Corri uomo corri

"Run, Man, Run" (1968) is a Revoloutionary Spaghetti Western directed by the third "Sergio" (after Leone and Corbucci) Sergio Sollima. It stars Thomas Milian as Cuchillo the peasant, reprising his role from "The Big Gundown" (1966), who becomes involved in the hunt of a large cache of gold in Texas.

This is a semi-sequel to "The Big Gundown", but like the Dollars trilogy one can be watched without the other and no confusion arise. In fact, it is probably best to watch this and not compare it to the two previous Sollima Westerns as this movie will be found wanting, which is not to say it is a poor film. Quite the opposite, it is very well directed, acted (especially by Milian), scored by Bruno Nicolai (although allegedly Ennio Morricone gave a helping hand) and the cinematography by Guglielmo Mancori is fantastic. It is just that in this picture what you get is absolutely what you see; there isn't any Fascist allegory hiding underneath like there is in "Face to Face" (1967) or the character complexities there is in "The Big Gundown". Perhaps because Sollima is a better director than scriptwriter (this is his only Spaghetti Western where Sergio Donati doesn't have a screenplay credit). Still, this is a very good Western, way above the average fare and a film anybody with even only a superficial knowledge of the genre will acknowledge as a great.

Once upon a time in the cinematic west, more particularly during the sixties, you had to be Italian and your first name preferably had to be Sergio in order to make the greatest Spaghetti Westerns of all time. There was the greatest Sergio of them all (Sergio Leone, creator of the "Dollars"-trilogy and "Once upon a time in the West") but there was also Sergio Corbucci who made the awesomely terrific "Django" and "The Great Silence", and last but not least there was Sergio Sollima who was responsible for "The Big Gundown" and its mega-cool sequel "Run Man Run". Unfortunately I haven't seen the original yet – it's hardly my fault Blue Underground opted to include only the sequel in the fabulous Spaghetti Western Collection DVD box – but the follow up is a vastly entertaining, fast-paced, refreshing, exhilarating and effectively light-headed western adventures and promptly became one of my new personal favorites in the genre. Tomas Milian is stupendous as usual depicting the witty and hyperactive petty criminal Manuel "Cuchillo" Sanchez who is literally always on the run; whether for his demanding fiancée who insists on getting married or – due to a series of unforeseen events – from a whole lot of bounty hunters, organized criminal gangs and Mexican army officers. After helping a Mexican revolutionist to escape from jail, Cuchillo receives some valuable information regarding the whereabouts of a treasure of $3.000.000 in gold. This money is meant to finance the Mexican Revolution, but obviously several parties are more than interested in stealing it and they're all short on Cuchillo's tail as he's the only one who can lead them to the exact location. This top-class Italian western is near damn perfect from every viewpoint. The typical "Viva La Revolution" theme is always present, but never obtrusively shoved down your throat like often the case in other westerns (for example "Bullet for the General") and actually the emphasis strangely enough lies on comedy and abrupt plot twists instead of on harsh fights until death. Cuchillo spends most of his time on screen either running (duh!) or captured by one of his many opponents and subjected to ingenious methods of torture, but his narrow escapes are even greater to behold. Despite the comical atmosphere, "Run Man Man" nevertheless contains large portions of violence (Cuchillo is an expert knife thrower) and typically wild Western shootouts in desolate areas. The musical scores, courtesy of both Bruno Nicolai and Ennio Morricone, are beyond genius. The title track can be found on YouTube and I'm really addicted to it.

This sequel is the third part from ¨Sergio Sollima trilogy¨ , starred by Tomas Milian , as roguish Cuchillo and formed by ¨Big gundown¨, ¨Face to face¨ and this one . Now as absolute starring , Tomas Milian supported by Donald O'Brien in similar role to Lee Van Cleef from ¨Big gundown¨ . It's set during early Mexican revolution with Porfirio Diaz governing , approximately in 1910s . The McGuffin is a hidden treasure by Benito Juarez beyond frontier . The revolutionaries aren't Pancho Villa or Emilio Zapata , but is an imaginary Santillana , well performed by John Ireland in a brief acting . The Cuban Tomas Milian, as usual, puts faces, grimaces, crying and overacting , but he plays splendidly . Enjoyable appearance by also Cuban , the gorgeous Chelo Alonso, usual of Peplum and Western : ¨The good, the bad and the ugly¨. Furthermore, there appears Italian Western usual secondaries as Jose Torres , Gianni Rizzo, Luciano Rossi and Rick Boyd.

This Zapata-Western is inferior than previous entries but displays stirring adventures , shootouts, riding pursuits and is pretty amusing . Sensitive musical score by Bruno Nicolai , replacing the great Ennio Morricone , former films composer . Colorful and evocative cinematography by Mancori , showing marvelously the habitual Almeria (Spain) outdoors. The picture was well directed by Sergio Sollima that would be his last Western and following directing successes such as ¨Sandokan¨.

Sergio Sollima's "Corri, Uomo, Corri" aka. "Run, Man, Run!" of 1968 is a great and very funny sequel to his 1966 masterpiece "La Resa Dei Conti" aka. "The Big Gundown". As Sollimas two other Westerns, this is once again a quite political film, but unlike "The Big Gundown" and "Face To Face", it is so humorous, that it could actually be described as a Spaghetti Western Comedy.

After a dying revolutionary entrusts the hideout of a fortune to him, Mexican petty thief and excellent knife thrower Cuchillo (Tomas Milian, who already played Cuchillo in "The Big Gundown") is chased through the Mexican/Texan borderland by a gang of Mexian bandits, two French mercenaries, who work for the Mexican government, and Nathaniel Cassidy (Donal O'Brien), an American gunslinger who, although primarily interested in money, still has some of his former ideals left. Furthermore Cuchillo is constantly followed by his loving girlfriend Dolores (beautiful Chelo Alonso), who is sexy and passionate, but also very jealous and short-tempered. On his run, Chuchillo first meets, and travels with a pretty blonde Salvation Army activist called Penny (Linda Veras), much to Dolores' disfavor, and later teams up with Cassidy against their mutual enemies.

The acting in this movie is great, especially Tomas Milian (one of my favorite actors) and Donal O'Brien deliver excellent performances as the two main characters. The supporting cast is also very good, the legendary John Ireland has a small role as a the leader of a Mexican revolutionary squad. The cinematography is great, and so is the music by Bruno Nicolai and Ennio Morricone. Many scenes in movie are very memorable, some of them very funny , a Mexican bandit gang leader orders his wife to hold off on giving birth to their child for a few days for example, because he doesn't want his son to be a "Gringo" born in the US, and the French hit men played by Luciano Rossi and Marco Guglielmi are two very satirical villains.

Maybe not quite as brilliant as "The Big Gundown", but still an excellent movie, "Run, Man, Run!" is a witty, great and very entertaining Spaghetti Western, a must see for genre-fans, but also recommended to everybody else.

Imagine an Italian western inspired by Marx - not Groucho, but KARL. Springing from the loins of the European mini-revolutions of 1968 comes a western with a conscience, courtesy of spaghetti socialist Sergio Sollima, who recycles his most memorable character from the 1967 The Big Gundown and builds an entire film around him.

Cuban-born Tomas Milian returns as Cuchillio, a wily yet endearingly naive opportunist who's quick with a knife but not so quick on the uptake. A quick spell in a border prison sees him share a cell with a seditious poet named Rodriguez, whose dying breath reveals the last resting place of a $3 million cache of revolution-bound gold. And so begins Cuchillio's journey, spreading his proto-revolutionary seed across the Texas border whilst pursued by a sleazy assortment of cutthroats and would-be revolutionaries, spaghetti western regular Donal O'Brien playing a sheriff with a conscience, two French secret agents, his jealous fiancé Dolores (played by the fiery Chelo Alonso), and a blond sergeant in the Salvation Army, a woman who sticks out of her unlikely surroundings like a turd tambourine. Cuchillio himself spends most of his screen time bound, gagged with dynamite, spreadeagled in some godforsaken location, or in one stunning sequence, strapped to the blade of a windmill. And STILL He doesn't lose his sense of humor.

Like The Good The Bad And The Ugly it's a deliberately open-ended epic quest for hidden treasure, but without Leone's grandiose scale and pretentious camera histrionics. It's more like The Wizard of Oz wrapped in a burrito, and peppered with the most random of supporting characters. The usual grimness of these spaghetti westerns is contrasted with Tomas Milian's comic timing, a rousing score by an uncredited Ennio Morricone, and a surprising cameo from veteran American actor John Ireland as a crusty, battle-scarred soldier of the class struggle.

Socialist westerns don't usually come this entertaining - come to think of it, socialists are rarely funny at all! So enjoy the picaresque, picturesque and thankfully undogmatic 1968 Run Man Run.