamed Macarroni combat made throughout the late 1960 and beginnings 70s , imitating American ones , often directed by Enzo G Castelari ,Umberto Lenzi, José Luis Merino and León Klimovski , including old Hollywood stars as Hell brigade with Jack Palance , Eagles over London with Van Johnson, Command attack with Michael Rennie , The Legión of no return with Tab Hunter or this Dirty Heroes with John Ireland . All of them were supported by the Italian or Spanish army that lent tanks , weapons, soldiers to make these films.
Embarrassingly bad, low-budget Italian-made war movie set in Holland in the dying days of WWII. A tedious, plodding storyline concerning a plot to steal some diamonds from a German HQ, awful acting and dreadful editing make this movie a prize turkey from the opening scene right through to the cringeworthy oh-so-60s `romantic' ending which will have you reaching for the puke bucket - that is if you haven't already reached for the `Off' button long before. The worst performances come from John Ireland as Captain O'Connor and the blonde female lead, whose name escapes me. She plays the `love interest' to our Rugged Leading Man. Perhaps it wasn't entirely her fault, as back then female romantic leads, especially in action movies, were often written as weak, wishy-washy, sobbing, super-sensitive emotional jellyfish. This one is no exception, and the second, supporting female character is just as bad. Simply nauseating to watch. Even the action scenes (which are few and far between, except towards the end) are boring and predictable. Most ludicrously, in the climatic battle, we have Rugged Leading Man and his two mates holed up in some sandbagged bunker and effortlessly gunning down endless attacking Germans right, left and centre. The Germans of course are all terrible shots and even seem to be eager cannon-fodder, as they make little or no effort to take cover, dying spectacularly in droves amid much flailing of arms and comic-book shouts of `AAAAARGH'. This is glorification of war at its very worst. Then suddenly - right in the middle of the battle - the resistance guy pulls up completely unmolested in a stolen German jeep and trots effortlessly along a convenient trench - which leads directly into the bunker and which somehow hundreds of Germans approaching from all sides have failed to spot - and calmly joins Our Heroes inside the bunker. Another scene of crass stupidity that really must be seen to be believed has Captain O'Connor flying over the German lines in a reconnaissance plane which, with the help of some clumsily-inserted old newsreel footage, is suddenly and miraculously transformed into a heavy bomber disgorging its massive payload from wide-open bomb bays and pulverising the Germans beneath, before once more instantaneously reverting to being a small reconnaissance plane again. The concept of an ongoing truce between the resistance fighters and the occupying German army also seems ludicrous to me, yet this is a central theme of the movie. The English title of the film was obviously inspired by `The Dirty Dozen' (which was made around the same time) but it doesn't deserve to be mentioned in the same breath. The original Italian title of this film (Dalle Ardenne all' Inferno), the sleeve notes for the English language video release are also grossly misleading. This film has absolutely NOTHING to do with the Battle of the Ardennes. The Ardennes isn't even in Holland - it's a part of Belgium - which indicates that the film-makers' knowledge of World War II events and geography was just as limited as their ability to make even a half-decent film. Don't waste two hours of your valuable time on this rubbish. One of the worst movies I've had the misfortune to sit through - and I've sat through some garbage!!
Just watched this offering on movies4men.
I'm not sure if the first poster was watching the same film as the rest of us!
An unbelievable plot (or lack of it), dreadful script, wooden acting even from stars like Curt Jurgens, awful sets with absolutely no basis on historical reality, comic book Nazis, and so on.
This film was so embarrassingly bad it was captivating viewing. I found myself gasping in amazement at the awful cinematography, poor editing and the final clichéd romantic scene was just ....
Sorry (gulp) I can't take any more.
I'm not sure if the first poster was watching the same film as the rest of us!
An unbelievable plot (or lack of it), dreadful script, wooden acting even from stars like Curt Jurgens, awful sets with absolutely no basis on historical reality, comic book Nazis, and so on.
This film was so embarrassingly bad it was captivating viewing. I found myself gasping in amazement at the awful cinematography, poor editing and the final clichéd romantic scene was just ....
Sorry (gulp) I can't take any more.
Lo sapevi?
- QuizFirst "macaroni combat" movie (Italian WW2 flicks), in the wake of Quella sporca dozzina (1967)'s success, done in Italy. La battaglia di El Alamein (1969) and La battaglia d'Inghilterra (1969) ("multo superiore" by director Enzo G. Castellari) followed, also with Frederick Stafford.
- Versioni alternativeSome home video prints run 105 minutes, while other uncut prints run 120 minutes.
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Dettagli
- Tempo di esecuzione2 ore 1 minuto
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Dalle Ardenne all'inferno (1967) officially released in India in English?
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